In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey with his ex-wife across the state in order to rescue his daughter.In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey with his ex-wife across the state in order to rescue his daughter.In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey with his ex-wife across the state in order to rescue his daughter.
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Story: Man uses taxpayers' rescue service chopper to pick up his ex-wife and daughter while thousands die beneath them.
In every sense of its existence this is the prototypical disaster movie, right down to the use of the Rock as the lead character. With that being said I would say it's on the better side of average in terms of his performance.
The movie starts off by allocating a decent amount of time to a couple scientists who discover a new way of predicting earthquakes (which isn't ever really explained how). It's then said that nobody had really listened to them in the past but we don't really observe that part as viewers. The lead scientist is also credited with saving many lives even though his advice to run away was communicated as the disaster was already unfolding. Furthermore we really don't see many who survived at all except the one family.
Overall it is very corny , but in the same light it is highly entertaining . The action sequences transition smoothly and keep your attention the entire time which is mostly what you are looking for with this type of movie.
Sort of like a theme Park ride in a sense. Don't expect an outstanding backstory but enjoy everything it throws at you.
The movie starts off by allocating a decent amount of time to a couple scientists who discover a new way of predicting earthquakes (which isn't ever really explained how). It's then said that nobody had really listened to them in the past but we don't really observe that part as viewers. The lead scientist is also credited with saving many lives even though his advice to run away was communicated as the disaster was already unfolding. Furthermore we really don't see many who survived at all except the one family.
Overall it is very corny , but in the same light it is highly entertaining . The action sequences transition smoothly and keep your attention the entire time which is mostly what you are looking for with this type of movie.
Sort of like a theme Park ride in a sense. Don't expect an outstanding backstory but enjoy everything it throws at you.
San Andreas (2015)
*** (out of 4)
After a massive earthquake strikes California, a father (Dwayne Johnson) must struggle to try and rescue his estranged wife (Carla Gugino) and his daughter (Alexandra Daddario) who finds herself somewhere in San Fransisco. While people are trying to dig themselves out of the damage, a seismologist (Paul Giamatti) warns people that the big one hasn't yet happened.
SAN ANDREAS is without question one of the dumbest movies that you're going to see in the year 2015 or perhaps any other year. I mean, things happen here that are without question quite stupid and that includes a really dumb love story and the logic of some of the scenes are downright laughable. With that said, one really shouldn't go into this movie expecting anything other than a popcorn movie meant to keep you entertained and this film certainly does that as it's a pretty good throwback to the Irwin Allen disaster pictures like EARTHQUAKE, THE TOWERING INFERNO and THE POSEIDON ADVENTURE.
I really can't believe I'm saying this but the special effects are certainly the highlight of the picture. I'm usually not a fan of CGI because more times than not it just looks fake and takes away from the story but we're reaching a point in technology where it's really hard to see the effect, which is just great. There's a massive amount of destruction throughout this film and I must admit that the effects make you feel that everything you're watching is real. This includes the actual earthquake footage as well as all the destruction around the state. There are countless buildings that fall and the aftermath of the quake looks extremely realistic.
The story itself is quite stupid as we get all sorts of predictable scenes but I can't really blame the film for this as the entire disaster genre had silly melodrama going on. The relationship issues between Johnson and Gugino are quite stupid and of course there's a side story dealing with him not being able to save a daughter that died. The screenplay pretty much throws everything into the mix and just hopes any of it sticks. Again, it's hard to bash the "dumb" story too much since the film is so entertaining but I will give the film credit for delivering the highest body count in the history of cinema.
Again, going into SAN ANDREAS expecting anything other than entertainment probably isn't the best idea. The actors are all entertaining in their own right and that's especially true for Daddario. As far as Johnson goes, he's certainly not the greatest actor in the world but he makes for a great action star.
*** (out of 4)
After a massive earthquake strikes California, a father (Dwayne Johnson) must struggle to try and rescue his estranged wife (Carla Gugino) and his daughter (Alexandra Daddario) who finds herself somewhere in San Fransisco. While people are trying to dig themselves out of the damage, a seismologist (Paul Giamatti) warns people that the big one hasn't yet happened.
SAN ANDREAS is without question one of the dumbest movies that you're going to see in the year 2015 or perhaps any other year. I mean, things happen here that are without question quite stupid and that includes a really dumb love story and the logic of some of the scenes are downright laughable. With that said, one really shouldn't go into this movie expecting anything other than a popcorn movie meant to keep you entertained and this film certainly does that as it's a pretty good throwback to the Irwin Allen disaster pictures like EARTHQUAKE, THE TOWERING INFERNO and THE POSEIDON ADVENTURE.
I really can't believe I'm saying this but the special effects are certainly the highlight of the picture. I'm usually not a fan of CGI because more times than not it just looks fake and takes away from the story but we're reaching a point in technology where it's really hard to see the effect, which is just great. There's a massive amount of destruction throughout this film and I must admit that the effects make you feel that everything you're watching is real. This includes the actual earthquake footage as well as all the destruction around the state. There are countless buildings that fall and the aftermath of the quake looks extremely realistic.
The story itself is quite stupid as we get all sorts of predictable scenes but I can't really blame the film for this as the entire disaster genre had silly melodrama going on. The relationship issues between Johnson and Gugino are quite stupid and of course there's a side story dealing with him not being able to save a daughter that died. The screenplay pretty much throws everything into the mix and just hopes any of it sticks. Again, it's hard to bash the "dumb" story too much since the film is so entertaining but I will give the film credit for delivering the highest body count in the history of cinema.
Again, going into SAN ANDREAS expecting anything other than entertainment probably isn't the best idea. The actors are all entertaining in their own right and that's especially true for Daddario. As far as Johnson goes, he's certainly not the greatest actor in the world but he makes for a great action star.
My love of the disaster genre means that I can enjoy this type of movie despite the myriad problems with it, alongside the inherent cheesiness and the poor writing which makes it laughable in places. It pales in comparison to stuff from the 1970s like THE TOWERING INFERNO and EARTHQUAKE, but it's certainly better than modern SyFy Channel and Asylum offerings, even if that's just because of the massive budget alone.
The story is written so that the disaster scenes keep occurring throughout the movie. The CGI effects work is extensive, but it's also pretty good, and certainly better than in the awful 2012. Yes, you get all the flag-waving nonsense associated with this type of film, but you also get plenty of suspense scenes and depictions of post-earthquake devastation that you don't usually get to see in the movies.
Dwayne Johnson continues to be a hulking, mildly charismatic presence in the movies, although he's no Schwarzenegger. Alexandra Daddario is there for her looks and certainly succeeds in that respect. The rest of the cast don't fare so well, with Ioan Gruffudd virtually reprising his role from SANCTUM and Paul Giamatti on autopilot, although at least we get to find out what happened to Art Parkinson (the disappearing Rickon Stark from TV's GAME OF THRONES). SAN ANDREAS is certainly undemanding entertainment, and not a film I'm in any hurry to sit through again, but compared to other offerings in this packed sub-genre, it's not THAT bad.
The story is written so that the disaster scenes keep occurring throughout the movie. The CGI effects work is extensive, but it's also pretty good, and certainly better than in the awful 2012. Yes, you get all the flag-waving nonsense associated with this type of film, but you also get plenty of suspense scenes and depictions of post-earthquake devastation that you don't usually get to see in the movies.
Dwayne Johnson continues to be a hulking, mildly charismatic presence in the movies, although he's no Schwarzenegger. Alexandra Daddario is there for her looks and certainly succeeds in that respect. The rest of the cast don't fare so well, with Ioan Gruffudd virtually reprising his role from SANCTUM and Paul Giamatti on autopilot, although at least we get to find out what happened to Art Parkinson (the disappearing Rickon Stark from TV's GAME OF THRONES). SAN ANDREAS is certainly undemanding entertainment, and not a film I'm in any hurry to sit through again, but compared to other offerings in this packed sub-genre, it's not THAT bad.
If you understand what a disaster movie is about and how it works you will go and have a nice experience just as I did, certainly superior to the "2012" or "Day After Tomorrow" dullness.
The usual cheesiness in disaster movie is there, the characters are so stereotypical it's hardly believable and worst of all it commits the usual, stupid mistake of having characters make it out of a situation just in time before everything collapses. This mistakes really annoys me firstly because it repeats itself a dozen times in the film but most of all because it's worthless: it does not add stakes or tension, they would be exactly the same, but except for maybe twice in the film situations get resolved just in time and the uselessness of it really annoyed me. The film tries too hard to give it's characters depth and barely succeeds in it. I cannot deny I was rooting for them, that maybe being due to the fact that the actors involved are honestly all doing a good enough job, but the fact that it tries to achieve character empathy through clichés that have been present in cinema since the beginning of time is ridiculous.
That being said, it does deliver the goods of a disaster movie and delivers them much more competently than the recent disaster films we have seen on the big screen. With the exception of the finale where things are unnecessarily blown up to eleven, there isn't exaggeration. The set pieces are for the major part breath-taking and original enough. I counted actually two times where my mouth totally dropped in genuine amazement. I was riveted by many scenes and this is probably due to the fact that the director never overuses CGI. It is used in the perfect dose, there is enough practicality involved and the fact that the set pieces aren't always the biggest most blown up ones made it better, it gave the film more stakes. Moreover there is a great use of long takes in certain parts of the film, one in particular is very long and threw me right into the action like no other disaster movie ever had done before.
If you know what you are in for you will have a good time and you will be given back your money's worth, you won't want to be re-watching this movie anytime, but that is perfectly fine and fits the film in what it is trying to achieve.
The usual cheesiness in disaster movie is there, the characters are so stereotypical it's hardly believable and worst of all it commits the usual, stupid mistake of having characters make it out of a situation just in time before everything collapses. This mistakes really annoys me firstly because it repeats itself a dozen times in the film but most of all because it's worthless: it does not add stakes or tension, they would be exactly the same, but except for maybe twice in the film situations get resolved just in time and the uselessness of it really annoyed me. The film tries too hard to give it's characters depth and barely succeeds in it. I cannot deny I was rooting for them, that maybe being due to the fact that the actors involved are honestly all doing a good enough job, but the fact that it tries to achieve character empathy through clichés that have been present in cinema since the beginning of time is ridiculous.
That being said, it does deliver the goods of a disaster movie and delivers them much more competently than the recent disaster films we have seen on the big screen. With the exception of the finale where things are unnecessarily blown up to eleven, there isn't exaggeration. The set pieces are for the major part breath-taking and original enough. I counted actually two times where my mouth totally dropped in genuine amazement. I was riveted by many scenes and this is probably due to the fact that the director never overuses CGI. It is used in the perfect dose, there is enough practicality involved and the fact that the set pieces aren't always the biggest most blown up ones made it better, it gave the film more stakes. Moreover there is a great use of long takes in certain parts of the film, one in particular is very long and threw me right into the action like no other disaster movie ever had done before.
If you know what you are in for you will have a good time and you will be given back your money's worth, you won't want to be re-watching this movie anytime, but that is perfectly fine and fits the film in what it is trying to achieve.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
Storyline
Did you know
- TriviaDirector Brad Peyton brought in Thomas Jordan, USC professor and director of the Southern California Earthquake Center to fact check the script for plausibility. Though both Peyton and lead actor Dwayne Johnson contend that the science portrayed in the film is accurate, Thomas Jordan was quoted as saying "I gave them free advice, some of which they took... but much of which they didn't - magnitude 9's are too big for the San Andreas, and it can't produce a big tsunami."
- GoofsWhen Ray steals the truck, he has to hot-wire it to start, but when he gets to the crack, he turns off the engine using the key.
- Quotes
Raymond Gaines: [upon landing with Emma in a baseball stadium by parachute] It's been a while since I got you to second base.
- Crazy creditsThe end credits scroll with a bend at the top and bottom of the screen, as though they are on a rotating seismograph drum. Seismic lines, increasing in intensity, can be seen on the left side of the frame.
- ConnectionsEdited into The Green Fog (2017)
- SoundtracksStyle
Written by Ali Payami, Shellback (as Johan Schuster), Max Martin and Taylor Swift
Performed by Taylor Swift
Courtesy of Big Machine Records, LLC
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Terremoto: La falla de San Andrés
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $110,000,000 (estimated)
- Gross US & Canada
- $155,190,832
- Opening weekend US & Canada
- $54,588,173
- May 31, 2015
- Gross worldwide
- $474,609,154
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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