Add a Review

  • Fifth episode of this popular "infidelity" series exceeds the 3-hour mark, way too lengthy considering there are only four vignettes. Infusion of new blood in the casting also fails to enliven matters.

    Opening segment pairs Deauxma with diminutive Lone Star, presumably cast to up the Texan component. IMDb has all of her credits attributed to Girlfriends Films, a most unusual movie career that for me only conjures memories of Howard Hughes & his starlets. I give LS credit for her eye- contact and her fingering not surprisingly causes the big D. to squirt a fountain of some liquid TBD.

    Unusual structure has some relatively uninteresting story elements, and then the duo are humping again, this time Deauxma armed (not really the proper term) with a strap-on dildo to service LS. Shayna guest-stars in a non-sex role in this segment.

    The Americana format of some Girlfriends videos, most notably their "Road Queen" series is injected into Vignette #3 where two "ugly" women hump. I'm not using that word in a pejorative or mean way, just descriptive in a genre where beauty, both facial and in terms of idealized bodies is of paramount importance. Having Capri and Zander Lin hook up is clearly designed to appeal to a fringe audience. Like Lone Star, Zander has only worked for the Girlfriends label.

    Finale has a more explicit triangle than usual, as it's set in a private lesbian swingers club named Players Club in San Antonio, Texas, where uncredited blonde Erica is at the bar, and Zander is picked up by Lily Redd. (Erica gets a credited, feature role in Episode 6, listed in IMDb as her only career credit.)

    Tall Redd is humped by Zander in a bedroom, and the desultory scene ends with a card reading "Continued in...Lesbian Triangles Volume 6". That next episode has pretty much the same cast held over (likely filmed at the same time) plus a very busty Bibette added.

    Not much to my taste, especially with the emphasis on a butch lesbian (Zander) here who comes off as a cross between Shirley Stoler and Meat Loaf. To each his own.