Cassian caught in a rebel turf war. Mon's wedding woes mount. The Ferrix survivors face inspection.Cassian caught in a rebel turf war. Mon's wedding woes mount. The Ferrix survivors face inspection.Cassian caught in a rebel turf war. Mon's wedding woes mount. The Ferrix survivors face inspection.
Featured reviews
After a thrilling season opener with episode one, episode two has us bouncing back and forth between 4 different storylines that are vaguely connected. Some scenes drone on and on and others are so brief you wonder what happened.
As others have mentioned, Cassian has been sidelined in his own show, with way too much focus on a wedding I care nothing about. Sure there is political intrigue within the Mon Monthma household, but it's dragging on laboriously. We're only in episode two and it already feels like a filler.
But the worst part is the space version of rock paper scissors. Simply put it's painful to watch and it makes you wonder why nobody spoke up and said, hey, this is a pretty lame idea. It totally takes you out of the episode with a groan and an eye roll of annoyance. The last time I felt this way was during the ridiculous space yak street chase in one of the sequel movies, whichever one that was.
Let's hope things improve, because while the tone is spot on, the execution is seriously lacking.
As others have mentioned, Cassian has been sidelined in his own show, with way too much focus on a wedding I care nothing about. Sure there is political intrigue within the Mon Monthma household, but it's dragging on laboriously. We're only in episode two and it already feels like a filler.
But the worst part is the space version of rock paper scissors. Simply put it's painful to watch and it makes you wonder why nobody spoke up and said, hey, this is a pretty lame idea. It totally takes you out of the episode with a groan and an eye roll of annoyance. The last time I felt this way was during the ridiculous space yak street chase in one of the sequel movies, whichever one that was.
Let's hope things improve, because while the tone is spot on, the execution is seriously lacking.
The only redemption this episode was the set and costume. What unnecessary screen time. Compared to the prior episodes and stellar season 1, we are met with a rag tag 90s kids comedy that doesn't advance the story. The rock paper scissors space pirates should've been left for Skeleton Crew where they would've fit in perfectly. Yes Star Wars can be funny but this isn't it and neither is Andor the right series id argue. This is the only gripe that I have with this episode and remain optimistic for the following features to return to what made Andor stand out from the rest - a gritty and real depiction of life in the Star Wars universe.
This was definitely a transition episode, right? A build-up for something bigger. It felt kinda dispensable in some parts, dragging out plots that didn't really add much, even though other things did take shape and moved forward quite a bit. But in the end, the main feeling it leaves you with is a big "take a deep breath, 'cause the chaos is coming." It's an episode that fully embraces its role as a transition, but it does it with so much care in the little details and in the relationships between characters that, honestly, it's hard not to get swept up in the story, even without any major explosions or crazy twists.
Starting off in Chandrila, the show keeps absolutely killing it with worldbuilding. The whole pre-wedding walking ritual and the insane formality of everything really showed the heavy cultural weight this society carries, plus it hammered home the insane pressure Leida's under, while Mon Mothma gets more and more desperate trying to protect her daughter without blowing up the delicate political and family balance she's stuck in. The dinner, Perrin getting suspicious of Mon and Tay, and the insane cost of the wedding gift (more than Mon's house, seriously?!) all add a layer of personal tension that perfectly reflects Mon's emotional exhaustion, especially in that scene where she basically begs, without actually saying it, for Luthen not to sacrifice Tay. That moment, for me, was the highlight of these scenes: a brutal reminder that in this war, individual lives are just small change compared to the bigger goal. And that's exactly where Luthen shines: cold, calculating, and terrifying, with that look in his eye like he's already deciding who's gonna be disposable if necessary. Chills.
On the Imperial side, it was weird-and honestly kinda uncomfortable-to see Dedra's human side for the first time. The cold, efficient, brutal woman we know from season one is now shown at home, listening to music... and in a relationship with none other than Syril! Yep, the same Syril, with his awkward little puppy-dog vibe, desperate for any scrap of Imperial approval. The reveal is bizarre, but it weirdly makes sense: two fanatics obsessed with order and control, finding each other in this toxic little world they've built. I don't know if it's love, madness, or pure convenience, but it's a pairing that's definitely gonna mess things up even more.
Meanwhile in Mina-Rau, Bix, Brasso, B2, and Wilmon are trying to live some kind of "normal" life under the Empire's watchful eye. The episode does a great job showing how the Imperial presence is this constant, silent threat: everyone's trying so hard to seem normal, like even the smallest slip-up could be a death sentence. The scene where the officer takes a creepy interest in Bix is especially uncomfortable because it carries that sickening, very real tension of abuse of power-something that unfortunately hits way too close to home. Bix has already been through hell, and seeing that dark cloud hanging over her again is just heartbreaking.
And then there's the most incompetent gang in "Star Wars" history. Seriously, that was hilarious. From their childish fights over who got the ship to the ridiculous mud pit fight trying to yank the Tie-Avenger by hand, it felt straight out of a slapstick comedy. And it worked-it gave us some natural comic relief without breaking the show's overall tone. Watching Cassian finally shake them off during that crazy alien attack was cathartic. And we got a huge reveal: the planet was Yavin 4!!! Just that alone made me grin from ear to ear.
Even as a transition episode, this one did what "Andor" does best: it enriched the universe with tiny details, built complex characters, and kept reminding us that in this galaxy, resistance always comes at a brutal cost. There weren't any major twists, but there was tension, emotional build-up, and above all, a smart, deliberate setup for what's clearly gonna be an explosive finale. Now all that's left is to hope that all this careful preparation pays off, big time. And if the show keeps going like it has so far, we better brace ourselves for something huge.
Starting off in Chandrila, the show keeps absolutely killing it with worldbuilding. The whole pre-wedding walking ritual and the insane formality of everything really showed the heavy cultural weight this society carries, plus it hammered home the insane pressure Leida's under, while Mon Mothma gets more and more desperate trying to protect her daughter without blowing up the delicate political and family balance she's stuck in. The dinner, Perrin getting suspicious of Mon and Tay, and the insane cost of the wedding gift (more than Mon's house, seriously?!) all add a layer of personal tension that perfectly reflects Mon's emotional exhaustion, especially in that scene where she basically begs, without actually saying it, for Luthen not to sacrifice Tay. That moment, for me, was the highlight of these scenes: a brutal reminder that in this war, individual lives are just small change compared to the bigger goal. And that's exactly where Luthen shines: cold, calculating, and terrifying, with that look in his eye like he's already deciding who's gonna be disposable if necessary. Chills.
On the Imperial side, it was weird-and honestly kinda uncomfortable-to see Dedra's human side for the first time. The cold, efficient, brutal woman we know from season one is now shown at home, listening to music... and in a relationship with none other than Syril! Yep, the same Syril, with his awkward little puppy-dog vibe, desperate for any scrap of Imperial approval. The reveal is bizarre, but it weirdly makes sense: two fanatics obsessed with order and control, finding each other in this toxic little world they've built. I don't know if it's love, madness, or pure convenience, but it's a pairing that's definitely gonna mess things up even more.
Meanwhile in Mina-Rau, Bix, Brasso, B2, and Wilmon are trying to live some kind of "normal" life under the Empire's watchful eye. The episode does a great job showing how the Imperial presence is this constant, silent threat: everyone's trying so hard to seem normal, like even the smallest slip-up could be a death sentence. The scene where the officer takes a creepy interest in Bix is especially uncomfortable because it carries that sickening, very real tension of abuse of power-something that unfortunately hits way too close to home. Bix has already been through hell, and seeing that dark cloud hanging over her again is just heartbreaking.
And then there's the most incompetent gang in "Star Wars" history. Seriously, that was hilarious. From their childish fights over who got the ship to the ridiculous mud pit fight trying to yank the Tie-Avenger by hand, it felt straight out of a slapstick comedy. And it worked-it gave us some natural comic relief without breaking the show's overall tone. Watching Cassian finally shake them off during that crazy alien attack was cathartic. And we got a huge reveal: the planet was Yavin 4!!! Just that alone made me grin from ear to ear.
Even as a transition episode, this one did what "Andor" does best: it enriched the universe with tiny details, built complex characters, and kept reminding us that in this galaxy, resistance always comes at a brutal cost. There weren't any major twists, but there was tension, emotional build-up, and above all, a smart, deliberate setup for what's clearly gonna be an explosive finale. Now all that's left is to hope that all this careful preparation pays off, big time. And if the show keeps going like it has so far, we better brace ourselves for something huge.
The first season of "Andor," along with the powerful opening episode of this new season, has shown an exceptional ability to weave together seemingly disparate stories, locations, and characters into a tightly connected web. Each tread - whether political, personal, or insurgent - pulses with purpose, drawing viewers into a "Star Wars" narrative unlike any other. This episode continues that tradition, though with a slightly more elusive rhythm. There's a lot at stake across the galaxy, and while all the pieces clearly matter, their connections feel more hinted at than fully realized in this chapter. Still, "Sagrona Teema" holds tensions beautifully, using uncertainty as both a narrative device and a reflection of the characters' spiraling circumstances.
This episode leans heavily into the theme of fractured stability - in rebel cells, in political alliances, in personal relationships. Each setting brings its own flavor of tension, and although these subplots unfold in isolation, there's a clear undercurrent tying them together: no one is safe, and no one truly knows what's coming. The storytelling keeps you on edge, especially because it refuses to offer easy answers. Cassian's storyline, while gripping, feels the most removed - raising questions about how it fits into the larger tapestry. Where "Andor" continues to shine is in its intelligent, slow-burn portrayal of political warfare. This episode is steeped in bureaucracy and social maneuvering, yet it's never dull. The suspense grows not from shootouts but from the terrifying weight of political surveillance, social expectations, and moral compromise. Mon Mothma walks a razor-thin line as she balances her public role with private rebellion, and Dedra Meero, now in an unexpected domestic situation with Syril Karn, finds herself navigating politics not just at work but in her personal life. What sets "Andor" apart from other entries is its devotion to character depth and emotional realism. Here, the Imperial threat doesn't manifest through vast armies or destruction, but through quiet dread, the kind that seeps into conversations and decisions. Brasso, Bix, and Will's subplot, for example, crackles with fear and urgency as they prepare for an audit that could ruin their lives. It's mature storytelling in every sense, where personal choices ripple across a galaxy on the brink.
"Sagrona Teema" might not tie every thread together as cleanly as some viewers might expect, but that ambiguity works in its favor. The result is an episode that lingers - heavy with mood, rich in character, and bursting with potential. As always, "Andor" trusts its audience to sit with the discomfort and trust the story will come together. So far, it's earned that trust.
This episode leans heavily into the theme of fractured stability - in rebel cells, in political alliances, in personal relationships. Each setting brings its own flavor of tension, and although these subplots unfold in isolation, there's a clear undercurrent tying them together: no one is safe, and no one truly knows what's coming. The storytelling keeps you on edge, especially because it refuses to offer easy answers. Cassian's storyline, while gripping, feels the most removed - raising questions about how it fits into the larger tapestry. Where "Andor" continues to shine is in its intelligent, slow-burn portrayal of political warfare. This episode is steeped in bureaucracy and social maneuvering, yet it's never dull. The suspense grows not from shootouts but from the terrifying weight of political surveillance, social expectations, and moral compromise. Mon Mothma walks a razor-thin line as she balances her public role with private rebellion, and Dedra Meero, now in an unexpected domestic situation with Syril Karn, finds herself navigating politics not just at work but in her personal life. What sets "Andor" apart from other entries is its devotion to character depth and emotional realism. Here, the Imperial threat doesn't manifest through vast armies or destruction, but through quiet dread, the kind that seeps into conversations and decisions. Brasso, Bix, and Will's subplot, for example, crackles with fear and urgency as they prepare for an audit that could ruin their lives. It's mature storytelling in every sense, where personal choices ripple across a galaxy on the brink.
"Sagrona Teema" might not tie every thread together as cleanly as some viewers might expect, but that ambiguity works in its favor. The result is an episode that lingers - heavy with mood, rich in character, and bursting with potential. As always, "Andor" trusts its audience to sit with the discomfort and trust the story will come together. So far, it's earned that trust.
This was another solid episode, that did not have luch happening story wise, but was instead carried by suspensefull moments, tension, character and great production!
I could really feel the suspense in this episode! Every scene had a sense of unease, as if everyone needs to be carefull at what they do next, while also moving forward as fast as possible!
We also starts to get more and more that sense og control and manipulation from the Empire that we know from the Original trilogy!
I enjoyed the scenes with Mot as she is clearly caught in a moral dilemma where she weighs the costs of what she gains! How far will she go?
The stuff with Andor shows that the Rebellion still has a long way to go, when it comes to organization.. and yeah.. I recognized thst planet!
I could really feel the suspense in this episode! Every scene had a sense of unease, as if everyone needs to be carefull at what they do next, while also moving forward as fast as possible!
We also starts to get more and more that sense og control and manipulation from the Empire that we know from the Original trilogy!
I enjoyed the scenes with Mot as she is clearly caught in a moral dilemma where she weighs the costs of what she gains! How far will she go?
The stuff with Andor shows that the Rebellion still has a long way to go, when it comes to organization.. and yeah.. I recognized thst planet!
Storyline
Did you know
- TriviaAn item in Luthen's (Stellan Skarsgård) shop appears to be the hat worn by Padme Amidala (Natalie Portman) whilst dressed as a refugee in 'Star Wars II: Attack Of The Clones' (2002).
- GoofsDuring Mon Mothma's private conversation with Tay Kolma, he lifts his glass to his mouth with his left hand to take a sip. When the angle changes, he lowers the glass in his right hand.
Details
- Runtime44 minutes
- Color
- Sound mix
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