Annihilation

I've thought about this film for days after seeing it. I don't even know what specifically I've been thinking about, all I can say is it left a big impression on me. I disagree with those who say it's intellectual. I don't think it is nor was it intended to be. It's visceral, primal, just like the world inside The Shimmer.

For me, films work on three hierarchical levels: at the very basic, they should be entertaining. All films should succeed here (but not all do, which is why we should rightly slam those that don't!). Then, there are films that are not only entertaining but also elicit an emotional response; they move us in some way. Finally, there are entertaining films that are moving but also have meaning; they resonate on a deeper, often metaphysical level. To my mind, Annihilation achieves all three.

Forget the plot holes. They exist in every film, otherwise they wouldn't be stories. Some of my favourite films have canyon-sized plot holes and inconsistencies. If you analyse any film you'll find them, and often you don't have to look very hard, e.g. Back to the Future. Do the plot holes and gaps in logic stop BTTF from being a great film? Not to my mind, because I'm invested in the movie. Plot holes only matter to me when they draw me away from the film; if it fails to entertain me.

Does the plot in Annihilation even really matter? The film is about the experience, the visuals and audio, the curiosity, the suspense. A world that could only be accessible to us in our imaginations is here brought to life on the screen. It asks a lot of questions but isn't interested in the answers. It's bold, brave, challenging. Some of it is spectacular, some of it less so. Naturally, that will split opinion, but we've become too accustomed to the ready-packaged "Happy Meal Movies" that the studios churn out for us. We're addicted to them like we're addicted to sugary fast food. We should welcome any film that attempts to wean us off that and broaden our palates.

This is a proper cinematic film, so what a shame it is that here in the UK (and many other countries) we were denied the pleasure of seeing it on the big screen. I can only imagine how even more beguiling and entrancing the experience would've been.

Turn off the lights, switch off your phones, and sit back and feed your imagination and sense of wonder. I know that's why I watch and love films. 8.5/10.

Been wanting to watch this one for some time now. It was actually not as good as I expected it to be from the hype I'd been hearing, but it was still a trippy experience none-the-less. Reminded me a bit of Event Horizon and Color Out of Space. It was slow and dragged early. The first 2/3 of the movie I'm wondering where it's going, and once we get there I'm constantly questioning if it will ever end. The cinematography was great as was the score. I probably would have enjoyed it more if I saw it much sooner, and I probably won't enjoy it as much if I revisit it. I really just wanted to like this one more.

Story wise I just couldn't get a connection with any of the characters. I wasn't intrigued and there were multiple moments in the movie where I even cringed a little by the simple writing, a little let down by Alex Garland this time.. but.. CGI was on point and at least the concept itself was original enough to make it worth a watch

The only advice I can give to anybody going to see Annihilation is: stick with it. I definitely was close to checking out around the middle point, but quickly my interest was piqued and in the blink of an eye the movie turned into a profound, 2001 meets Under The Skin meets Predator surreal science fiction near- masterpiece.

The first half is so patiently mediocre that the second half almost feels like a completely different movie, making the movie a mixed bag but one that's totally worth it. Some of the performances are great, some are okay, and at least one is noticeably bad. Natalie Portman turns in a great performance (she carries the entire film) and Jennifer Jason Leigh gives a reserved and underplayed angle to a well worn out archetype. The side characters however, like Gina Rodriguez and Tessa Thompson, are mostly annoying and sometimes border on being simply bad. Oscar Isaac is very good.

Most of the technical choices are good. The cinematography isn't particularly flashy but it captures the world behind the shimmer in all of it's messed up glory (the last twenty minutes are truly a thing to behold). The music choices are also a mixed bag. Soft strum guitar comes in at random intervals and doesn't really work, but the dark, brooding thump of a certain synth track really gives you a sense of cosmic horror.

I don't want to spoil anything, so I'm going to leave it at that. Go support this movie, even if it isn't perfect. There are so many great things about it that they way outweigh the flaws.

After watching this film I read the reviews voted "most helpful," which all were long lists of plot holes and logical inconsistencies. They are absolutely right. I didn't think about it while watching the film, but when it's pointed out, yeah, nothing in this movie makes much sense.

But I still really liked it. It's creepy and atmospheric and more concerned with the psychology of people on a suicide mission than on the nuts and bolts of scientific investigation. It's often intense , usually beautiful, well acted, and had some really weird and mesmerizing moments.

I won't argue that you should forgive it for its plot holes, or that it has any deep meaning, or anything like that. In fact, it's probably easier to make a convincing argument against the movie than for it. I'm just saying, I really liked it.

ADDENDUM: I looked at the user reviews recently (2024) and the top reviews are no longer lists of plot holes. The people who enjoyed the movie, like me, have since my review pushed the naysayers down. Which I fully support.