A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.
Noel Gugliemi
- Hector
- (as Noel G.)
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I feel like Travolta's peak was Pulp Fiction, after that he just keeps pumping out forgettable movies every year. This is probably the worst, this Part1 to this movie Cash Out was nothing special and this PArt 2 or sequel is laughable, acting was so unwatchable, everything felt like they were just following a script, nothing flowed or made the movie interesting. Travolta could be a good actor that his peers would respect if the right script was given to him, these heist, action type movies that he keeps getting involved as a 75 year old are not for him. At least he stopped wearing wigs and toupees in these movies but he needs to change the types of movies he accepts.
High Rollers is a sequel to Cash Out. Director Randall Emmett probably shot both movies back to back even though there is one significant cast change.
Master thief Mason Goddard (John Travolta) finds out his girlfriend Amelia (Gina Gershon) has been kidnapped by criminal warlord Salazar (Danny Pardo.)
In order to get her back, Mason and his crew has pull a heist on a casino. Although There is no guarantee that Salazar would keep his side of the deal.
As well as planning a daring robbery, Mason needs to deal with the FBI who are tracking him as well.
High Rollers is a straight to streaming view. Low budget but it looks glossy. It has a patchy story, horribly cliched. Travolta gives a committed performance, like an actor who is doing this hoping a better movie is offered to him next.
Master thief Mason Goddard (John Travolta) finds out his girlfriend Amelia (Gina Gershon) has been kidnapped by criminal warlord Salazar (Danny Pardo.)
In order to get her back, Mason and his crew has pull a heist on a casino. Although There is no guarantee that Salazar would keep his side of the deal.
As well as planning a daring robbery, Mason needs to deal with the FBI who are tracking him as well.
High Rollers is a straight to streaming view. Low budget but it looks glossy. It has a patchy story, horribly cliched. Travolta gives a committed performance, like an actor who is doing this hoping a better movie is offered to him next.
High Rollers is a film that suffers from numerous technical flaws. First, the screenplay structure is weak and disjointed. As the story progresses, logical errors and inconsistencies become increasingly apparent. The film's framework fails to generate the necessary momentum to captivate the audience. The plot's irregularities and implausible developments distract from the experience, making any attempts at drama feel redundant. In particular, the characters' decision-making processes lack clarity, and their dialogue often feels unnatural.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
This is by far the best thing Travolta has come out with since he did "The Boy In A Plastic Bubble." This star has proved he has a great future ahead, and his co-stars in the movie only elevate the story to another level!. The effects, the storyline, the actors were all spot on - can't wait for the next instalment in this series of Cash Out and High Rollers - I'm sure it will surpass even these two! Sorry to see the end credits note on producer Sean Stone, he will truly be missed and had definitely shone brightly in the world of Hollywood movies. This could be similar to the "Oceans" series, maybe Travolta could even bring favorites like Pitt and Clooney onboard to spice up the genre? Who knows? Kudos to all who came together to make this a great movie - keep them coming!
If you want a reason to gouge your eyes out, watch this movie. Horrible plot and corny acting. A horrible soap opera. Literally would rather sit on a plane with a screaming baby puking next to me. I am questioning how someone could make this horrible of a movie. Staring at a wall is more entertaining. I would rather drink toilet water than watch this movie. Waste of time and money. I think a kindergarten musical would be a better use of time. I strongly advise that you avoid watching this movie again all costs. An experience I wish I could forget. How could this movie be so horrible within the decent cast? I don't know.
Did you know
- TriviaFilm reunites John Travolta and Gina Gershon who previously starred together in "Face/Off" (1997).
- ConnectionsFollows Cash Out (2024)
- SoundtracksNonstop
Written By James Thacker and John L Pearson
Produced by James Thacker and John L Pearson
Courtesy of Kazen Music Group
- How long is High Rollers?Powered by Alexa
Details
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 2.39:1
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