Trouble with the Curve (2012)

PG-13   |    |  Drama, Sport


Trouble with the Curve (2012) Poster

A daughter tries to remedy her dysfunctional relationship with her ailing father, a decorated baseball scout by helping him in a recruiting trip which could be his last.

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6.8/10
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  • Amy Adams in Trouble with the Curve (2012)
  • Morena Baccarin at an event for Trouble with the Curve (2012)
  • Clint Eastwood at an event for Trouble with the Curve (2012)
  • Clint Eastwood in Trouble with the Curve (2012)
  • Clint Eastwood and Justin Timberlake at an event for Trouble with the Curve (2012)
  • Jessica Biel at an event for Trouble with the Curve (2012)

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30 November 2012 | Argemaluco
7
| Trouble With the Curve is entertaining, but not very memorable
Clint Eastwood has received more acclamation as a director than as an actor, but in the case of Trouble With the Curve, he decided to yield the control of the movie to other filmmaker, while he only acted on it. And director Robert Lorenz closely follows Eastwood's sober and direct style, while the screenplay deals with the habitual subjects in his movies about dignity in the mature age, fortress of spirit and second chances. The result is entertaining and pleasant, but predictable and a bit bland.

On some way, Trouble With the Curve takes the opposite attitude to Moneyball (human instinct surpasses technology), but screenwriter Randy Brown isn't really interested in the secret operations of baseball, but in showing the characters' emotional evolution. There's nothing original in that development; the main points of the screenplay are the reparation of family conflicts, redemption of anachronistic ideologies and the dignity of mature age in a world which is so worried about the future that it never looks back. And despite the clichés, sentimental manipulation and excessively easy and convenient solutions, Trouble With the Curve managed to keep me entertained mainly thanks to the excellent performances from Eastwood, Amy Adams and John Goodman. Eastwood limits himself to repeat the "irritable old man" character he played in Gran Torino...and I don't have any complaints against that, because it takes the maximum advantage of his talent as an actor. Adams brings deepness and credibility to her shallowly written character, while Goodman steals every scene he's in.

Justin Timberlake brings a decent performance in Trouble With the Curve, but I couldn't swallow his character's function as a potential couple of Adams' character. His character of a gallant looks like a commercial trick, and not an integral part of the screenplay. Nevertheless, I think I can give a moderate recommendation to Trouble With the Curve as an inoffensive and pleasant experience, despite not being very memorable.

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