No

¨Adios, Mr. Pinochet¨

No is one of those films which I wasn't looking forward to seeing because I just wasn't interested in the subject matter. I'm not into historical political movies, but this film was much more than that. No works more as a media satire than an actual political movie. The satire works really well and it reminds us of how important the media can be in our society. No should be required viewing for all advertising students in schools around the globe. The film works in great part thanks to Gael Garcia Bernal's performance as the ad executive who comes up with the campaign for No in the referendum. Bernal has proved in the past that he's a very reliable actor, and one of the best in Latin America. The film also has great direction from Pablo Larraín, who decided to shoot the film using U-matic video tape to give it a more 80's vibe since that was the type of video which was used then. That brought a sense of realism to the movie, and at times it felt like a documentary. This was a well crafted film, and a decent contender for best foreign film of the year. It lost to Amour in the Oscars, but received a lot of love in the Cannes Festival last year. The screenplay was very well adapted by Pedro Peirano (who also wrote the screenplay for 2009's The Maid, a well received Chilean film) from Antonio Skarmeta's (famous for his novel Il Postino) play. This is one art house film you won't regret watching.

It's the end of the 80's and Chilean dictator, Augusto Pinochet, has called for a national referendum after being pressured by international organisms. After 15 years of dictatorship, Pinochet is allowing the country to vote Yes or No to him extending his rule for 8 more years in the country. Everyone is convinced that this is all a farce and just a means for Pinochet to legalize his authority. Pinochet is also convinced he will win the elections considering that he has brought economic stability to the country. For 27 days both parties will be allowed to have a 15 minute spot of uninterrupted television air time in which they can campaign. This is where the young ad executive known as Rene Saavedra (Gael Garcia Bernal) comes to play. The No coalition decides to hire him to lead their campaign, but what they don't realize is that he will bring a unique approach to the campaign. Since Pinochet's dictatorship was known for its brutal intimidation and censorship, everyone in the No coalition expects to make their voice heard and focus on the violence and brutality of his government, but Saavedra has a different view: He wants to make a joyful, colorful, and upbeat campaign where the primary message is that ¨Chile: happiness is coming.¨ Everyone in the campaign is upset about this, including Saavedra's ex wife, Veronika (Antonia Zegers), who thinks all this is just a waste of time. However, the campaign begins resonating with voters, and Pinochet's people decide to hire Saavedra's boss, Lucho Guzman (Alfredo Castro), to counteract the comedic and joyful campaign. Things won't be easy for the No coalition because the government begins intimidating and pressuring them through violence, but Saavedra knows that his campaign can change the course of the country for the better.

Advertising is a powerful weapon in today's world, and more than ever we see governments trying to control and censor the media. The reason being that they know that it can shift elections and bring down tyrannical leaders. That is why more than ever, we must fight to keep governments from trying to control or censor the media. What a lot of politics have done is use advertising wisely to get elected. The film is a great case study on politics and media and how they are correlated. No is a film everyone involved in media and politics should see because it shows the advantages and disadvantages that this medium has. Pablo Larrain has directed a powerful film which teaches us how the media can influence public opinion so easily. If only we could have more uplifting and joyful political campaigns like this I would be much more interested in voting. I vote yes: go see this movie.

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What a captivating film this is. Gael Garcia Bernal is good as usual, an actor who just keeps getting better and better, in this movie that shows the campaign that ousted Pinochet from office from the p.o.v. of the ad guys who tailored each side's messages.

Good PR work that frames the debate and sets the narrative for the campaign wins political campaigns.

The movie is thoughtful, funny, absorbing. Quality all around. You don't need to know anything about Chile to get swept up by it, and if there are details you want to know, you can go read about it afterwards.

I especially liked that it looked like a documentary video and a time- capsule from that era. It seamlessly mixes stock footage with filmed stuff to give it a dated look.

See it.

I only knew about this film from Chile simply entitled "No" because it was nominated for Best Foreign Language Film. Before watching the film I learned that this film would be starring a known star, Mexican actor Gael Garcia Bernal (of "Y Tu Mama Tambien" fame). I was more intrigued to make this the first Chilean film I would ever watch.

"No" refers to the vote of "No" in a national referendum held in Chile in 1988 with the question of extending the dictatorial presidency of Augusto Pinoche for another eight years. Hip young advertiser Rene Saavedra (Bernal) was tasked to lead the advertising campaign for the impossible "No" vote. His modern methods meet resistance within the "No" camp. It also put his and his family's safety at risk. Will Saavedra's unorthodox political advertising techniques get the job done?

I found this account of Chile's recent history very educational and interesting. As I also come from a country that lived through and deposed a dictator through a peaceful revolution just a year or so before this event in Chile history, I recognize and identify with the experience and sentiments of the people involved.

I did not know whether "Yes" or "No" won, so there is very palpable suspense while watching this very realistic film. It felt like a documentary in its faded color palette, gritty camera work, accurate production design, and interweaving of actual news footage. It was also quaint in the cultural sense, as we learn about unique societal attitudes and behavior in Chile, a country I know very little about.

Maybe its chances of winning the Oscar are not too big since it is up against the higher profile "Amour", which is also nominated for Best Picture and Best Director. However, I am thankful for its nomination because this history buff has learned a lot from this film.

NO is the story of the advertising campaign surrounding the 1988 referendum that was supposed to "elect" General Pinochet to another eight years of dictatorship in Chile, win or lose.

Pinochet's government were an arrogant bunch; 15 years of dictatorship will do that to you, to the point that the election was largely seen as a farcical exercise merely to validate his rule.

So, the fact that this election campaign won a seemingly un-winnable election and validate real democracy in that it began the end of Pinochet's rule is still a pretty incredible turn of events.

The film itself tells the story of Rene Saavedra (Gael García Bernal) an in demand advertiser with a troubled home life who spearheads the NO campaign by putting a positive, consumerist spin on it with plenty of humour to be had... www.ravechild.co.uk

This is a Betamax quality movie. If you like history-related movies, this one is just for you! This movie tells history of Chile in Pinochet era from a "creative" perspective. It's always a pleasure to watch Gael Garcia Bernal who played a hero Ernesto Guevara de la Serna in Motorcyle Diaries, in this movie plays another hero: a genius advertiser who is the mastermind behind the NO campaign during Chilean political reform referendum in 1989. Horrible events such as tortures, imprisonment, street riots occurred during the Pinochet era was told, but never in a disturbing way to the audience. Whoever watches the movie may find lot of similarities in his/her countries past or current or future situation, which made the movie more attractive for me. Long after I have left the movie, I continue thinking about it; therefore, this movie is definitely going to be in my collection.