IMDb RATING
6.0/10
7.8K
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Left without men in the dying days of the American Civil War, three women must fight to defend their home and themselves from two rogue soldiers who have broken off from the fast-approaching... Read allLeft without men in the dying days of the American Civil War, three women must fight to defend their home and themselves from two rogue soldiers who have broken off from the fast-approaching Union Army.Left without men in the dying days of the American Civil War, three women must fight to defend their home and themselves from two rogue soldiers who have broken off from the fast-approaching Union Army.
- Awards
- 3 wins & 8 nominations total
Anna-Maria Nabirye
- Alma
- (as Anna Maria Nabirye)
Charles Jarman
- Carriage Driver
- (as Jarman Charles Augustus)
Bogdan Farkas
- Nathaniel
- (uncredited)
Stefan Velniciuc
- Father
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Watched this without reading reviews and was pleasantly surprised. Acting is phenomenal, and the movie feels real to the 1865 era. All three lead female actresses were outstanding.
The Keeping Room follows three women who are left alone on a plantation in the south near the end of the American Civil War. While these women are just trying to survive, they are put to the test when two rouge union soldiers. The result is an eerie, heartbreaking, and thought-provoking film about a group of people that we don't think about in history, women of the south. The film also does a good job of showing the dark side of the Union Army. Near the end of the war the union army had the attitude, "War is cruelty. There is no use trying to reform it. The crueler it is, the sooner it will be over. - William Tecumseh Sherman, Union Army General. Thus the burning and looting of southern plantations. While at the same time, this film doesn't glorify the confederacy. Instead, this film is about a small group of characters caught in a bad situation. Also, this film has some amazing performances from Hailee Steinfeld and Sam Worthington. I've always thought Sam Worthington is an underrated actor, and he is amazing as this film's villain. Hailee Steinfeld's performance simply fantasist. Even though she is only a kid, she is by far the best actor in this film, which goes to show just how talented she is. I wasn't as impressed with Brit Marling, but this could be because I found her character underwhelming. This movie isn't for everyone as there are some dark scenes. However, if you have the stomach for it, I'd recommend seeking it out.
There's a merit on doing all female leads drama thriller set on volatile era of Civil War, especially when there's social prejudice involved. However, aside from some admittedly fine performance, the movie feels clunky and slow. It doesn't have the intricacy or characterization beyond the basic formula of "there are bad men coming", and even that takes the film about half its runtime to get the pace going.
This is the story of three women, one of whom is colored, as they defend their home from outsiders. Each woman might not be easily relatable at first, but the acting as well as decent investment time to them manage to deliver a few heavy thought provoking and intimate scenes. Brit Marling as the oldest one keeps a strong presence even though her character may be lacking in term of actual strength.
Muna Otaru as Mad, the colored housekeeper or technical maid, has a unique personality as the caretaker of the girls and also her own woman. As for the antagonist Sam Worthington makes do, he's decent but his motivation doesn't have the same focus as the girls', which means less connection to the character as he basically stumbles on the predicament he himself creates. The cinematography works by keeping an intentionally bleak and less stylish version of Wild West.
This is a deliberate pace for drama, not action or thriller. It does feel terribly slow at times, not in a good Tarantino build up style. Furthermore, there's not much cat-and-mouse cerebral standoff, which feels like a missed opportunity, especially when it could've used the setting as intense backdrop. Panic Room with Jodie Foster had trade of wit between protagonist and antagonist that created depth and utilized its premise, while here it's more of random gunslinging action.
The Keeping Room has a couple of good performances, especially geared towards heavy themes such as race prejudice and violence towards women. However, instead of putting more focus on home invasion to elevate the drama, its slow pace removes any thrill to what could've been a powerful commentary of an era and its lingering issues.
This is the story of three women, one of whom is colored, as they defend their home from outsiders. Each woman might not be easily relatable at first, but the acting as well as decent investment time to them manage to deliver a few heavy thought provoking and intimate scenes. Brit Marling as the oldest one keeps a strong presence even though her character may be lacking in term of actual strength.
Muna Otaru as Mad, the colored housekeeper or technical maid, has a unique personality as the caretaker of the girls and also her own woman. As for the antagonist Sam Worthington makes do, he's decent but his motivation doesn't have the same focus as the girls', which means less connection to the character as he basically stumbles on the predicament he himself creates. The cinematography works by keeping an intentionally bleak and less stylish version of Wild West.
This is a deliberate pace for drama, not action or thriller. It does feel terribly slow at times, not in a good Tarantino build up style. Furthermore, there's not much cat-and-mouse cerebral standoff, which feels like a missed opportunity, especially when it could've used the setting as intense backdrop. Panic Room with Jodie Foster had trade of wit between protagonist and antagonist that created depth and utilized its premise, while here it's more of random gunslinging action.
The Keeping Room has a couple of good performances, especially geared towards heavy themes such as race prejudice and violence towards women. However, instead of putting more focus on home invasion to elevate the drama, its slow pace removes any thrill to what could've been a powerful commentary of an era and its lingering issues.
I like this movie and i'm surprised some feel differently towards it. It was cool to see the war coming from a woman's perspective and show the horrors of the woman trying to defend their home and themselves.
It showed how at the end of the Civil War that it was violent and it also showed women didn't have much respect. We noticed that it showed not only the woman's perspective but the man's as well.
Many could say they view this movie differently but I viewed it as showing how strong women were in this time period and to show the destruction the Civil War caused.
I personally recommend this movie for learning purposes as well as to get an insight on the different perspectives of the Civil War.
It showed how at the end of the Civil War that it was violent and it also showed women didn't have much respect. We noticed that it showed not only the woman's perspective but the man's as well.
Many could say they view this movie differently but I viewed it as showing how strong women were in this time period and to show the destruction the Civil War caused.
I personally recommend this movie for learning purposes as well as to get an insight on the different perspectives of the Civil War.
This is a woman's tale. It's not about some feminist women not wanting men around. This is about women who are forced into the position of having to learn to live without men while wishing they would come home. I love that it was a slow burn because it really pulled me into how they were feeling. My only disappointment was the ending but great movie, regardless.
Did you know
- TriviaThe house and sets were all built from scratch.
- ConnectionsReferenced in Film Junk Podcast: Episode 536: Bridge of Spies and Beasts of No Nation (2015)
- How long is The Keeping Room?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Oda
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $27,166
- Opening weekend US & Canada
- $4,328
- Sep 27, 2015
- Gross worldwide
- $73,922
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.85 : 1
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