The Agency: Central Intelligence

In 'The Agency' three stories compete for your attention.

In one (and the primary story by far) a CIA operative is attempting to rescue another spy who is captured behind Russian Lines near the Ukraine border.

In another, that same operative is attempting to save the life of his lover; a Sudanese Economist.

In the third, we follow the efforts of a young woman, new to the CIA, attempting to move up the ladder and land a prestige spy-assignment in Iran.

What is interesting is that these three stories are not tied together, either in terms of plot or character overlapping. With one exception: the spy 'handler' / 'mother hen' played by a wionderful Katherine Waterston who is linked to each of the three plot-lines. Fiercely protective, fiercely effective, likely in love with our CIA Operative, she is the strong force behind the ten episodes.

For a TV Series, this series' overall production is excellent. Set for the most part in London, U. K. we see that city as both grand and dangerous; its boulevards and architecture perfect backgrounds for the malice and double-dealing behind its walls.

The series is a bit overly complex; particularly the attempt to save the American spy; there are too many Russian Generals involved, too many Russian names that look and sound too much alike to be easy distinguished. This, added to by the story's slow movement / advancement may leave the viewer frustrated. The young woman advancing up the CIA ladder is a story tight, easy to follow, and suspenseful; more interesting is that we're never really certain of her motives. Saving the Sudanese woman is the love interest every good story needs, and in this case, gets.

Michael Fassbender is believable as the worn out CIA Operative. Jeffrey Wright has just the right amount of righteous indignation as Fassbender's immediate superior. Richard Gere as Wright's boss; kind of wasted in a role anyone might have played. I will never forget Jodie Turner Smith as the regal and vulnerable Sudanese woman. Nor Saura Lightfoot-Leon. As the ladder-climbing young agent; terrific.

Here's a series with difficulties, pARticularly in its earlier episodes. And I would never fault anyone for giving up on it. But for those who stick around, I've got the feeling you'll find it worthwhile.

A story that unveils the humanness of tradesmen and women in the most controversial business of all time. By the way the characters are built and portrayed any wild guess can be true. Great dim visuals for indoor scenes screams it's all business. Excellent work with camera and visuals. Great work with audio and background music. Intro music is very relatable and mood setting. Performances by the whole cast felt very natural, and it was well chosen group. This is not the regular spy drama we come across but rather a portrayal of the toll it takes for operatives to serve their countries while surviving.

Don't believe the reviews that claim this is masterpiece nor those that claim this is bad. This is thoroughly engaging drama that meanders into the psychological stresses of being an agent more often than not. If you are looking for shoot 'em ups, you're on the wrong train. There is action mind you but that is second to storyline which is as it should be. This is more along the lines of Tinker Taylor rather than James Bond. If that is your cup of tea you will enjoy it.

As others have said the cast is quite good with nary a weak link. There are some traditional tropes throughout relating to the spy game and its role in international intrigue but you can't have it all.

A well-made series where Richard Gere and Michael Fassbender are wasted on it and play at 40-55 percent of their abilities and instead of the latter, though playing nicely and convincingly good, I would have liked to see Richard Armitage in his place and rank. The Russian and Ukrainian situations and visuals are mostly good as well as are the scenes with Sami Zahir and Danny.

A little suspension of disbelief here and there and you got yourself ten convincing episodes of high value targets drama.

Please bear in mind that it's mostly done right without stellar realism that are impossible to reach at a fictional level without making fuss, creating conflicts and deteriorating the storylines' plots.

• Screenplay/storyline/plots: 7.5
• Production value/impact: 7
• Development: 8
• Realism: 7
• Entertainment: 8
• Acting: 8
• Filming/photography/cinematography: 8.5
• VFX: 8.5
• Music/score/sound: 7
• Depth: 7
• Logic: 6.5
• Flow: 7.5
• Political/Drama/thriller/psychology/sp i: 7
• Ending: 7.

10 episodes of slow, intellectual bliss about the never-failing CIA and its crew of spooks. Has the odd blip of speed, but mainly a plodding, stubborn show of incredible entertainment.

An absolute stellar cast mixed with wonderful writing create a show well worth watching. Fassenger carries the weight as the star whose fallen inove and teying to balance his private life with the job. Along with Wright, Gere, Waterston, Margaro and Turner-Smith, who all provide great characters, the story is full of informative moments and surprising turns.

Who knows who the good guys are is an interesting question throughout the series, never letting up right up to the final second. Totally clandestine and beautifully mysterious for those who love the spy genre.