Tokyo Vice

Irony -- other shows work so hard to create a vibe of tension and potential threat. Here, if you can relate to this wonderfully relatable character, every second of every moment is filled with tension because the Japanese culture is one of the most unique on the planet. And one of the most especially unforgiving towards outsiders. (I have seen thousands of films, submitted almost 2000 reviews here, and yet the most terrifying movie I have ever seen is Japan's 1964 "Woman in the Dunes," which is not even a horror movie!) Excellent and addictive series. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

It took a while for this show to be made but the result is pretty cool! Michael Mann knows how to do interesting thriller and delivers again. Great atmosphere, great camera work and a great cast! Good stuff and shows that HBO is still the gold standard...not Netflix!;)

I've walked part-way in Jake Adelstein's shoes. I used to work in a Japanese IT company in Tokyo as the only Japanese speaking caucasian employee. I took hour long trips through the crowded train stations, learning to sleep while standing up, jammed between other commuters. Finally returning home after a late night karate lesson to what can only be described as a hole in the wall. Only to get up again with little sleep and do it all over again.

The scenes in Tokyo Vice are as authentic as I've seen - given it's based on a true story, filmed on location, and advised by Jake himself.

From the English teaching, the casual racism, long hours, the stifling bureaucracy and office culture, to the heavy smoking and drinking, to the Russian girls in the hostess "snack" clubs. The neon wonderlands of Kabuki-cho and Shibuya are here on display, but it's portrayed dark, gritty, and noir given the subject matter. People unfamiliar with Japan will be struck by the seemingly absurdist culture which juxtaposes young men trying to act and look tough in a world surrounded by sexual objectification, neon lights, video games, and cuteness - and a near impenetrable ancient culture.

Viewers might also be struck by the Japanese constantly trying to practice their English on the foreigner all the time - despite his high Japanese fluency. When human relationships are fraught with distrust and are only resolved through transactional quid-pro-quo in Japan - something which this series highlights - getting a freebie language practice opportunity is worth it's weight in yen. It's certainly a lot cheaper than the hostess clubs.

Ansel Elgort's attempt at Japanese is a pretty good one, playing the role of the "gaijin" - the well meaning, Japanese speaking, and learned foreigner who is never taken seriously by the culture he's immersed in.

Ken Watanabe is - well - not much else to say. He's brilliant as usual, and his moody detective certainly plays the part.

Can't wait to see the rest of the series, as the first three episodes are extremely watchable.

Enjoyed the first three episodes, invested in the main characters and keen to discover what happens next. Daunting at first with the skew toward Japanese with subtitles, though the balance has changed and this has eased significantly. Some great direction producing fine imagery through use of cinematography, wardrobe and linguistics. It is clear the story is a whodunnit exploring the contrast between conformity & self and honour & honesty.

Some fine performances from Ansel Elgort (Jake), Rachel Keller (Samantha) who was excellent as Syd in Legion, Ken Watanabe (Katagiri) and Rinko Kikuchi (Eimi). Each of these characters has been well fleshed out and we understand their respective motivations, their relationship to one another and their place and contribution to the plot.

As Episode 1 of "Tokyo World" (2022 release; 8 episodes of about an hour each) opens, we are following two reporters, one of which is Jake Adelstein. They arrive at a restaurant, only to find out that their hosts, members of the Yakoza, have moved the meeting to a private room. We then go to "1999, Two Years Earlier", as Adelstein is prepping to take a qualifying exam at a major Japanese newspaper, having moved there from Missouri three years earlier. At this point we are 10 min into Episode 1.

Couple of comments: the series is nominally based on the memoir of the real life Jake Adelstein about his years as the only foreign reporter at a major Tokyo-based newspaper. This mini-series immediately appealed to me for several reasons: it provides a "fish out of water" setting (American reporter at Japanese newspaper), along the way offering a glimpse into Japan's (sub)culture and ultra homogeneous society, and brought in a highly stylish setting. It certainly helps that major talent is connected to this series: from executive producer (and director of the opening episode) Michael Mann to Japanese actor (and executive producer) Ken Watanabe to Ansel Elgort ("Baby Driver") in the lead role (Elgort seemingly learned to speak Japanese for this), etc. Last but not least, the story telling is strong, and I am completely invested emotionally into this series.

"Tokyo Vice" premiered on HBO Max a few days ago, and I've seen the initial 3 episodes. New episodes will be released on Thursdays. How this high caliber/high quality mini-series is showing only on HBO Max (meaning not even on HBO) is a mystery to me. If you are in the mood for a dark-ish crime series set in the underworld of Tokyo, I'd readily suggest you check this out, and draw your own conclusion.

UPDATE 4/16/22 Now 5 episodes into it. This is just getting better and better. One of the best shows I've been watching.