An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.
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Storyline
Did you know
- TriviaWhen Florence Pugh couldn't make it to the film's premiere due to other filming commitments, Andrew Garfield brought a life-sized cutout of her to fill her absence.
- GoofsDuring the living room scene With the candles and fire Almut closes Tobias's notebook but in the next shot it is open.
- ConnectionsReferenced in Cinefiliando-Peliculeando: El tiempo que tenemos (We Live in Time) (2024)
Featured review
Director John Crowley's latest venture, "We Live in Time," weaves a narrative that's as intricate as it is emotionally resonant. This film, which focuses on the tumultuous journey of love against the backdrop of time's relentless march, offers a blend of heartfelt moments and poignant reflections, though it occasionally stumbles in its ambition to transcend the conventional romance drama.
Performances: Florence Pugh delivers a tour de force as Almut, the ambitious chef whose life is turned inside out by love and illness. Pugh's portrayal is both fierce and vulnerable, capturing the essence of a woman who battles not just cancer but also the ticking clock of her own life. Andrew Garfield, as Tobias, provides a solid counterbalance, bringing depth to the role of a man who finds love when he least expects it. Their chemistry is palpable, fueling the film's emotional core.
Narrative: The non-linear storytelling, while ambitious, is both a strength and a weakness. Crowley's decision to jump through time offers fresh perspectives on the same emotional beats, illustrating how memories shape our present. However, this structure sometimes disrupts the flow, leaving the audience momentarily adrift in the timeline. The film's attempt at modernity through this narrative technique feels slightly forced, yet it's intriguing enough to keep one invested.
Themes: "We Live in Time" excels in exploring its central themes of mortality, love, and the human experience. The film poignantly questions what it means to live fully, especially when time is not on your side. This exploration is touching, often rendered beautifully through scenes of quiet intimacy or sudden, heart-wrenching clarity. The film's emotional peaks are its strongest suits, offering moments that linger long after the credits roll.
Visuals and Score: Cinematographically, the film is polished, with each frame composed to evoke a sense of timelessness or urgency, fitting the narrative's ebb and flow. The score complements the visuals, enhancing the emotional undertones without overshadowing the dialogue or performances.
Conclusion: "We Live in Time" is a film that aspires to be both a love story and a meditation on life's impermanence. It succeeds more in the former than the latter, crafting a narrative that, while not groundbreaking, is deeply affecting. For those who appreciate a good cry paired with a thoughtful narrative, this film delivers. However, it might leave others wishing for a bit more innovation in its storytelling or deeper dives into its philosophical musings. A commendable effort, but one that leaves the door open for more exploration in the themes it so tenderly touches upon.
Performances: Florence Pugh delivers a tour de force as Almut, the ambitious chef whose life is turned inside out by love and illness. Pugh's portrayal is both fierce and vulnerable, capturing the essence of a woman who battles not just cancer but also the ticking clock of her own life. Andrew Garfield, as Tobias, provides a solid counterbalance, bringing depth to the role of a man who finds love when he least expects it. Their chemistry is palpable, fueling the film's emotional core.
Narrative: The non-linear storytelling, while ambitious, is both a strength and a weakness. Crowley's decision to jump through time offers fresh perspectives on the same emotional beats, illustrating how memories shape our present. However, this structure sometimes disrupts the flow, leaving the audience momentarily adrift in the timeline. The film's attempt at modernity through this narrative technique feels slightly forced, yet it's intriguing enough to keep one invested.
Themes: "We Live in Time" excels in exploring its central themes of mortality, love, and the human experience. The film poignantly questions what it means to live fully, especially when time is not on your side. This exploration is touching, often rendered beautifully through scenes of quiet intimacy or sudden, heart-wrenching clarity. The film's emotional peaks are its strongest suits, offering moments that linger long after the credits roll.
Visuals and Score: Cinematographically, the film is polished, with each frame composed to evoke a sense of timelessness or urgency, fitting the narrative's ebb and flow. The score complements the visuals, enhancing the emotional undertones without overshadowing the dialogue or performances.
Conclusion: "We Live in Time" is a film that aspires to be both a love story and a meditation on life's impermanence. It succeeds more in the former than the latter, crafting a narrative that, while not groundbreaking, is deeply affecting. For those who appreciate a good cry paired with a thoughtful narrative, this film delivers. However, it might leave others wishing for a bit more innovation in its storytelling or deeper dives into its philosophical musings. A commendable effort, but one that leaves the door open for more exploration in the themes it so tenderly touches upon.
- Kaidenthompson2004
- Oct 27, 2024
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El tiempo que tenemos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $24,690,031
- Opening weekend US & Canada
- $232,615
- Oct 13, 2024
- Gross worldwide
- $31,818,409
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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