Transcendence

Despite many flaws and missed potential, I did I find this to be an enjoyable film. It has a pleasing storyline and the character arcs of Will, Evelyn and Max were well done. Sadly, the film let itself down with the supporting cast. While well acted, the film does nothing with the supporting cast and their roles are diminished by this. They are interesting characters who should have added substance and story to the film and instead they are overlooked and under- utilised. There are far too few scenes away from the main three characters of the film, where there should have been more. The cinematography is lovely. Thankfully, the main cast are great actors so it's not a problem having to watch them for the majority of the film. The concept is good, and it isn't over-embellished. However, once it's finished I was just left with a real 'what was the point of everyone else, why didn't they build on that?' feeling, a waste of some very good actors.

...and nothing more. this is the basic virtue and the fundamental sin of this good intentioned film. something missing, something becomes just an improvisation and the basic idea is sacrifide for good looking images, tricks with technology, mix of science and emotions and Jonny Depp reduced at his presence. and, after its end, the only good thing remains the idea of the first part. so, difficult to say a bad film, less for good intentions, and only a film like many others, ambitious as intentions, not brilliant as result.

Transcendence, much like most of the latest sci-fi themed films to hit cinemas, is a wasted effort. It exhibits signature Pfister cinematography that we've come to love over the past decade. With Nolan's Batman trilogy and Inception, it was only a matter of time for Wally Pfister to take a stab at directing. Unfortunately, the only thing that seems well done in this film is the cinematography. The story, while seeming fresh and exciting on paper, devolves into a half baked idea with mediocre acting. Johnny Depp does the best he can while only being a mere voice during the latter half of the film. The rest of the cast seems wasted, this is especially true because we know how great Paul Bettany, Morgan Freeman and Rebecca Hall can be. Wally Pfister focuses more on capturing really fantastic shots but seems never truly devoted to the actual story. This comes as a major disappointment especially because of the hype that this film has been generating over the last year. When it boils down to it, Transcendence is just another exercise in style over substance, never matriculating to anything more than an average sci-fi thriller that has a criminally underused cast and phenomenal camera-work.

Directed by Ace Cinematographer Wally Pfister in his directorial debut, 'Transcendence' is an interesting watch! No, its not perfect, but it has a terrific concept & to an extent, it leaves an impression.

'Transcendence' Synopsis: A scientist's drive for artificial intelligence, takes on dangerous implications when his consciousness is uploaded into one such program.

'Transcendence' has a marvelous first-hour, with the drama unfolding most impressively. The second-hour loses steam. The narrative becomes abstract & the film overstays its welcome by at least 15-minutes. Also, the culmination is half-baked. The desired impact is missing.

Jack Paglen's Screenplay is innovative & offers some truly well-written sequences, but the mostly low second-hour, plays a spoilsport. Wally Pfister's Direction is good. Cinematography is appropriate. Editing lacks sharpness. Art Design is super.

Performance-Wise: Johnny Depp, despite limited screen time, leaves a mark. Rebecca Hall is excellent. Paul Bettany is very sincere. Kate Mara is natural. Cillian Murphy & Morgan Freeman are okay.

On the whole, 'Transcendence' isn't amazing, but it holds some appeal nevertheless.

Critics and wannabe critics alike really lashed into this one. And I guess I have them to thank for me liking (not loving) this movie, as they lowered my standards significantly before I walked into the theater. Like them, my expectations were sky-high. I figured since Wally Pfister has been Christopher Nolan's cinematographer since 2000's Memento, maybe some sort of slow-release genius-osmosis had taken place, and Transcendence would be a stellar thriller/head- scratcher like we've come to expect from Nolan. Well, the cold hard fact is that it's not. But it sure isn't terrible.

As scientists are on the verge of a new breakthrough in A.I. technology, a rouge terrorist group known as RIFT begins knocking off labs around the country. One of their antics is the assassination, by radioactive poisoning, of scientist Dr. Will Caster. As his body slowly deteriorates, his wife and his partner work frantically work on a way to upload his mind to a computer, thus allowing him to continue his research. And as anyone could've guessed, the plan goes completely to hell.

Transcendence is not excellent, but it's also not the travesty that reviews from people more reputable than me are calling it. The main problem is the script. An excellent script can make you buy into even the most ridiculous of plots, but first-time-writer Jack Paglen's script never finds a constant tone, is unevenly paced, has underdeveloped side plots, and keeps you at arm's length from any connection with the characters and the story. In other words, it doesn't raise up any concerns or ideas we haven't already seen, and the shallowness of the script gives you plenty of time to question the incongruence of the story.

Other than that, Transcendence is pretty good. Pfister's direction is expedient, and he avoids the jumpy camera syndrome that typically plagues these kinds of movies. In fact I was even getting trappings of Chris Nolan's directing style at times (is it just me?). The ensemble performance from the cast is solid. The cast list may look like Nolan's leftovers, but they do an excellent job, and they make better use of the paltry script than I thought possible. Even though Pfister was behind the camera and not the cinematographer, you think he was going to let his baby look mundane? While not as gorgeous as, say Inception, Jess Hall hits it home and makes Transcendence look properly futuristic while still squeezing in some contrasting elements of nature in almost every frame.

Does 6 stars seem too high? I don't think so. In my mind, 10=revolutionary, 9=excellent, 8=very good, 7=pretty good and 6=jusk OK. An airtight script that rises up to the challenge was all that was needed to make Transcendence truly, um, transcendent. But it doesn't, and the lackluster script affects every other technical aspect of this film like a virus, and makes Transcendence a pretty- to-look-at popcorn movie. I know this is Wally Pfister's first time in the director's chair, but I still feel he was capable of making a film more nuanced than this.