Marmalade

Was not sure what to expect going into this as I'd never heard of "Marmalade" before. From the get go, it seemed to have a lot of charm and you knew there definitely laughs to be had. Joe Keery plays "Baron" a dimwitted bank robber who finds himself locked up alongside "Otis" played by Aldis Hodge. The pair strike up a friendship and immediately hatch a plan to escape, with Baron promising Otis a cut of his stashed cash. Not before Baron decides to tell his new buddy of his wonderful Bonnie & Clyde romance with " Marmalade"...

Nice wee indie film and easily worth an hour and a half of your time. Funny, heartfelt, with a few twists and turns capped off with some great performances.

Recommend!

No pun intended - I assume if you have watched this, you will understand or read into this something else than those who haven't. Let's just say, the movie might be able to have some surprises for you at hand ... the main character is quite well played and chosen. And while he may not seem like it, he might have some ideas ... how would he have been able to survive this long.

Generally speaking I did like the cast of the movie. They did a great job and the twists really helped me enjoy the whole thing. Now some things may work a bit too convenient ... but there are clues why certain things had t be done (I am looking at the door guard and the sheet wagon ... let's call it that) ... if you think about it. Still suspend your disbelief ... and just enjoy this for a light thriller ... this does not ... "pretend" to be anything else ... or does it?

Keir O'Donnell's charming debut film "Marmalade" is a delightful rollercoaster of comedy, throwing unexpected twists and turns that keep you on your toes. It's a tale of love, crime, and betrayal, yet it feels refreshingly new and exhilarating from the get-go.

Initially, I was skeptical, bracing myself for a cliché "boy meets bad girl, boy gets into trouble" storyline. But as the movie unfolds, it defies expectations at every corner, never ceasing to surprise until the very end.

The dynamic duo of Baron and Marmalade, portrayed by Keery and Morrone, electrify the screen. Keery's Baron starts off as a simple guy, content with his routine until Marmalade shakes up his world. Morrone embodies Marmalade with infectious energy, leading Baron into a whirlwind of excitement and danger. Yet beneath her playful facade lies a darker motive, adding depth to her character.

So, sit back, buckle up, and enjoy the wild ride of "Marmalade." It may not be what you anticipated, but that's all part of its charm.

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This is the kind of movie that relies heavily on the story and its twists. Unfortunately, the story, while shiny on the outside, falls apart upon the slightest inspection. It is not original, and it is not nearly as clever as it thinks it is.

When the movie has such gaping plot holes, and requires such enormous suspension of disbelief, then it needs to be extremely fun in order to make up for it. But this movie is not fun. The pacing is uneven, sometimes it drags slower that the terrible southern drawl of the main character, and other times it tries to rush too many things into a few minutes. Despite being billed as a comedy too, all you get form it are just a few chuckles.

The acting is perhaps the best part of it, but that goes only for some of the supporting characters. Camila Morrone was excellent and Aldis Hodge did a solid job, although his acting is uneven - some moments he is excellent, some moments downright bad. Unfortunately, Joe Keery wasn't good, although his character was supposed to carry the movie. In keeping with the aforementioned lack of originality, two characters from two famous movies immediately jump out as the inspiration (to put it politely) for the main character, but the actors in those movies are light years ahead of Keery (I won't go into any details in order to avoid spoilers).

Overall not a terrible movie, but not a good one.

I was taken aback by the simplicity of the characters until the journey Keir O'Donnell takes you on forced me to confront my own biases and judgements of those same characters. I realized that what I thought were tropes, were in fact, simulacrum. Not only was I challenged to remember the details, but I was left with a reflection on my biases of the pixie, the naive and gullible mark, and the hardened cop. The performances and tone from this vantage point are freaking remarkable. And for a director and writer to be able to establish a tone that is both surreal, irreal, and bi-real is a triumph.