Metacritic reviews

Despite the poetry its subtitle promises, the fascinating crows-in-the-skyline doc Tokyo Waka is more informative than lyric, which is not at all a complaint.

Quietly, persuasively, Tokyo Waka asks whether cultures decline by pouring resources into propping up entities that can no longer support themselves.

The film is a short, nimble consideration of the collision between the wildness of nature and the orderly bustle of modern urban life. It is also an essay on ornithology, Japanese culture and the challenges of pest control.

“Waka” refers to an ancient form of poetry still widely popular today, and helmers Haptas and Samuelson, through their serene lensing and fluid editing, propose a visual thread linking the past to the present “as the crow flies.”

Its discursiveness does have the intriguing effect of leaving behind a myriad of impressions about its subjects rather than settling on pat interpretations.

In short, the crows are pests, but the movie shows them great affection, as do the humans who discuss the ways they must accommodate the crows. After a while it is impossible not to admire the birds’ intelligence and resilience, and see that perhaps it’s the other way around: The crows are the ones putting up with us.

A waka is a traditional Japanese style of poetry, and this documentary does take a lyrical approach. Although barely an hour long, Tokyo Waka leaves room for offhand observations and humorous asides.

While the frequent recourse to talking heads burdens the documentary with a choppy cadence, directors John Haptas and Kristine Samuelson manage to offer moments of great humor.