Finding Dory (2016)

PG   |    |  Animation, Adventure, Comedy


Finding Dory (2016) Poster

The friendly but forgetful blue tang fish, Dory, begins a search for her long-lost parents, and everyone learns a few things about the real meaning of family along the way.


7.3/10
215,618

Videos


Photos

  • Ellen DeGeneres and Kaitlin Olson in Finding Dory (2016)
  • Diane Keaton and Eugene Levy in Finding Dory (2016)
  • Ellen DeGeneres in Finding Dory (2016)
  • Finding Dory (2016)
  • Ellen DeGeneres in Finding Dory (2016)
  • Jeff Garlin and Marla Garlin at an event for Finding Dory (2016)

See all photos

More of What You Love

Find what you're looking for even quicker with the IMDb app on your smartphone or tablet.

Get the IMDb app

Reviews & Commentary

Add a Review


User Reviews


10 March 2017 | chaos-rampant
No walls in the ocean
I've never been into animation and my comments probably reflect it. Not for any silly quibbles about real cinema versus not, kiddie versus adult; it's simply that the real world that threads itself around us is too marvelous and fantastical, too full of myriad possible worlds to envision, to forego the opportunity. Okay, but this leaves me free to observe these few things here.

It really has taken a quantum leap the last decade in trying to replicate our world after that business with dead eyes was over. Is there anything more extraordinary than texture and light falling a certain way? An audience of Disney's time would have been baffled by what kind of reality this film shows.

The most fantastical quality of reality is that I can open the door and go wherever. The thinking mind will hold me back nine times out of ten, but the fact that our lives play out against the possibility is behind any life worth being lived. Spontaneity. It lies at the bottom of all the other structures we observe around us and at the bottom of almost every great film I know of.

Pixar's main structure in building world - and what sets them apart from previous studios - is finding a small corner of our own world to animate, say toys in the attic, we can then have the delight of secret lives right under our feet. The more ordinary and familiar this corner is, the more often we can imagine passing through it, the better. It's the difference between Toy Story and Cars. It lets them filter in the following way; the larger surrounding human world retains its quality of callous indifference as we think of it ourselves, our gaze is directed to the magical world-within where fragile beings have to struggle with predicaments like ours.

The primary thing to note in tandem with this is how the rest has been engineered around spontaneous expression. Pixar are something of a master in how things flow, how walls can be moved around to facilitate experience. It's all about turbulent motion that zig zags over barriers; through ocean streams, a bird flying us overhead, through tubes inside the marine park, hijacking a truck. Things magically work out, even when our heroes don't land in the right place, they do.

And you'll see this in the story about a narrator who continuously forgets, has no plan about how she's going to accomplish what she wants other than the urge to find her parents, but makes her way by rubbing against limits of where she finds herself, spontaneously opening ways.

Metacritic Reviews


Critic Reviews



How Cary Elwes Went From Fan to "Stranger Things" Star

Making his debut as the mayor of Hawkins, Cary Elwes marvels at the '80s references and his young castmates on "Stranger Things."

Watch now

Featured on IMDb

Check out IMDb's San Diego Comic-Con coverage, featuring Kevin Smith as captain of the IMDboat, July 18 to 20, 2019, visit our guide to Star Wars, family entertainment, and more.

Around The Web

 | 

Powered by ZergNet

More To Explore

Search on Amazon.com