User reviews

Fans of Kusturica will not only recognize all the trademarks - the general hilarious feel, the music, the rhythm, the fast transitions from ugly to beautiful, from comic to tragic, from realism to surrealism - but will probably also enjoy them. To a degree. Because this film suffers precisely from that: we have seen it all before. Despairingly, no signs that Kusturica is exploring new grounds. Worse, it doesn't seem he is interested in exploring new grounds. Worst, it seems he doesn't care about offering anything new. On the contrary, this film is a kind of regression: the basic story is not interesting at best and sloppy at worst, the characters have no depth, and the machismo is as frustrating as ever. Don't expect subtle messages here, but do expect the bravado of another carnival. Having said all this, as the saying goes, the subversion of the cultural distinction between human and animals is pretty good.

When I watch Emir Kustirica' s last film ''On The Milky Road'' with Monica Bellucci , 2016 , I realize that the director is far away from "Do You Remember Dolly Bell?" , 1981 and "When Father Was Away on Business" , 1985 for good. And there is no return to those old days. I am in deep sorrow on behalf of creative and naive Balkan cinema forever.

Those splendid days will never come back. The director is falling like a heavy stone since ''Underground'' , 1995. Even Monica Bellucci is not able to rescue this old guy.

This is my fourth Kusturica after the excellent Underground (9/10), very good Black Cat White Cat (8/10) and the fine Time of the Gypsies (7/10).

Those three all had something extra special going on beside the trademark imaginative eccentric direction of Kusturica films: Underground had an epic immersive narrative, BCWC an intense (quasi)antagonist, Gypsies a gorgeous outstanding song in Ederlezi. They all had expert acting, quality soundtracks and a lively energy.

On The Milky Road lacks that extra special something. The acting is only so-so (Emir himself feels miscast in the main role) and the soundtrack is merely ok rather than great. Energy is also lacking, which can't quite be explained away by the more advanced age of the protagonists. Some scenes just happen, the edits are clumsy. There's no feeling of suspense despite the later chase scene. Even the 'magic-realism' is a little underwhelming. While the ideas are good, the execution - or rather the direction of them - is lacklustre. Maybe because for most of the film the director was on the wrong side of the camera?

It's not all bad. The first half especially has a handful of nicely filmed scenes of village life, some fun eccentric ideas (that mad clock!), animal scenes are very good (except the later snake appearance betraying obvious CGI). The second half has some fine landscape shots. Humour is hit 'n miss.

For Kusturica completists it's worth watching. I've collected his other works and will get round to them eventually. Certainly a very original and imaginative film-maker. However, I'm not sure there's enough going on here to recommend On The Milky Road to anyone else.

If you like Kusturica, you'd love this movie. And if you don't know who he is, On the Milky Road might be a good entry point to his filmography. Nevertheless, although this is finally a movie on par with his output from the 1990s (Arizona Dream; Underground; Black Cat, White Cat) this is still a far cry from his beginnings in the 1980s (Do You Remember Dolly Bell? ; When Father Was Away on Business; Time of the Gypsies).

The crucial event for understanding On the Milky Road and, for that matter, Kusturicas feature films after the aforementioned Arizona Dream, is the downfall of Yugoslavia which marked several generations of its inhabitants, to put it mildly. Kusturica felt this traumatic event particularly strong, presumably because he was entering his prime as director.

At any rate, On the Milky Road offers a lot of music, shooting and emotions delivered with a trademark bravado of the author. Even the subpar CGI, in particular the snake, didn't spoil the impression.

And although there is nothing essentially new here you must respect the effort of the author. In fact, Kusturica wrote the script, directed the movie and even cast himself in the main role just to be able to cuddle with Monica Bellucci on screen. A truly remarkable feat.

I guess this film was made so the director/starring character got the chance to kiss Monica Bellucci and fullfil a lifetime dream. Trully disappointed by the lack of serious plot and common sense!

I watched this movie at the Vue Cinema as part of the London Film Festival 2016.

A delirious "magical realism" that we have come to expect and love from an Emir Kusturica movie. He plays a Serbian milk man in love with a Serbian-Italian beauty played by Monica Bellucci.

We have a vicious clock, snakes that drink milk and wrap around people as a means of delaying them, female gymnastics out of this world and sheep that explode violently - not forgetting a literal blood bath.

The plot gets a bit over-tangled but there is nothing too over-the- top for Kusturica especially when trying to resolve a difficult situation, not even flying!

The backdrop of horrible warfare is almost matter-of-fact to the excessively romantic story that really matters here

This is cinematic anarchy in all its folkloric glory but it works and its highly entertainin

This is confident, assured and exhilarating cinema, and comes highly recommended.The first five minutes are completely overwhelming, and you wonder how much more of this frenetic pace will be tolerable; it's questionable whether this gives way to something calmer or you just tune in to it all, but the first half of the film is a dizzying, intoxicating whirlwind that demonstrates just how accomplished Kusturica is as a director (he's not too shabby in front of the camera, either).This is cinematic anarchy in all its folkloric glory.

The plot gets a bit over-tangled but there is nothing too over-the-top for Kusturica especially when trying to resolve a difficult situation, not even flying!

Thin,meandering, and overlong, but what heart and imagery!

One point for Monica Bellucci, one point for Kusturica, because he did make good movies (20 years ago) and one final point for the breathtaking scenery of Bosnia and Hercegovina, because it is truly a beautiful country, that I love very much. Else the movie is lost in over-accented symbolism, meandering but pointless search for goodness in the middle of the Bosnian war, and story that is so banal, that an evening cartoon for kids has a stronger plot.

I saw several of Kusturica's past movies, and loved their surrealism, their being funny and dramatic at the same time. In this movie, these characteristics have become manneristic and decorative - they don't particularly add to the plot or ambiance, and almost get in the way at times. The two main characters are stiff and flat, and don't suscitate any empathy. At a certain point during the movie you start yawning and wishing they die soon. Very bad acting on the part of Bellucci, and Kusturica is even worse - please send him back behind the camera and tell him not to move from there. The rest of the cast was great, on the contrary.

The first time i saw a movie of Kusturica and this one was Amazing. I was like transported in an other dimension, so many things were happening at the same time. It was funny, dramatic, colorful, touching, off-center and so much more.. I loved how Kusturica pictured the difficulty of life and how life is always stronger than death. the animals and the nature in general were also involved in this balance of power between life and death. the soundtrack was good and the landscape were simply breathtaking, every single ingredient for a true masterpiece in my humble opinion.

It took years(4 years!) for Kusturica, the great Fellini copycat, to finish this movie, and I just realized why. This movie is just an elaborate framework for Kusturica to pork and rub against Monica Belucci, and he does it plenty in the movie. There are scenes where they're alone in the well, alone in the tree canopy, alone amidst the flock of sheep, alone in the river... His goal accomplished, he got plenty of time with his muse, how did he call her, a true European film diva so different than Hollywood actresses, or something similar. The same European diva that starred in big Hollywood franchises like Matrix and Bond movies, that starred in crappy Hollywood action movies opposite Clive Owen, Bruce Willis or Nic Cage?! Oh-oh, looks like his muse isn't that much different from Kusturica's arch-nemesis Angelina 'Maleficent' Jolie, after all.

'What about the movie, yo?!' If you're by any chance, a Johnny Depp fan(or who knows, maybe you're a Vincent 'The Brown Bunny' Gallo fan) you may have watched 'Arizona Dream'. Well, this movie is exactly the same like that one. Slapstick comedy + tragedy(violence) + episodes of soulful Balkan ethno music, it's all here too.

After watching this movie I officially ordain Kusturica the badge of 'Tommy Wiseau of European Cinema'. Who knows, if Wiseau had Kusturica's resources and the pristine backgrounds of REPUBLIKA SRPSKA to shoot his movies at, maybe his achievements would be greater.

Conclusion: Kusturica has the brains and the looks to play the Frankenstein in the next Universal's revivals of the character, if their negotiations with Javier Bardem fail.

I watched the movie at Kustendorf festival. It is all the same like the past movies. The plot is non existent and it relies on primitive acts of poor people and gypsies , and facial deformities to get sympathy of the viewers. Complete waste of time. Zero applauses in the room which made me happy .

Greatest film. Unrecognized yet. Emir performed two outstanding goals in one game - made his first goal by "Maradona" documentary - that was his "hand goal". And his second goal is this film - that is "best ever" goal. Remember that epic 2:0 ? I take my hat off. Emir is great Director

Very touching love story. Strong surrealist story line, very good music, nice dance scenes, elegance in details, symbols like milk drinking snake, blood bathing goose. The war appears to be another metaphor within the main story. Sad final though.

A mindless carnival of carnage, a loop of history that repeats and repeats itself, nonstop. People are dancing from one pointless war to another. With no hope for better future. How clearly he can see it coming, again.

Even this is hard unpleasantly Balcan theme, Kusturica made warm ambient, and infiltration of scenes through all his movies, like ducks, bride wedding dress, tailor, old train station - this film is masterpiece. He did not save himself on the movie set, even twice he was hurt, biggest hazarder with high risk, of all directors. Ps. Some of most attractive scenes when Bellucci jumps to waterfalls Kravice is cut! IM

Great Film! I would like to see more Films from Kusturica. This is a true bild of the war in Bosnia.

An unforgettable love story in the time of war. The nature is a character in its own right, as are animals, domestic and wild. I was also pleasantly surprised by the subtlety of Emir Kusturica's acting. Previously, I knew him only as a director and a writer. Kusturica uses his well-known magic realism to depict the tragedy of war and to celebrate life.

As always Kusturica delivered master peace. Great movie and great message for the one that understands.

This film is not intended for literal people accustomed to Hollywood commercials. A film filled with deep symbolism that I believe needs to have enough awareness to be understood. A beautiful love drama that is mostly rich in Serbian folklore, mentality, grotesque life dramas intertwined with each other, somewhere high in the Serbian mountains and beautiful landscapes of nature. The film should not be taken literally, nor should it be seen with the naked eye. You can only watch this movie with your soul, and whoever doesn't have a soul won't see anything.

Amazingly filmed (opening scenes are particularly awesome) magic realism dramatic comedy by master Kusturica shot in a beautiful landscape wth some brutal moments. You have the bloody Bosnian war, a love triangle, a musician milkman (Kusturica himself), animals doing a lot of unexpected stuff, dancing parties with frenzy music and shooting guns, a deadly giant clock, a wacky former gymnast... Most eyes may have been directed to Monica Bellucci, but it was charmingly pretty and funny Sloboda Micalovic who caught my attention. Kusturica makes a unique colorful and sometimes surrealist cinema.

Emir Kusturica, the reigning titan of Balkan cinema, often considered the stepchild of Western cinema, breaks his own mold in On the Milky Road (2006). With Western producers, a global star in Monica Bellucci, and a crew that deviates from his usual collaborators, Kusturica ventures into new territory.

Yet, this shift doesn't diminish his signature style as one of the most realistically surreal directors alive. Through the character of Kosta, played by Kusturica himself, the film masterfully explores the conflict between war, humanity, and the divine. While Bellucci and Kusturica deliver compelling performances, it's Sloboda Micalovic who truly steals the spotlight. Her presence is nothing short of goddess-like, commanding every scene she graces.

The film boasts a superb soundscape. While fans might miss Goran Bregovic's familiar touch, Emir Kusturica's son, Stribor Kusturica, steps up with a commendable score that complements the film's otherworldly atmosphere.

On the Milky Road is a rare gem of Balkan cinema, a must-watch that delves into the three stages of a man's life with Kusturica's characteristic blend of realism and surrealism. It's a testament to Kusturica's enduring talent and his ability to push boundaries while staying true to his unique vision.