There's a rooted sense of dread when one is faced with unknown elements, the series plays with this isolation fright as Ethan Burke (Matt Dillon) is stripped bare from money and communication to outside world. Ethan wakes up after a car accident and finds himself in a foreign small town where the citizens are persistently unaccommodating. While the scenery might look normal, the town has the vibe of lurking secret in every corner. This is definitely no tourist attraction.
Matt Dillon is a good leading actor, displaying confusion and occasional rage as he is lost in the bizarre city. Having no money, phone or decent help, his reactions are spot-on. At times he displays doubt of the reality as more questions pile up. Terrence Howard as Sheriff Pope looks decently antagonistic. Nothing more creepy when one is lost than unhelpful authority. Another notable performance is Mellisa Leo as Nurse Pam who is far from nurturing, goes beyond unhelpful and straight into perverse torturing nature.
Wayward Pines looks quaint most of the time, yet the cinematography presents a lingering uneasiness. Its rural view mixed with edges of forest has some resemblances to Silent Hill. It has a particular dark contrast befitting of detective thriller which strangely enough feels welcoming to the audience. Pacing is pretty quick as it switches back and forth between Ethan's ordeal and his friends' investigation of his whereabouts.
Mysteries are aplenty as it the show spreads them throughout the first episode. The show cleverly scatters hints for Ethan and the audiences to follow. They are presented with restraint and enough ambiguity to be unnerving yet not to the point of overbearing. These are enticing hooks for later episodes.
Wayward Pines opens its door with cold unsettling ambiance and cool noir visual. The mystery thriller certainly offers a presentable invitation for a longer stay.
