Criminal Record

As a US resident I've become used to a particular approach to the subject of racism in policing, perhaps more closely hewing to stories originating in the states versus in the UK where this show is set.

The characters and their situations are more nuanced then many I see in crime dramas. After 4 episodes I am still not completely certain of the motivations of one(of the two) major characters. I suspect there is more beneath the surface then is readily apparent, but I'm not certain, and I'm enjoying the (potential) shades of gray as they surface.

The acting is impressive and the script well written.

In summation, if your looking for a formulaic approach each episode you will probably be disappointed. Stereotypical characters, ditto.

I could still be let down by where the show leads, in which case I will come back and modify my score and this associated review, but for now I'm enjoying the ride.

First: wow. It's been such a long time since a crime drama kept me off my phone. The pacing is perfect for me as often crime drama's for me feel a little overdrawn not this one.

Cush Jumbo is as ever amazing in her role, Peter Capaldi was also brilliant I even forgot about his previous roles I usually think of when I see him (Sid's dad in Skins and his roles in Doctor Who).

The twist at the end was genuinely surprising (I'm pretty good at this whodunnit game) and here I am writing a review to recommend anyone thinking of watching it to do exactly that.

Lastly I think there is enough left from the season to justify a second season and I really hope they renew this one rather than leaving it to fade as a limited series.

I admired and appreciated this memorable series more than I enjoyed it. The power and control of the lead male detective Dan Hegarty and his veteran cohorts - all (not coincidentally) older white males - to bend the law, exert their biases, intimidate colleagues and shape events and outcomes to their liking was chilling.

Veteran DCI Hegarty (a frightening Peter Capaldi) and younger colleague June Lenker (the phenomenal Cush Jumbo) clash over her questioning of an old murder conviction Hegarty and cohorts obtained against Errol Mathis, a black man.

The main plot plays against a myriad of personal and family problems afflicting all characters. Some scenes are stressful to watch, and Capaldi's character by the third episode made my stomach tighten with every appearance.

The script is unflinching, the acting is first-rate and the bigger-picture story of unequal justice is memorably driven home. But if it's escapist entertainment you seek, look elsewhere.

It took me a while to get into this series, but I'm glad I did.

It accurately captures the zeitgeist of inner-city policing during the austerity years; over a decade of funding cuts mixed with the normalisation of xenophobia and racism that were an inevitable consequence.

It's a (very) slow burn that frequently keeps the viewer flipping between sympathies. Personally, I love a series that challenges me to keep guessing who are the good guys and who are the bad guys! Ably assisted in this drama by a superb cast whose complex characters you couldn't help but like.

Simply put, Criminal Record could be described as a dish best served cold. And for everyone who didn't make it to the end? Your loss.

The last 10 minutes made the wait soooooo worthwhile! Well played everyone.

The acting from the two leads doesn't get much better. Jumbo and Capaldi give an absolute masterclass in acting. Cush Jumbo gives an incredibly nuanced performance expressing emotion and feeling with every word and look. Capaldi suitably scary as the big bad cop. The story has twists and turns and keeps you guessing. There really is very little to dislike about this show. If you like quality drama it's definitely worth giving it a go. Some reviewers have decided the show is about white folk always being cast as villains but I'd suggest they're bringing some already existing hang ups and looking for ways to reinforce the view. I didn't find any evidence of any prejudices in the way the story was told or cast.