All of Us Strangers

I've been wanting to watch "All of Us Strangers" ever since I found out about this movie, and let me tell you, it didn't disappoint. This subtle masterpiece weaves a poignant tale of grief, loneliness, and love, leaving an indelible mark on the heart. The brilliant performances from the two main actors elevate the film to a level of emotional depth rarely seen.

The story unfolds as a masterclass in tragedy, exploring the intricate web of human connections and the profound impact of loss. The movie broke my heart into a million pieces tonight, evoking a range of emotions that lingered long after the credits rolled.

"All of Us Strangers" is more than a film; it's an experience that resonates with the rawness of life's complexities. The nuanced storytelling, coupled with stellar acting, makes it a must-watch. Highly recommended for those who appreciate films that delve into the intricacies of the human soul.

How on earth will I manage to find the right words to describe the cinematic experience this film gave me? (English is not my mother tongue) I still have to try.

I remember Liv Ullmann in a lecture talking about the film Persona. She said a movie doesn't have to explain everything to you. Give all answers. But instead give you something that you take with you and think about. Maybe after a while you think; aha, that's how it was! She also said that a film can change you, and give you new perspectives. I think that is a summary I can share with her about this special, beautiful and profound film.

For me, who also lost my parents at an early age, the film's message about loss and coming to terms with loss was right at the center of my heart. I have very rarely experienced such magnificent acting as Paul Mescena and Andrew Scott give us here. But I don't think the message would have been as real without Andrew Haigh's script and the lead actors. That these two actors and the film are not included in the Oscar nominations this year is shocking. They give it their all in this film, and take us viewers on a journey about alienation, loneliness and, not least, how to live on after great losses.

In addition to excellent acting, a strong message, Andrew Haigh has also provided excellent music, a journey back in time for me as a youth in the 80s. Rarely has the maligned pop music of this decade come into its own more than in this masterpiece.

I will never forget this film.

In a movie awards season that has had more misses than hits, it's gratifying to see one that not only lives up to, but exceeds, its potential. Such is the case with writer-director Andrew Haigh's latest offering, a heartwarming and heartbreaking story of love, reflection and healing all rolled into one. To say too much about the film would invariably lead to a plethora of spoilers, but suffice it to say that it tells a genuinely moving and touching tale of a 30-something gay Londoner (Andrew Scott) and his budding relationship with a mysterious new beau (Paul Mescal), an involvement very much influenced by the protagonist's relationship with his own past, most notably his involvement with his parents (Jamie Bell, Claire Foy). This is one of those pictures that's just about perfect in virtually every regard thanks to its stringent adherence to authenticity in the writing and the portrayals of its positively stellar cast, especially the highly underrated performance by Foy, whose role has puzzlingly been flying under the radar thus far. It's also a production that will likely surprise viewers in myriad ways, defying expectations and telling a story that's anything but apparent from what's in its promotional trailer. Moreover, I'm impressed by the fact that this is an offering featuring gay characters in which their sexuality is not the principal focus of the narrative, something that truly distinguishes this feature from so many others in this genre. Add to these attributes a sensitively chosen soundtrack and some surprisingly innovative cinematography, and you've got one helluva fine movie. To be sure, this is one of those releases that, if it doesn't touch you profoundly, you'd better check to see if you have ice water coursing through your veins. "All of Us Strangers" richly deserves whatever accolades it receives. It's one of the year's best, bar none.

The only way I can describe this film is beautifully boring. The first time I watched it I could appreciate it's quality but I found it far too disconcerting and spent too much time wondering what the hell was going on to really be drawn in. A year later I revisited the movie with a little more maturity and understanding and I was completely taken aback because it was not the film I remembered. This was a masterpiece on every level. There are so many ways to interpret the film whether as a portrayal of schizophrenia or a fantasy about ghosts. However when you peel back all the layers it's so simply about loneliness. I think trying to decipher what was actually going on, what was actually real etc negates the simplicity of the film. When watching you feel that loneliness to the very core and the whole world seems to be standing still. I believe intentionally this is not a movie for everyone but the film is undeniably perfect. Andrew Haigh outdoes himself, Andrew Scott and Paul Mescal are breathtakingly good, the script heartbreaking, the soundtrack and colour scheme entrancing. It's boring - but it's meant to be. It's the only way to really capture the deep despair and loneliness of its characters, to make the audience feel as they feel. This wasn't a film made for critical acclaim or to be a box office hit. It was made to tell a beautiful story and it excells.

I saw this at the Cork International Film Festival, so seeing 2 Irish leads like Andrew Scott and Paul Mescal performing as they did was a tantalizing factor for me and those watching.

The film brilliantly captures one man's complex processing of grief and loss, with the protagonists particular story holding different factors for viewers to latch on to. It is a raw watch, which touches on the themes of loss, pain, and love.

The 2024 awards season should look favourably on Andrew Scott's performance in this film. His portrayal of this mans intriguing, yet sensitive approach of coming to terms with such tragic events in his life could not have been played better by any other actor. An enormous amount of credit must to go Andrew Haigh's directing and writing, who produced a flawless ensemble to play off of a script where every scene and word was situated perfectly.