Short Term 12

One of the few movies in my life I cried at. Due to some of my background I was moved by the subject matter. It is one of the most natural movies I have ever seen. The entire cast seemed like real people and not one of them seemed like an actor. Great movies plunge the viewer into real lives as if they suddenly discovered someone else's life in front of them. The writer/director also had balance in the story, The most emotional scenes had tremendous impact because the timing when they occurred was not suspected. The scenes were gut-wrenching and drove me to emotional experiences as if I was a person in the film. Thus, the tears. This may be a hard film for viewers to be involved with, but it is worth every minute of it. The private lives of the leaders were weaved into the film and gave great understanding to the people who ran the agency. The child acting was without a flaw, and I felt as if I knew them in real life. I urge you to see it, but prepare yourself for an emotional ride with people in dire circumstances. A simply great film!!

"You are not their friend, and you are not their therapist," Jack (Frantz Turner) to Grace (Brie Larson)

You can be forgiven if you think Short Term 12 is a documentary, so close it seems to the reality of a foster-care facility, so natural its acting in almost every character. If you see any films this month, makes sure this is one of them

First time helmer Destin Cretton, with two years' experience in a similar care-giving facility (The title refers to the 12 or so group homes for teens in the county), has masterfully relayed the love and sorrow inherent in a place where virtually everyone is displaced from a parent, or abused, even the staff.

The story belongs to Grace (Brie Larson), a caring giver who influences for good many of her charges, not easy cases any one of them. Part of the reason she is so successful is that she knows from abuse by her father, who is in prison for his offenses. She finds a younger Doppelganger of sorts in defiant teen Jadyn (Kaitlyn Dever), whose traumas at the hands of her father are ongoing and call for identifying with Grace's experiences and strong remedy. Watch for an Oscar nomination if this indie is seen by enough of us.

To parallel the challenges of the home, Grace's home with fellow staffer, boyfriend Mason is both loving and stressful because she struggles with becoming pregnant and reconciling her tortured past with her father, who is ready to be released form prison. Mason is the ideal caregiver, loving and competent with the teenagers and her.

Although many moments could be melancholic or downright tear-jerking in other hands, Cretton doesn't allow excessive sorrow to rule; rather, the sadness is mitigated by the small triumphs. Hey, that's just like real life.

This little indie will cure you of any longing for summer blockbusters and their half-billion-dollar entanglements. Short Term 12's situations are enough satisfying drama for ten Lone Rangers.

It is one of those films that you really feel for the characters. Its story is very engaging, heartwarming and heartbreaking at the same time.

I heard a lot about this film before. People kept saying it was one of the best films they have ever seen. While I cannot say the same, it is certainly a film I am glad to have seen now.

Would I watch it again? Probably not, wouldn't want to stress myself that much again. Would I make my friends watch it? Yes to that.

After seeing this movie, I realized how the Academy works. If a movie doesn't have the budget to distribute their film to a vast amount of cities or campaign well, then it is unlikely to get its deserved recognition. I sat through the 96 minutes of this Indie film that got raved with impressive reviews at SXSW to see what the fuss was about. The people behind this movie deserve SO much more praise than they have gotten. This film, though not technically masterful, is emotionally wrenching. I laughed, I freaking cried my heart out, and overall it felt real. There was a connection to the film that was surprisingly amazing. The movie reminded me to Blue is the Warmest Color in the sense that it was raw, powerful, real, and astonishing. Brie Larson should have easily been one of the five nominees for Best Actress as well as Keith Stanfield for Best Supporting Actor. This film is a portrayal of neglected youth, a rare look at relationships, an articulation of the fears in the world, and a new point of view that most films have never shown before. I truly recommend this film to everyone, and will always give it the praise it deserves.

It's not just the residents in this home that are damaged. To some degree, the staff comes here with their own life experiences that are just as damaging as those they care for. Maybe being damaged is what attracts people to the work - I certainly saw it often in psychology and counseling classes.

Grace (Brie Larson), the supervisor, is certainly dealing with a damaged past. It is probably what makes her good at her job, but it does cause her problems. It's balancing the two that makes one successful.

Cutting, anger, withdrawal, are all things you will see in these children/young adults. They are manifestations of their unnatural upbringing. Marcus (Keith Stanfield) is terrified at the prospect of going out on his own. Jayden (Kaitlyn Dever) guards her secret past, while Grace tries to pry it open.

Every day is a challenge, and the worst part is not ever knowing if you were successful.