For the third weekend”Moana” repeated at #1, but that’s likely the last one it will see. It’s one of several November releases that remain strong, for a top 10 total of $73 million — a fine number for this time of year, especially without the support of a blockbuster’s opening weekend.
Read More: Arthouse Audit: ‘La La Land’ Box Office is Stunning
You also can’t discount the trajectory of “Office Christmas Party” (Paramount). With no other openers (and even less competition from what little debuted last week) and the seasonal tie-in, it earned $17.5 million — about $6.5 million more than last year’s much pricier “In the Heart of the Sea,” which lost nearly all its theaters after two weeks. “Office” should fare much better.
The Top Ten
1. “Moana” (Disney) – Week 3; Last weekend #1
$18,842,000 (-33%) in 3,875 theaters (no change); PTA (per theater average): $4,862; Cumulative: $145,009,000
2. “Office Christmas Party” (Paramount) New – Cinemascore: B; Metacritic: 47; Est.
Read More: Arthouse Audit: ‘La La Land’ Box Office is Stunning
You also can’t discount the trajectory of “Office Christmas Party” (Paramount). With no other openers (and even less competition from what little debuted last week) and the seasonal tie-in, it earned $17.5 million — about $6.5 million more than last year’s much pricier “In the Heart of the Sea,” which lost nearly all its theaters after two weeks. “Office” should fare much better.
The Top Ten
1. “Moana” (Disney) – Week 3; Last weekend #1
$18,842,000 (-33%) in 3,875 theaters (no change); PTA (per theater average): $4,862; Cumulative: $145,009,000
2. “Office Christmas Party” (Paramount) New – Cinemascore: B; Metacritic: 47; Est.
- 12/11/2016
- by Tom Brueggemann
- Indiewire
10 Cloverfield Lane has been out in theaters for a little while now, but I still can’t stop thinking about it. As such, I wanted to take this time to discuss my theories on how the two Cloverfield movies connect, the implications therein, and how this makes for a brilliant new way to craft a franchise. Come inside to check it out!
In case you haven't realized, this article is going to be Filled with all manner of spoilers. So if you haven't seen 10 Cloverfield Lane yet (which would be a damn shame), go out immediately and do so, then come back and read.
Good to go? Okay.
As I mentioned in my initial review of the film (which adequately sums up my thoughts on this incredible movie), Cloverfield is still one of my favorite movies around, and something I can watch infinitely. While Cloverfield Lane doesn't feature the giant...
In case you haven't realized, this article is going to be Filled with all manner of spoilers. So if you haven't seen 10 Cloverfield Lane yet (which would be a damn shame), go out immediately and do so, then come back and read.
Good to go? Okay.
As I mentioned in my initial review of the film (which adequately sums up my thoughts on this incredible movie), Cloverfield is still one of my favorite movies around, and something I can watch infinitely. While Cloverfield Lane doesn't feature the giant...
- 4/15/2016
- by feeds@cinelinx.com (Jordan Maison)
- Cinelinx
It’s time for the midterm elections, and many of our favorite celebrities are urging fans to head to their local polling place and cast their vote.
Kim Kardashian uploaded a cartoon drawing of herself with President Barack Obama, stating that she’ll vote the way he would want her to- “I’m standing w Obama in the midterm election 2morrow! Find out what u need to cast ur ballot.”
Additionally, Pharrell Williams wrote, “Voting is a right we can't take for granted. If you want to make change, you have to act. Go to the polls and let your voice be heard,” while Queen Latifah tweeted, “Make it your duty and use your power for Good to go out and vote today!”
Furthermore, Gabrielle Union declared, “Vote!!! Let your voice be heard... do not silence yourself. .. do Not surrender!”
And Nikki Reed posted a photo of a voting sticker...
Kim Kardashian uploaded a cartoon drawing of herself with President Barack Obama, stating that she’ll vote the way he would want her to- “I’m standing w Obama in the midterm election 2morrow! Find out what u need to cast ur ballot.”
Additionally, Pharrell Williams wrote, “Voting is a right we can't take for granted. If you want to make change, you have to act. Go to the polls and let your voice be heard,” while Queen Latifah tweeted, “Make it your duty and use your power for Good to go out and vote today!”
Furthermore, Gabrielle Union declared, “Vote!!! Let your voice be heard... do not silence yourself. .. do Not surrender!”
And Nikki Reed posted a photo of a voting sticker...
- 11/4/2014
- GossipCenter
You know who this is. Why re-establish him?
Hey!
Shane Black and his writing partner from Monster Squad, Fred Dekker, are rebooting Predator for Fox. Black is going to write a treatment, Dekker will write the script, Black will direct.
But wait!
Collider has spoken to Black who clarifies that this is Not a reboot, but a sequel!
“Why start over, when you’ve all this rich mythology yet to mine?” Black said he doesn’t like reboots generally, but can “really get behind inventive sequels”, noting that he likes “the idea of expanding and exploring the existing Predator mythology, rather than hitting the restart button.” He went on to say that Dekker, who’s writing the screenplay, is “perfect” for the project,
I've always been on the Xenomorph side on this battle, so maybe it's influencing my opinion, which is: "this is exactly what I was expecting."
Reasons?
1) Shane Black...
Hey!
Shane Black and his writing partner from Monster Squad, Fred Dekker, are rebooting Predator for Fox. Black is going to write a treatment, Dekker will write the script, Black will direct.
But wait!
Collider has spoken to Black who clarifies that this is Not a reboot, but a sequel!
“Why start over, when you’ve all this rich mythology yet to mine?” Black said he doesn’t like reboots generally, but can “really get behind inventive sequels”, noting that he likes “the idea of expanding and exploring the existing Predator mythology, rather than hitting the restart button.” He went on to say that Dekker, who’s writing the screenplay, is “perfect” for the project,
I've always been on the Xenomorph side on this battle, so maybe it's influencing my opinion, which is: "this is exactly what I was expecting."
Reasons?
1) Shane Black...
- 6/26/2014
- by Da7e
- LRMonline.com
Our International Sales Agent (Isa) of the Day coverage resumed for this year's Cannes Film Festival. We feature successful, upcoming, innovative and trailblazing agents from around the world (during and after the festival) and cover the latest trends in sales and distribution. Beyond the numbers and deals, this segment will also share inspirational and unique stories of how these individuals have evolved and paved their way in the industry, and what they envision for the new waves in global cinema.
New Morning Films is a relatively new sales company based in Paris that represents exquisite art house films including "Letter to the King" and "Before Snowfall" (both by Hisham Zaman), which both won The Dragon Award for Best Nordic Film at the Goteborg Film Festival in 2013 and 2014. Its founder Germain Labeille has years of experience to draw from, and it all began as a child in Melbourne, Australia when the chairman of Village Roadshow sparked his interest in cinema by inviting him to private screenings. As an adult, he studied acting, production, and eventually worked in film sales for Rezo, Jour2Fete, and Albany Films International.
What's unique about Germain is his experience living in Poland for several years, which gave him fluency in the country's language and culture. This intercultural experience places him ahead of most when it comes to representing Polish and Eastern European talent, and has helped him to take on the Polish documentary "Minkowski | Saga" by Rafael Lewandowski, the feature "Little Crushes" by Aleksandra Gowin & Ireneusz Grzyb, and the Slovenian Film "Good to Go" by Matevz Luzar.
Germain shares his experience, his passion to help new directors, and his intercultural perspective on doing business:
How did you first get into film?
The father of my best friend in Melbourne was the chairman of Village Roadshow. I first met him when he was developing the video rental business in Australia back in the 80s. He would invite me to private screenings and hired me to sell ice cream and popcorn, while letting me eat the ice cream as a reward on the side. Each time I took the plane to Melbourne, he would organize a stopover in Hong Kong and welcome me as a guest to his studios. It made for a very wonderful childhood. When I was 11, he said to me, "Germain, one day you'll also work in the cinema industry," and I always kept it in mind. That's probably why I'm here, in a way.
How did you start New Morning Films?
My first job in sales (apart from selling ice cream) was with Rezo for eight months. I started out as an assistant. That's where I learned this industry is about promoting and defending creative voices that need help to get out there, and you need to be passionate to do that.
My next job was with a distribution company specialized in art house films called Jour2Fete, and then I went on to open up international sales for Albany Films International. Nearly a year ago, I moved on and opened my own company. This is how New Morning Films was born.
How's your first year of business going?
It's going well, because of all these contacts I've built over the years with other sales companies. People on the major festival circuit have started to know me, so it's much easier. The main thing in this industry is to have the contacts. If you don't have them, it's extremely difficult.
What makes New Morning Films welcoming to its clients?
My idea is to promote new directors that don't know how to get the ball rolling with their films. I come in with my contacts and experience to expose their films in ways they can't do on their own.
I work very close with producers, and we move together. I don't disappear once the agreement is signed, and we collaborate to show these films because the business is tough right now. There's a distribution revolution going on, and the question is how to succeed in getting these young directors out there - especially with theatrical distribution going down.
What is the biggest challenge of working with first time directors?
The challenge with young producers and directors is that they have extremely high expectations, and you have to help them find the balance. They can make fantastic films, but this is a competitive world. Some think they're going to win awards at every festival, and become acclaimed overnight. In a way, it's very understandable, because they've put so much time, money, and soul into their films. The main goal of first time films is to be seen as much as possible. Maybe it won't be released everywhere, but it's a sure fire way to get people talking.
Please talk about the New Morning Films Slate.
I have eight films in my care, and they've all done really well at gaining awards and attention at festivals. They're from all over the world: from Canada ("Une Jeune Fille-a Journey" by Catherine Martin), the USA, Poland, Slovenia, Spain ("Violet" by Luiso Berdejo) Germany, Scandinavia ("Princess" by Arto Halonen) and Kurdistan. I also like following the careers of the directors; I'm lucky enough to have two films by Hisham Zaman ("Letter to the King" and "Before Snowfall"), who won the Tiger Award in Goteborg two years in a row. This is the first time it's ever happened to a director. All his films talk about the cultural differences and difficulties that the Kurdistan people encounter in places like Germany and Scandinavia.
How do you approach the challenges of doing business between multiple countries and cultures?
Every country has a certain way of doing business, and it helps to know about it before you dive in. With China for example, it's extremely difficult to release a film there, because there's a lot of censorship that you have to consider. Due to this difficulty, there are very few European and American art house films that succeed in breaking into the Chinese market.
Every country and culture has its stereotypes, in which there is some truth. The Americans go straight to the point. They're very pragmatic, and the contracts are very long! With the Russians, it can take longer to get answers, and their organization is different. Really, it is a question of observation and listening. It comes from experience, and learning how to deal with them. As for the Spanish, the film makers are very passionate, so it's important not to let their excitement overwhelm you... even if it turns into anger. At the end of the day, you have to do your best to be aware of how people think, and genuinely reach an understanding with them.
Learn about the New Morning Films catalog here.
More about New Morning Films:
New Morning Films is a new independent sales company based in Paris, France. It is handled by Germain Labeille, who formerly managed Albany Films International after working at Rezo and Jour2Fete, a French quality Art House distributor. Nmf's editorial line is dedicated to the promotion of upscale Art House, and Indie Films by gifted and promising directors.
In order to build up a close and transparent work relationship with the producers and directors, our catalogue will privilege quality over quantity with no more than six films a year.
Besides Berlin and Cannes, the company will attend key markets and festivals including Warsaw and Thessaloniki to seek out rising talents.
Nmf's ultimate goal is to make use of all means of communication and innovative networks to stimulate emerging talents and optimize film visibility.
New Morning Films is a relatively new sales company based in Paris that represents exquisite art house films including "Letter to the King" and "Before Snowfall" (both by Hisham Zaman), which both won The Dragon Award for Best Nordic Film at the Goteborg Film Festival in 2013 and 2014. Its founder Germain Labeille has years of experience to draw from, and it all began as a child in Melbourne, Australia when the chairman of Village Roadshow sparked his interest in cinema by inviting him to private screenings. As an adult, he studied acting, production, and eventually worked in film sales for Rezo, Jour2Fete, and Albany Films International.
What's unique about Germain is his experience living in Poland for several years, which gave him fluency in the country's language and culture. This intercultural experience places him ahead of most when it comes to representing Polish and Eastern European talent, and has helped him to take on the Polish documentary "Minkowski | Saga" by Rafael Lewandowski, the feature "Little Crushes" by Aleksandra Gowin & Ireneusz Grzyb, and the Slovenian Film "Good to Go" by Matevz Luzar.
Germain shares his experience, his passion to help new directors, and his intercultural perspective on doing business:
How did you first get into film?
The father of my best friend in Melbourne was the chairman of Village Roadshow. I first met him when he was developing the video rental business in Australia back in the 80s. He would invite me to private screenings and hired me to sell ice cream and popcorn, while letting me eat the ice cream as a reward on the side. Each time I took the plane to Melbourne, he would organize a stopover in Hong Kong and welcome me as a guest to his studios. It made for a very wonderful childhood. When I was 11, he said to me, "Germain, one day you'll also work in the cinema industry," and I always kept it in mind. That's probably why I'm here, in a way.
How did you start New Morning Films?
My first job in sales (apart from selling ice cream) was with Rezo for eight months. I started out as an assistant. That's where I learned this industry is about promoting and defending creative voices that need help to get out there, and you need to be passionate to do that.
My next job was with a distribution company specialized in art house films called Jour2Fete, and then I went on to open up international sales for Albany Films International. Nearly a year ago, I moved on and opened my own company. This is how New Morning Films was born.
How's your first year of business going?
It's going well, because of all these contacts I've built over the years with other sales companies. People on the major festival circuit have started to know me, so it's much easier. The main thing in this industry is to have the contacts. If you don't have them, it's extremely difficult.
What makes New Morning Films welcoming to its clients?
My idea is to promote new directors that don't know how to get the ball rolling with their films. I come in with my contacts and experience to expose their films in ways they can't do on their own.
I work very close with producers, and we move together. I don't disappear once the agreement is signed, and we collaborate to show these films because the business is tough right now. There's a distribution revolution going on, and the question is how to succeed in getting these young directors out there - especially with theatrical distribution going down.
What is the biggest challenge of working with first time directors?
The challenge with young producers and directors is that they have extremely high expectations, and you have to help them find the balance. They can make fantastic films, but this is a competitive world. Some think they're going to win awards at every festival, and become acclaimed overnight. In a way, it's very understandable, because they've put so much time, money, and soul into their films. The main goal of first time films is to be seen as much as possible. Maybe it won't be released everywhere, but it's a sure fire way to get people talking.
Please talk about the New Morning Films Slate.
I have eight films in my care, and they've all done really well at gaining awards and attention at festivals. They're from all over the world: from Canada ("Une Jeune Fille-a Journey" by Catherine Martin), the USA, Poland, Slovenia, Spain ("Violet" by Luiso Berdejo) Germany, Scandinavia ("Princess" by Arto Halonen) and Kurdistan. I also like following the careers of the directors; I'm lucky enough to have two films by Hisham Zaman ("Letter to the King" and "Before Snowfall"), who won the Tiger Award in Goteborg two years in a row. This is the first time it's ever happened to a director. All his films talk about the cultural differences and difficulties that the Kurdistan people encounter in places like Germany and Scandinavia.
How do you approach the challenges of doing business between multiple countries and cultures?
Every country has a certain way of doing business, and it helps to know about it before you dive in. With China for example, it's extremely difficult to release a film there, because there's a lot of censorship that you have to consider. Due to this difficulty, there are very few European and American art house films that succeed in breaking into the Chinese market.
Every country and culture has its stereotypes, in which there is some truth. The Americans go straight to the point. They're very pragmatic, and the contracts are very long! With the Russians, it can take longer to get answers, and their organization is different. Really, it is a question of observation and listening. It comes from experience, and learning how to deal with them. As for the Spanish, the film makers are very passionate, so it's important not to let their excitement overwhelm you... even if it turns into anger. At the end of the day, you have to do your best to be aware of how people think, and genuinely reach an understanding with them.
Learn about the New Morning Films catalog here.
More about New Morning Films:
New Morning Films is a new independent sales company based in Paris, France. It is handled by Germain Labeille, who formerly managed Albany Films International after working at Rezo and Jour2Fete, a French quality Art House distributor. Nmf's editorial line is dedicated to the promotion of upscale Art House, and Indie Films by gifted and promising directors.
In order to build up a close and transparent work relationship with the producers and directors, our catalogue will privilege quality over quantity with no more than six films a year.
Besides Berlin and Cannes, the company will attend key markets and festivals including Warsaw and Thessaloniki to seek out rising talents.
Nmf's ultimate goal is to make use of all means of communication and innovative networks to stimulate emerging talents and optimize film visibility.
- 6/8/2014
- by Erin Grover
- Sydney's Buzz
New York Fashion Week provides a glimpse at the newest trends in fashion, makeup, hairstyles, and even nail designs. Nude nails ruled for Fall 2014 — we have step-by-step for Monique Lhuillier, Alexander Wang and more below!
Fashion week trends are sometimes better off on the runway, but the Fall 2014 shows have given us different nail looks that can be worn everyday by anyone! If you want to learn how to get the exact nails from fashion week — keep reading!
New York Fashion Week Nails – Altuzarra Fall/Winter 2014 Collection
Altuzarra’s new collection was filled with different textures, tons of knits, and pops of color! Essie‘s Michelle Saunders designed a beautiful French manicure to complement the collection.
Here are the exact steps to achieve the look — using all Essie products:
“1) Make sure your nails are clean and filed — apply the First Base Base Coat.
2) Next, put on one coat of Ridge...
Fashion week trends are sometimes better off on the runway, but the Fall 2014 shows have given us different nail looks that can be worn everyday by anyone! If you want to learn how to get the exact nails from fashion week — keep reading!
New York Fashion Week Nails – Altuzarra Fall/Winter 2014 Collection
Altuzarra’s new collection was filled with different textures, tons of knits, and pops of color! Essie‘s Michelle Saunders designed a beautiful French manicure to complement the collection.
Here are the exact steps to achieve the look — using all Essie products:
“1) Make sure your nails are clean and filed — apply the First Base Base Coat.
2) Next, put on one coat of Ridge...
- 2/10/2014
- by HL Intern
- HollywoodLife
From a catsuit that would look hot on Rihanna to a gold, embellished mini perfect for Blake Lively, Herve Leger’s Fall 2014 collection had a little bit of everything.
Few things make you feel sexier than an Herve Leger by Max Azria dress. Flirty, feminine and skin-tight, the clothes at the Fall 2014 show, held at Lincoln Center on Feb. 8, did not disappoint. See the collection in the gallery attached and learn about the exact hair and makeup looks below.
Herve Leger Fall 2014 — Sexy Feathers & Leather
Herve Leger’s Fall 2014 collection was a mixture of naughty and nice, of playful and vixen. Sexy bondage-like buckles showed off cut outs perfect for displaying cleavage. Fringe skirts and a feminine silhouette cooled down the skin-tight designs.
Kat Graham At Nyfw Max Azria Arrives At Herve Leger Show Take Our Poll
Cut outs, peplum, leather and studs — the collection had something for everyone.
One...
Few things make you feel sexier than an Herve Leger by Max Azria dress. Flirty, feminine and skin-tight, the clothes at the Fall 2014 show, held at Lincoln Center on Feb. 8, did not disappoint. See the collection in the gallery attached and learn about the exact hair and makeup looks below.
Herve Leger Fall 2014 — Sexy Feathers & Leather
Herve Leger’s Fall 2014 collection was a mixture of naughty and nice, of playful and vixen. Sexy bondage-like buckles showed off cut outs perfect for displaying cleavage. Fringe skirts and a feminine silhouette cooled down the skin-tight designs.
Kat Graham At Nyfw Max Azria Arrives At Herve Leger Show Take Our Poll
Cut outs, peplum, leather and studs — the collection had something for everyone.
One...
- 2/8/2014
- by Dory Larrabee
- HollywoodLife
Glenn continues his 3 part look at the 15 finalists for Best Documentary. (Here is part one if you missed it). Watch along with us!
Blackfish
Synopsis: How do you solve a problem like SeaWorld? Animal cruelty is exposed at SeaWorld theme parks and others associated with it around the globe. Particularly of interest is that of Tilikum, a 5,400kg orca responsible for multiple deaths including trainer Dawn Brancheau.
Director: Gabriela Cowperthwaite (City Lax: Un Urban Lacrosse Story)
Festivals: AFI Docs, Athens, Hamburg, Hot Docs, Kosovo, Melbourne, Miami, Moscow, Rio de Janeiro, Seoul, Sitges, Sundance, True/False
Awards: Best Documentary 2nd Place (Boston Film Critics), Best Documentary (Washington DC), Best Feature (Nominee, International Documentary Association)
Box Office: $2.07mil (max. 99 screens), out now on DVD/Blu-ray/VOD
Review: From my review back in July:
Its mission is similar to that of Oscar-winning eco-doc The Cove, and would make a curious companion to Jacques Audiard’s Rust & Bone.
Blackfish
Synopsis: How do you solve a problem like SeaWorld? Animal cruelty is exposed at SeaWorld theme parks and others associated with it around the globe. Particularly of interest is that of Tilikum, a 5,400kg orca responsible for multiple deaths including trainer Dawn Brancheau.
Director: Gabriela Cowperthwaite (City Lax: Un Urban Lacrosse Story)
Festivals: AFI Docs, Athens, Hamburg, Hot Docs, Kosovo, Melbourne, Miami, Moscow, Rio de Janeiro, Seoul, Sitges, Sundance, True/False
Awards: Best Documentary 2nd Place (Boston Film Critics), Best Documentary (Washington DC), Best Feature (Nominee, International Documentary Association)
Box Office: $2.07mil (max. 99 screens), out now on DVD/Blu-ray/VOD
Review: From my review back in July:
Its mission is similar to that of Oscar-winning eco-doc The Cove, and would make a curious companion to Jacques Audiard’s Rust & Bone.
- 12/19/2013
- by Glenn Dunks
- FilmExperience
With a promise to be back next year, bigger and better, the final day of the 15th Mumbai Film Festival presented by Reliance Entertainment and organized by the Mumbai Academy of Moving Images (Mami) unfolded.
After a week of celebrating cinema, the final few films screened today included Red Wedding directed by Guillaume Suon and Lida Chan, Short Term 12 by Destin Cretton, Saving General Yang directed by Ronny Yu, Hiroshi Toda’s Seventh Cat, Five Years by Stefan Schaller, Costa Gavras’s Amen and the much acclaimed Z, A Few Days More by Om Prakash Srivastava among others.
The last of the 15th Mumbai Film Festival’s master classes was conducted by the legendary director Bruce Beresford, on Preparation by the Director. “I thought I would talk about the necessity of story boarding. These days, with tight budgets and short schedules, if you don’t plan them, you’ll...
After a week of celebrating cinema, the final few films screened today included Red Wedding directed by Guillaume Suon and Lida Chan, Short Term 12 by Destin Cretton, Saving General Yang directed by Ronny Yu, Hiroshi Toda’s Seventh Cat, Five Years by Stefan Schaller, Costa Gavras’s Amen and the much acclaimed Z, A Few Days More by Om Prakash Srivastava among others.
The last of the 15th Mumbai Film Festival’s master classes was conducted by the legendary director Bruce Beresford, on Preparation by the Director. “I thought I would talk about the necessity of story boarding. These days, with tight budgets and short schedules, if you don’t plan them, you’ll...
- 10/26/2013
- by Pooja Rao
- Bollyspice
Diego Quemada-Diez scoops top prize; Nagraj Manjule wins jury award.Scroll down for full list of winners
Mexican film A Golden Dream (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, A Golden Dream (fka The Golden Cage)follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s [link...
Mexican film A Golden Dream (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, A Golden Dream (fka The Golden Cage)follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s [link...
- 10/25/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Diego Quemada-Diez scoops top prize; Nagraj Manjule wins jury award.Scroll down for full list of winners
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival...
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival...
- 10/25/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
m
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us. The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival sweep by winning best director and best actress for Yann Yann Yeo. Best actor went to Vincent Macaigne for his role in Tonnerre, directed by France’s Guillaume Brac.
The jury also gave a special prize for “Best Work in Cinematography” to Australia-Laos-Thailand co-production The Rocket, directed by [link...
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us. The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival sweep by winning best director and best actress for Yann Yann Yeo. Best actor went to Vincent Macaigne for his role in Tonnerre, directed by France’s Guillaume Brac.
The jury also gave a special prize for “Best Work in Cinematography” to Australia-Laos-Thailand co-production The Rocket, directed by [link...
- 10/24/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
This week’s Breaking Bad left critics across the board trembling and (nearly) speechless. Matt Zoller Seitz likened watching the episode to “being on an old wooden roller coast that thrilled and terrified you but made your back hurt so bad you worried that maybe you ruptured something.” Though there are still two episodes left, it seems impossible they’ll be as agonizing as this one. While you’re still in shock, here’s our weekly recap of the recaps.“When Walt reveals Jesse’s hiding place and coldly nods at Jack’s cheerful ‘Good to go?’ he’s a force of pure vengeance. It’s not enough that Todd gets to torture Jesse (remember what I said last week about how he’s the scariest motherfucker in the room?). Walt twists the knife that he’s left sticking in Jesse’s gut for months now. It’s the demonic...
- 9/17/2013
- by Erica Schwiegershausen
- Vulture
Smokey eyes were the focus at the Spring/Summer Fashion Show on September 7. Despite the season, the nails were dark and the eye makeup was bold. We spoke to the artists backstage — read about the looks below.
Jill Stuart’s clothes would look great on Katy Perry and Rihanna and so would the hair and makeup looks. Find out the exact products used on models below so you can get the look!
Jill Stuart Runway — Dark Nails For Spring
Nails were done by Essie pro Julie Kandalec. She spoke Exclusively to HollywoodLife.com:
“It’s two coats of After School Boy Blazer — it’s new for fall. Blue is popular for spring but you would never see navy on a spring runway.”
They used the same color on nails and toes and finished the look with Good To Go top coat for shine.
“It’s a slightly rounded nail. It...
Jill Stuart’s clothes would look great on Katy Perry and Rihanna and so would the hair and makeup looks. Find out the exact products used on models below so you can get the look!
Jill Stuart Runway — Dark Nails For Spring
Nails were done by Essie pro Julie Kandalec. She spoke Exclusively to HollywoodLife.com:
“It’s two coats of After School Boy Blazer — it’s new for fall. Blue is popular for spring but you would never see navy on a spring runway.”
They used the same color on nails and toes and finished the look with Good To Go top coat for shine.
“It’s a slightly rounded nail. It...
- 9/8/2013
- by Dory Larrabee
- HollywoodLife
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