Provided by Metacritic.com
Acher adroitly juggles all the gimmickry, using it to comment on Holly and Guy's burgeoning relationship.
The Hollywood Reporter
Moore displays a low-key deadpan charm and Zima, although a little too prone to constant giggling, is sexy and charming. But by the time the film is over viewers are likely to wind up feeling like they've been stuck in traffic themselves.
Los Angeles Times
Acher makes some astute observations about the contemporary dating scene, but this airless vehicle ultimately feels more like a stage piece than a feature proposition.
The New York Times
Holly is supposed to be out of Guy’s league, but neither of them is up to carrying scene after scene of weak sparring and punny flirting.
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