Sympathy for the Devil

I don't know how this movie got made, who wasn't bored to death reading that script, this is just bad lazy writing that can't be made into a good thriller even with the actors giving their best, the movie doesn't look cheap it's a decent looking movie at least the director and the staff weren't as lazy as the Writer I liked some of music choices but sometimes it felt the director had nothing to fill the movie with other than road shoots and a random song, I only continued watching for Cage and Joel I'm sure anyone who is not a fan of them like myself will turn off this movie 20 minutes in. I think Nic Cage and Joel Kinnaman deserved a better movie.

I liked it better than the reviews would have me believe. If you are a fan of Cage's overacting style, you will love this movie. Cage plays the part very well as you would expect from him, but Joel Kinnaman was a really good lead too. The soundtrack is really, really good. It fits the tone and atmosphere of the movie very well. With a running time of about one and a half hour you won't get bored, the main story unfolds fast, and although the plot is quite predictable the journey towards it remains intriguing enough. All in all a very entertaining movie, and a must-see if you are a Cage fan like me! 7/10.

The movie title and Nick cage's outfit seems to make you think he's satan terrorizing a random man from his visit to the hospital as his wife is giving birth and as the movie starts out you get that impression, however even though cage is dressed like a pseudo satan character and is quite the evil person and vicious to boot, it's not what it seems. There is a major twist going on that doesn't appear till the very end. Other than the graphic violence and blatant murder, it's an interesting story and plot. Very imaginative idea in its execution, no nudity, sex or questionable parts, not for the kiddos and only mature adults should see this. Quite a wild ride.

This movie answers the question that nobody asked: "What if we did Collateral in the desert, with Nicolas Cage and a boring script?".

I know the comparison may not be fair, I mean, the only common threads are a guy with a gun enters a stranger's car, threatens him with a gun and asks him to drive, leaving a chaotic path behind him.

The makers of this movie try to hold the audience captive, by making us think why the bad guy is doing what he's doing, but honestly, the lines are so bad and the twist is so weak, that not even Nic and Joel can save the story.

By the end of the movie, you are left with two unlikable characters and an unsatisfactory conclusion.

Honestly, this feels like a short story, stretched out to a full length feature.

Having said that, if you just want to see Nic Cage's "Caginess" being let out once in a while, you do get to see it, I just don't know if it's worth wasting 1h30 of your life for that.

It comes from the less known Israeli filmmaker Yuval Adler, who has a few class B movies in his pocket, a mystery thriller.

Fright night (a great freaking night, as Nicholas Cage likes to say) under the lights of Las Vegas

Starring Joel Kinnaman and Nicholas Cage, who is also producing, we are grabbed from the opening shot music and scenes of a moody typical night in Las Vegas,but you know,what happens in Vegas? As the story follows David,a caring family man (Joel Kinnaman), as he is preparing for the big night of his second child birth,but then gets mysteriously caught in a rough game with an unhinged stranger (Nicholas Cage) with red dyed hair to match the suit that goes with it.

As the unknown passenger switches between the seats from the back one to shotgun, you get the feeling that it's about to come down tonight while the cards start facing up, slowly building up the tension and stress throughout its 90-minute running time.

With the least unnecessary scenes and a good soundtrack, you're treated to a solid performance from Joel while he anxiously struggles to unravel the past as the clock is ticking, and Nicholas Cage's outstanding acting and terrific facial expressions as he throws cheesy but catchy classic lines and shows off with his smooth-ish dance moves and singing, and an awesome Cage Rage moment with his roof-bursting temper. Both of them carry the film to an acceptable direct ending at the moment that the screen is burning with exploding molotovs.

Similar to Michael Mann's Collateral from 2004 in many ways, with a lower budget and vibes like in Ryan Gosling's Drive from 2011.

Sympathy for the Devil delivers a good watch to enjoy while making you wonder: what does the sound of screaming rabbits seem like?