Companion to her self-titled entry in the IR genre, Kimberly Kane's vehicle for Allie Haze is a total waste, merely showing the talented Allie is willing to take on all comers (pun intended). And Kim can't resist devoting a segment to herself, humping Prince Yahshua in a tribute to potty mouthing off.
This lengthy exercise is aimed squarely at the predominant gonzo end of the Adult Cinema audience, in the ascendancy when this was shot, and marking the downfall of once-mighty Vivid Entertainment. The label's switch to all-sex hardly hastened its demise, with no more contract girls and only the occasional crappy release, usually from the dreaded parody/ripoff wing.
Besides watching Allie take on some really big and really Black dicks, leading to a desultory encounter with an over-the-hill Lex Steele, we get to see Dana DeArmond faking the dom routine to abuse cute Skin Diamond, a legendary sub on video and more recently TV (Showtime's series "Submission". Padding out the running time, bountiful Nyomi Banxxx gets to woman-handle Allie in a stuck elevator with a peculiarly unemotional (and workmanlike, belying his acting talent) Mr. Marcus in a claustrophobic threesome.
Net result of having these white ladies experience mechanical sex from a parade of Black studs (Skin Diamond clearly the exception) is a form of racism Kane did not intend -she is way past such matters in her avant- garde, alt-porn universe, but has committed the same stereotyping for profit mistake now dominating the marketplace 5 years later from labels like blacked.com and tushy.com. The vaunted "outlaw" status assumed by Adult Cinema practitioners covers a myriad of sin, but this post-racial stance is transparently phony.
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