Sing Sing

I was incredibly moved by this film. I went into it was no expectations other than to be blown away by Coleman Domingo, who always delivers a strong performance in every film he's in. I was most taken by the performance by his costar Clarence Maclin, Who brought such tenderness and compassion to his character and the other characters. It's really great to know that some of the other actors in the film are also formerly incarcerated men in the RTA program, and that everyone involved with the production has some equity with the film. I think with real life stories like this that is the way to produce a film in the most authentic and rewarding way possible.

Saw this movie as one of those Mystery movies where you do not know what you are seeing until you get there. I enjoyed this movie even tho this wouldn't of been a movie I would of watched in the theater. I had a couple tear jerking moments and realizing half the cast was the actual prison theater crew is impressive. I was almost going to walk out when I found out it was Sing Sing but the movie Grabbing my attention and kept me in my seat till the end. Again the the cast was most of the prisoners that was part of the theater group and they actually did a really good job considering they only exp they had was in Prison.

"We're here to become human again." Rehabilitation Through the Arts at Sing Sing Correctional Facility

Occasionally a movie comes on the scene, and not usually in the summer, so naturalistic and unadorned, so brimming with humanity and the restorative nature of the arts, that it cries out, "Don't forget me at Oscar time!" Such is Sing Sing, set in 2005, when John H, Richardson's Esquire article The Sing Sing Follies was published.

Notorious as the prison was, its theater activity, like the therapy program at Folsom prison, provided a ragtag group the chance to mount theater productions aimed at elevating their spirits and their very souls. The sterling docudrama, headed by Oscar-winning Colman Domingo as founder Divine G, and real-life Clarence "Divine Eye" Macklin as Divine Eye, is so authentic and artful, that nothing this year can quite compare. Most of the cast either are alumni or current residents of the prison, where "Kill or be Killed" was a disturbing mantra, changing now as: "To put on nice clothes and dance around. To enjoy the things that are not in our reality."

The troupe creates a bizarre production, Breakin' the Mummy's Cord, that includes among others Shakespeare, time travel, and Freddy Kreuger. The transformative element is best exemplified by Divine Eye, who discovers an artistic side that far eclipses any success he may have had as a covert art dealer.

Never during the film does even the muted violence of many other top-rated tales like Shawshank or Alcatraz appear, assuring the elevation of spirit that accompanies the arts. "Sing Sing" is itself a work of art crying out to be considered the best movie of the year so far and one of the finest prison movies ever offered on the screen.

"I don't write comedies. I write satires," Divine G.

Caught this film last night at a blind preview at our local theater complex. Probably wouldn't have opted to see it if I'd have known what it was but I'm grateful I did. Moving, honest portrayals by some of the participants in the program it depicts (particularly Clarence Maclin and Sean Johnson) and the work of Colman Domingo are it's strengths. The cinematography and direction add to the sincerity of the performances by not overwhelming them and taking an approach that feels like the viewer is witnessing the conversations and events instead of consuming them. Thought provoking. Understated. Sincere. Not flawless but really well done.

Today's movie was "Sing Sing" (2024), a prison-rehabilitation drama co-written and directed by Greg Kwedar, and based on a 2005 "Esquire" article, "The Sing Sing Follies," by John H. Richardson. It's showing in theaters.

My 7 of 10 review is at:

It's a prison-rehabilitation drama set in the 2010s in the Sing Sing Correctional Facility north of New York City. It builds a story on the Rehabilitation Through the Arts (RTA) program that engages prisoners in a drama program in which they put on two plays per year. John Divine G Whitfield (Colman Domingo), one of the program's founders, has been in prison for about 15 years for a murder he denies committing while he was a drug dealer. The director of the Sing Sing program is Brent Buell (Paul Raci). We meet a variety of prisoners, especially Clarence Divine Eye Maclin (Himself), who is very hard-edged at the movie's beginning.

"Sing Sing" follows the development of the first comedy produced by the Sing Sing program, which involves time travel. We see conflicts, tragedy, and disappointments when hearings don't go as planned or an inmate dies suddenly.

The movie's "hook" is that most of the actors, former inmates engaged in the RTA program, play earlier versions of themselves in the film. This particularly includes Divine Eye Maclin. The real Divine G Whitfield, as does the real Brent Buell, has a small role.

"Sing Sing" is heartwarming and demonstrates that people can change. However, it also drags at times and has limited action. Clarence Maclin is amazing, and Colman Domingo does a fine job. Of the prisoners, I especially liked Sean Dino Johnson. Some obvious questions are not addressed, like how women show up in the final productions when none rehearse or are characters in the film.

7 of 10.