The Orchard has taken North American rights from Xyz Films to Ivan Kavanagh’s psychological horror in a rare on-site acquisition at this year’s Tribeca.
The Canal premiered at Tribeca this week and will go through The Orchard’s horror label, Shock Till You Drop.
Rupert Evans, Antonia Campbell-Hughes, Hannah Hoekstra, Kelly Byrne and Steve Oram star in the Ireland-uk co-production.
AnneMarie Naughton produced the haunted house story for Park Films.
Video Services Corp has taken North American rights on all platforms for Happy Slapping, the feature that shot entirely on smartphones. Jonathan Gross of Vsc brokered the deal with Christos Sourligas of One Man Band Films and plans a spring 2014 release.
The Canal premiered at Tribeca this week and will go through The Orchard’s horror label, Shock Till You Drop.
Rupert Evans, Antonia Campbell-Hughes, Hannah Hoekstra, Kelly Byrne and Steve Oram star in the Ireland-uk co-production.
AnneMarie Naughton produced the haunted house story for Park Films.
Video Services Corp has taken North American rights on all platforms for Happy Slapping, the feature that shot entirely on smartphones. Jonathan Gross of Vsc brokered the deal with Christos Sourligas of One Man Band Films and plans a spring 2014 release.
- 4/25/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Following our looks at actors, actresses, screenwriters and directors to watch in recent months, when the time came to put together a list of cinematographers (as we did two years ago), we went in with an open mind. But what was interesting is realizing, after the fact, that in an era where 35mm film is allegedly being phased out, that all five have done perhaps their most distinctive work on old-fashioned celluloid, rather than digital.
All have worked in digital of course, at least in the commercial world, and some have done hugely impressive work on new formats. But most of our five are fierce advocates for good 'ol 35mm, and it's another sign that the death knell shouldn't be rung for the old ways just yet. As long as there are talented DoPs like the ones below, and on the following pages, working closely with filmmakers like Paul Thomas Anderson,...
All have worked in digital of course, at least in the commercial world, and some have done hugely impressive work on new formats. But most of our five are fierce advocates for good 'ol 35mm, and it's another sign that the death knell shouldn't be rung for the old ways just yet. As long as there are talented DoPs like the ones below, and on the following pages, working closely with filmmakers like Paul Thomas Anderson,...
- 6/26/2012
- by Oliver Lyttelton
- The Playlist
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