Mission: Impossible - Rogue Nation
Provided by Metacritic.com
I would argue that this may be the funniest of the films overall, and with Robert Elswit shooting it, it's absolutely gorgeous, with crisp, clean action choreography that you can actually see.
At once questioning and reaffirming the pleasures of cinematic espionage, this is the rare sequel that leaves its franchise feeling not exhausted but surprisingly resurgent at 19 years and counting.
The Hollywood Reporter
The formula of ingredients is familiar and time-tested, to be sure, but some cocktails go down much better than others and McQuarrie and company have gotten theirs just right here.
The action scenes are predictably magnificent, and an excellent supporting turn from fetching new cast member Rebecca Ferguson helps make this a sexy, propulsive, top-notch thriller.
Mission: Impossible - Rogue Nation never pretends to be anything but a solidly entertaining collection of fighting, chasing, driving, falling and going-to-the-place-and-getting-the-thing. But at that level, it delivers completely. Choose to accept it.
Mission: Impossible – Rogue Nation might have its hi-tech gadgets, but it's a pleasingly old-fashioned affair.
Easily, almost nonchalantly, best in franchise, Rogue Nation dispenses with the dead weight of realism or relevance for state-of-the-art thrill-making in a classical mould. The series has finally found its voice.
Rogue Nation plays out like a sufficient rejigging of the same variables tossed around many times before, which is just enough to both celebrate the material and demonstrate its limitations.
Its fuse fizzes dutifully from A to B, but the dynamite never ignites.
Time Out London
Rogue Nation is an uneven film.
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