9 February 2015 | gogoschka-1
As darkly comic and multilayered as Breaking Bad, yet very much its own thing
So here it is at last: one of the most highly anticipated new TV-shows of the year, the spin-off from probably THE most highly praised TV-show in the history of Television. Naturally, expectations were over the roof - and it was a forgone conclusion that meeting those expectations would be next to impossible. Well, here's the good news. Judging from the first couple of episodes, 'Better Call Saul' will be good. Just how good remains to be seen, but as far as promises go, those first episodes made a big one.
For those who haven't seen it yet: relax - I won't spoil a thing about the storyline. Instead, I'll concentrate on all other aspects of the show. The first thing you notice (as was the case with Breaking Bad) is the camera. The photography is simply gorgeous. All the visual trademarks I've grown to love so much in BB are there: the playful camera angles; the creative ways to establish even a simple scene with unusual, interesting shots (yet without ever distracting from the storytelling) - it's just beautiful to look at.
Then there's the music. From the wonderful introductions (before the opening credits) to the last scene of an episode, music is not just used as background "noise": carefully picked songs are there to give clues and are as much an integral part of the story as they help establish the tone of certain scenes. And the original music by Dave Porter feels as organic to 'Better Call Saul' as it did in 'Breaking Bad'.
The writing, directing and acting (so far) are on par with BB; anyone afraid this would be a rushed production trying to surf on BB's success can relax; not for a second did I get the feeling this was somehow not well thought through or cheaply constructed by a committee of writers - and although we do of course get some of our favorite characters back, new ones are introduced that promise to be just as original and interesting as the ones that helped turn BB into a cultural phenomenon. And adding high calibre actors such as Michael McKean ('This Is Spinal Tap') to the cast is probably an indication that Vince Gilligan and Peter Gould will not content themselves - or us - by mainly exploring the characters we already know.
And then, finally, there's the magnificent Bob Odenkirk. Starting off as a slightly one-dimensional character and comic relief in BB, the character we've come to love as the sleazy, slick Saul Goodman has already shown more layers in the first half of the first season of 'Better Call Saul' than over his entire run on BB. And that's as much thanks to Odenkirk as the fantastic writing: the actor obviously relished the opportunity to show what he's capable of as his character charms, squirms and threatens his way through his scenes, but - somewhat unexpectedly - he also manages to move you during the more quiet moments.
To sum up my overall impressions: 'Better Call Saul' is a darkly comic, multilayered story that could end up being just as unusual and exciting as we all dared to hope. The tone may be consistent with 'Breaking Bad', but make no mistake: this is very much its own thing. The writing, directing and acting - as well as the production values - are top notch, and if what we've seen so far is anything to go by, we're in for a great first season of a very promising new show. My (provisional) rating: 9 stars out of 10
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/