Rey develops her abilities with the help of Luke Skywalker as the Resistance prepares for battle against the First Order.Rey develops her abilities with the help of Luke Skywalker as the Resistance prepares for battle against the First Order.Rey develops her abilities with the help of Luke Skywalker as the Resistance prepares for battle against the First Order.
- Nominated for 4 Oscars
- 26 wins & 99 nominations total
- Director
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- All cast & crew
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Summary
Reviewers say 'Star Wars: The Last Jedi' garners varied reactions, with praise for its innovative storytelling, stunning visuals, and complex character arcs, especially Rey and Kylo Ren. It is celebrated for pushing Star Wars boundaries but criticized for plot inconsistencies and character missteps. The portrayal of Luke Skywalker and new characters sparks debate, alongside mixed opinions on humor and pacing. Despite the backlash, the film is acknowledged for its ambition and bold narrative direction within the Star Wars universe.
Featured reviews
The original Star Wars films ("4-6" as we're now supposed to call them) were FUN. It's that simple. They had action, surprise, and a bit of humor. They were a treat for viewers young and old.
"The Last Jedi" is an overwhelming smorgasbord of dramatic side stories, multiple plots and conflicts, all stuffed into one film. Could the writers not agree on a single storyline to follow?
I get it. The film is supposed to be more dramatic, more emotional. Snore... I'm not a fan of emotional dramas. More power to you if you enjoy them. But again, this franchise is supposed to be FUN. Does anyone remember what fun feels like these days?
You have the heroes, the villains, and the battle between them. It's a tried and true action-packed formula that has served countless classic films.
Take, for example, this movie's long and winding exploration of Kylo Ren's inner feelings. I don't care. I'm not interested in the moody emo villain and his complex emotions. Again, heroes and villains. Action. Fun. Let's go.
I miss the magic of the original films. Unfortunately those days are long gone in a galaxy far, far away.
"The Last Jedi" is an overwhelming smorgasbord of dramatic side stories, multiple plots and conflicts, all stuffed into one film. Could the writers not agree on a single storyline to follow?
I get it. The film is supposed to be more dramatic, more emotional. Snore... I'm not a fan of emotional dramas. More power to you if you enjoy them. But again, this franchise is supposed to be FUN. Does anyone remember what fun feels like these days?
You have the heroes, the villains, and the battle between them. It's a tried and true action-packed formula that has served countless classic films.
Take, for example, this movie's long and winding exploration of Kylo Ren's inner feelings. I don't care. I'm not interested in the moody emo villain and his complex emotions. Again, heroes and villains. Action. Fun. Let's go.
I miss the magic of the original films. Unfortunately those days are long gone in a galaxy far, far away.
Very surprised that the critics gave this a thumbs up. It's possibly among the worst Star Wars movies (including the prequels). It's entertaining, for sure, but in the way David and Jerry Zucker films of the 80's were crowd pleasers. This isn't something you go home thinking about or affecting you when you go home, at least in a good way.
The problem as I see it is that it tried to tackle too much in one movie. Worst, it spent so much time on unimportant (and seemingly inconsequential) events and not enough time on the bigger questions that were left hanging from TFA. The story structure is a mess. The Finn/Rose subplot could've been totally removed, and the new characters introduced were a waste of time.
Characterizations were very inconsistent. Characters who had already grown in TFA (Finn, Poe) suddenly regressed for no reason. Major characters (Rey, Kylo, Luke) would make surprising moves without any basis or set-up, for the sake of surprise. In fact a lot of the movie can be said as favoring a "twist" happening at the expense of consistent character development. The prequel movies' treatment of Anakin's character development was a lot more satisfying, AND that's a generally panned. At least the prequel movies' story tried in earnest, TLJ did worst that just phoning it in.
As some movies have become acclaimed films over time after an initial bashing by the critics (e.g. Bladerunner), this one I believe will take the opposite direction.
Here's hoping JJ fixes everything with IX.
The problem as I see it is that it tried to tackle too much in one movie. Worst, it spent so much time on unimportant (and seemingly inconsequential) events and not enough time on the bigger questions that were left hanging from TFA. The story structure is a mess. The Finn/Rose subplot could've been totally removed, and the new characters introduced were a waste of time.
Characterizations were very inconsistent. Characters who had already grown in TFA (Finn, Poe) suddenly regressed for no reason. Major characters (Rey, Kylo, Luke) would make surprising moves without any basis or set-up, for the sake of surprise. In fact a lot of the movie can be said as favoring a "twist" happening at the expense of consistent character development. The prequel movies' treatment of Anakin's character development was a lot more satisfying, AND that's a generally panned. At least the prequel movies' story tried in earnest, TLJ did worst that just phoning it in.
As some movies have become acclaimed films over time after an initial bashing by the critics (e.g. Bladerunner), this one I believe will take the opposite direction.
Here's hoping JJ fixes everything with IX.
They spend so much money for CGI and budget.
Can someone honestly answer, why they don't hire some of the best writers in hollywood? They have the cash..
Star Wars is a joke to them. RIP star wars
This cinematic catastrophe, masquerading as a continuation of the beloved Star Wars saga, is an utter disgrace to the franchise and a desecration of everything that once made it great. Director Rian Johnson's feeble attempt to leave his mark on this illustrious universe falls short in every conceivable way, leaving fans and cinephiles alike bewildered and dismayed.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
The Last Jedi is a well-made film; it's visually stunning and well directed. The problem is that it singlehandedly ruined the sequel trilogy by closing the second chapter with a dead end. There are truly baffling character decisions, awkward humor, useless subplots - it's by far the most frustrating Star Wars movie because of the potential it had. If it were 20 minutes shorter, it could have been something special, but the last act sees our characters in the exact same spot as they began. As a standalone movie, it's watchable. As the second part of a trilogy, it's a disaster.
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Storyline
Did you know
- TriviaMark Hamill and Rian Johnson revealed at a BAFTA screening that Hamill asked to play a CG character in addition to his role as Luke Skywalker, saying that he had done it before (he had previously done CGI work for the computer game Squadron 42 (2026) (which is the separate solo campaign of Star Citizen)). In the film he plays Dobbu Scay, the character who puts money inside BB-8 in the Casino scenes.
- GoofsWhen Poe gets permission to leave the bridge and runs towards the X-Wing bay, several pilots on the bridge follow him, including the alien C'ai Threnalli. However, immediately after C'ai runs out of frame, there is a reaction shot of Finn with C'ai still standing at a console in the background.
- Quotes
Kylo Ren: I'll destroy her. And you. And all of it.
Luke Skywalker: No. Strike me down in anger and I'll always be with you. Just like your father.
- Crazy creditsIn loving memory of our princess, Carrie Fisher.
- Alternate versionsThe home video releases (both physical and digital) include a version with an isolated score. It is accessible through the Movies Anywhere app.
- ConnectionsEdited into If Star Wars Wasn't Serious (2014)
- SoundtracksAquarela Do Brasil
Written by Ary Barroso
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Star Wars: Los últimos Jedi
- Filming locations
- Salar de Uyuni, Bolivia(ending battle exterior scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $317,000,000 (estimated)
- Gross US & Canada
- $620,181,382
- Opening weekend US & Canada
- $220,009,584
- Dec 17, 2017
- Gross worldwide
- $1,334,407,706
- Runtime2 hours 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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