12 Years a Slave
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More than a powerful elegy, 12 Years a Slave is a mesmerizing triumph of art and polemics: McQueen turns a topic rendered distant by history into an experience that, short of living through the terrible era it depicts, makes you feel as if you've been there.
Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.
Stark, visceral and unrelenting, 12 Years a Slave is not just a great film but a necessary one.
Elicits from McQueen a directing job that's compellingly humble but also majestic, because his radical showmanship is turned to such precise, human purposes.
A document that is raw, eloquent, horrifying and essential.
The New Yorker
12 Years a Slave is easily the greatest feature film ever made about American slavery.
This revolving door of graphically rendered brutalities might feel like its own punishment if not for an array of astonishing performances that’s practically a one-stop Oscar-nomination shopping spree.
The Hollywood Reporter
Perhaps the nature of the story is such that the film can’t help but be obvious and quite melodramatic at times, but it gets better as it goes along and builds to a moving finish.
Ejiofor’s tightly clenched conviction perfectly embodies hope and righteousness against all odds. He gives the best performance of his career to date, and what’s more, he gives “Slave” its bruised, beating heart with every scene.
Steve McQueen's film practically treats Solomon Norhtup as passive observer to a litany of horrors that exist primarily for our own education.
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