Islands

The film aims to dive into the deep sea of emotions, offering a psychological portrait of a man adrift-without goals or direction-set against an otherwise idyllic landscape. As he finally gets confronted by his past, the story presents him with a chance to change his life.

*** However, in the end, the film fails to fully deliver. While the cinematography is solid and captures the beauty of its setting, it isn't enough to compensate for the script's inconsistencies and narrative leaps. The film treats its viewers as smart enough to understand what is implied by the script but most crucially, it struggles to forge a real connection between the audience and its main characters. Just when it feels like something significant is about to happen, the momentum deflates, creating a persistent sense of detachment.

*** The final result feels like a missed opportunity. While Islands had the potential to be a compelling character study, it ultimately leaves a bitter aftertaste, making one question whether the two-hour runtime was truly worthwhile.

Jan-Ole Gerster's Islands 2025, a German film screened at Berlinale, isn't aiming for grand cinematic statements, and that's precisely its strength. This psychological drama, co-written by Gerster, Lawrie Doran, and Blaz Kutin, gracefully explores a personality crisis against the backdrop of a Spanish seaside resort, weaving in a criminal subplot and questions of infidelity with impressive subtlety.

The acting in Islands 2025 isn't flashy, but it's remarkably effective. Each performance feels natural and nuanced, adding layers of depth to the narrative. Stacy Martin is particularly captivating, exuding an almost aristocratic air. Her on-screen chemistry with Sam Riley is palpable from their very first scene together, creating a compelling dynamic.

One of the film's most intriguing aspects is its use of unspoken narratives. The past is hinted at, a forgotten event that resurfaces to influence the present, but the details are never explicitly revealed. Gerster masterfully avoids cliché devices like flashbacks or exposition, instead leaving it to the viewer to piece together the fragments and interpret the characters' motivations. This delicate approach is both engaging and thought-provoking.

Minor characters, like the local and federal police officers, and especially a camel, leave a memorable impression, adding to the film's rich tapestry. The visuals and sound design effectively immerse the audience in the setting, enhancing the overall atmosphere.

Islands 2025 doesn't pretend to be a masterpiece, but within its chosen scope, it achieves near perfection. Beneath the surface story lies a subtle exploration of exploitation - how we are exploited by others, how we exploit ourselves, and the choices we make in response. This subtext, while understated, adds a layer of depth that lingers after the credits roll. It's a film that stays with you, inviting reflection and interpretation.

A burgoise film about middle class people with burgoise problems. An unhappy marriage, a bored tennis instructor. Is this really what the world needs right now?

It's mostly boring and very, very repetitive. In the typical way of german movies, conflicts are only touched on, but do not break out. Nothing is really spoken out, nothing gets resolved. You could charitably call it "subtle", but I find it rather gutless, bloodless and boring. It may well be that in reality things go down so tame, and yes, in reality most of the time nothing really stark happens in a secure middle class life. But why should I pay admission and sacrifice two hours of my life? I at least want to learn SOMETHING new, have SOME kind of experience or revelation. The only thing I really took away from the movie were superficial things like beautiful landscape shots. And I could look at attractive actors for two hours. What I found most interesting were the interactions between the tennis instructor and the camel farm owner and the policeman. Something like real life shone through in these moments.

Of course, the frustrated tennis teacher who doesn't care about anything is likeable, especially being portrayed by this magificent actor Sam Reilly. After the first third of the movie, you have high hopes for some exciting events unfolding. The music also prepares us for a Hitchcock-style thriller, and the images as well foreshadow something tragic about to happen. But unfortunately, it doesn't happen. You get the feeling that the music was added by the distributor to sell the audience a thriller.

In the end, the movie more or less comes to nothing. Neither the marriage problems are solved, nor does the tennis teacher find meaning in life, nor is the stupid husband punished for his egoistic behaviour. The film leaves the viewer baffled. What was it all about?

I give five stars for beautiful cinematography and precise acting.

This is not the movie you will watch with your friends and you are all having a fun evening. It's no popcorn movie and you won't see it ever again.

The thing is, it's kind of like with white lotus. In a cinema where every movie wants to be the loudest, prettiest and deepest; Islands is the shy girl in the corner and will definitely test your patience and attention span.

It's not good, it's not brilliant, it's not THE biggest movie of the year - it's the movie you casually see on a Wednesday evening because you had nothing better to do. It is surprising how something so "boring" can make you feel so many things. Go watch it, but don't watch it now and never trust the dumb cut trailer!'

Enjoy.