Better Call Saul

Better Call Saul is not only considered one of the best shows of the last few years but it's also considered one of the best shows of all-time! The acting & storytelling are so good that it really does becomes addictive to watch. There's a reason why this show is one of the highest rated shows on this site and why it's always nominated for so many awards and that's because it's freaking amazing! People always want to compare it to Breaking Bad because it's a spin-off but don't. Even though it has the same feel and it's not quite as good as Breaking Bad, it's pretty darn close! I, along with everyone else who watched, was worried how they would end the show and hoping they wouldn't mess it up (like so many other great shows tend to do). Well, they didn't! The ending was fantastic and will go down as one of the better finales to a great show. If you are a fan of Breaking Bad then this is an absolute must watch!

As of today, it's officially been 9 years since Better Call Saul was released. It's been a little over a year since the finale aired and I'm still mesmerized about how this crew lead by Peter Gould & Vince Gilligan pulled it off, again.

When Breaking Bad reached its finale, it was hard for me to imagine any other show being able to reach it's level, let alone arguably surpass it. And when I heard that there was a spin-off regarding Saul Goodman, I thought maybe the show could have some solid and funny moments, and maybe bring a bit of depth towards some beloved Breaking Bad characters.

Spin-offs in television are usually seen to me as fan service, or a way to make more money off of a franchise that was loved. That doesn't mean that all of them are bad, but most of them don't have the passion or care that'd make you think it was extremely necessary to make a spin-off, especially considering the risk of making previous characters look bad writing wise. And while Better Call Saul was AMC's idea to make more money off of the franchise, I'm shocked with how the creators and writers were able to make another masterpiece.

This show was always meant to be in the shadow of Breaking Bad in my eyes, and I never would've thought of these shows as something that'd be deserving to talk about in the same breath as one another. But Better Call Saul took the ball that Breaking Bad was rolling, picked it up, and launched it forward.

While I think Breaking Bad has peaks that no other show can reach, Better Call Saul was able to do things that it's predecessor never could. The depth and writing of these characters are honestly perfect. So much so that I'd consider the shows leads Jimmy and Kim to be two of the best written characters in television history. And while the cast of this show is extremely stacked, Chuck McGill to me is a character that's honestly overlooked compared to the rest. His character has a pretty clear consensus amongst most people, but there's so much to him and Jimmy's dynamic that's it's honestly not as black and white as most people make it out to be, despite both being objectively wrong in certain aspects of the series. It's really fascinating to me.

The main aspect of the show that baffles me is how perfectly timed the arcs are considering this is a prequel. Every event in the show is written so well and is paced in a brilliant way to the point where no character arc seems to be rushed, yet the show still remains interesting. You think you've reached the pinnacle of a characters journey, then a curveball is thrown that changes everything.

That's not even mentioning how balanced both the lawyer side and the cartel side of the show are. When I first started the show I was eager to get more of the Mike and cartel portion, but the lawyer side of the story honestly paved the way for the first half of this show and was the most compelling part of the first 3 seasons.

My word of advice to anyone who watches this show.

1. Be patient 2. Understand that this is not Breaking Bad.

At some point the show will get very intense, but enjoy what arcs you are given at the time because before you know it, you'll look back and realize you were in the good times of the show. If you watch Better Call Saul after watching Breaking Bad, you might ask for one thing early on. But when you actually get it, you'll realize that the destination wasn't the key, but it was the journey to get there.

Considering most of the characters in this show were never even supposed to exist, it's safe to call Better Call Saul a miracle in television. Whether that was because of an actor wanting to be written off, an actor having a busy filming schedule, or a throw away line that created two of the greatest characters in the entire universe, it's amazing that Breaking Bad was able to pave the way for one of the greatest shows of all time. But what's even more impressive is Better Call Saul makes it to where Breaking Bad is not even complete without its existence.

Kudos to Peter Gould, Vince Gilligan and the entire crew that returned to create Better Call Saul, and I'm grateful I got to experience this universe come to a close.

So here it is at last: one of the most highly anticipated new TV-shows of the year, the spin-off from probably THE most highly praised TV-show in the history of Television. Naturally, expectations were over the roof - and it was a forgone conclusion that meeting those expectations would be next to impossible. Well, here's the good news. Judging from the first couple of episodes, 'Better Call Saul' will be good. Just how good remains to be seen, but as far as promises go, those first episodes made a big one.

For those who haven't seen it yet: relax - I won't spoil a thing about the storyline. Instead, I'll concentrate on all other aspects of the show. The first thing you notice (as was the case with Breaking Bad) is the camera. The photography is simply gorgeous. All the visual trademarks I've grown to love so much in BB are there: the playful camera angles; the creative ways to establish even a simple scene with unusual, interesting shots (yet without ever distracting from the storytelling) - it's just beautiful to look at.

Then there's the music. From the wonderful introductions (before the opening credits) to the last scene of an episode, music is not just used as background "noise": carefully picked songs are there to give clues and are as much an integral part of the story as they help establish the tone of certain scenes. And the original music by Dave Porter feels as organic to 'Better Call Saul' as it did in 'Breaking Bad'.

The writing, directing and acting (so far) are on par with BB; anyone afraid this would be a rushed production trying to surf on BB's success can relax; not for a second did I get the feeling this was somehow not well thought through or cheaply constructed by a committee of writers - and although we do of course get some of our favorite characters back, new ones are introduced that promise to be just as original and interesting as the ones that helped turn BB into a cultural phenomenon. And adding high calibre actors such as Michael McKean ('This Is Spinal Tap') to the cast is probably an indication that Vince Gilligan and Peter Gould will not content themselves - or us - by mainly exploring the characters we already know.

And then, finally, there's the magnificent Bob Odenkirk. Starting off as a slightly one-dimensional character and comic relief in BB, the character we've come to love as the sleazy, slick Saul Goodman has already shown more layers in the first half of the first season of 'Better Call Saul' than over his entire run on BB. And that's as much thanks to Odenkirk as the fantastic writing: the actor obviously relished the opportunity to show what he's capable of as his character charms, squirms and threatens his way through his scenes, but - somewhat unexpectedly - he also manages to move you during the more quiet moments.

To sum up my overall impressions: 'Better Call Saul' is a darkly comic, multilayered story that could end up being just as unusual and exciting as we all dared to hope. The tone may be consistent with 'Breaking Bad', but make no mistake: this is very much its own thing. The writing, directing and acting - as well as the production values - are top notch, and if what we've seen so far is anything to go by, we're in for a great first season of a very promising new show. My (provisional) rating: 9 stars out of 10

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Had heard nothing but amazing things about 'Better Call Saul' (with nothing bad), with it being one of the most highly regarded shows in recent years. Am a huge fan of 'Breaking Bad', so was really psyched in seeing its prequel 'Better Call Saul' too. My opinion of Bob Odenkirk is also very high, so there was absolutely no way this was going to be missed. Have binged on many shows in the past seven years or so and was determined for this to be one of them, very like 'Breaking Bad'.

'Better Call Saul' was every bit as amazing as reputed. Have seen many shows that started off wonderfully but declined badly in their final seasons, a few with really bad last episodes ('House of Cards', 'Game of Thrones', 'Killing Eve'), but then there are rarities like 'Breaking Bad' where every season was at least positively received and on the most part universally acclaimed. 'Better Call Saul' is another one of the rarities and is the first show seen in a long time to not have a bad episode in it, since 'Breaking Bad'. Seriously compelling and addictive stuff and exceptional in every area.

Visually, 'Better Call Saul' is one of those shows that is both stylish and beautiful, with photography and editing that are cinematic quality and put a lot of films today to shame, where there are a lot of visually beautiful ones but also some painfully amateurish looking ones. The music always has the appropriate mood, never too intrusive, never too muted.

The writing for 'Better Call Saul' is a fine example to all shows of how to have a lot of style but also to have a lot of substance. The dialogue throughout is thought-provoking and tense, although quite talky, while also have a darkly wicked sense of humour and heart-tugging pathos. The stories are texturally rich, intimate, tense and layered, with the pace of them consistently deliberate but taut. The pull no punches and gritty approach to the subject was often chilling and harrowing to watch. The direction couldn't be better.

Likewise with the acting, with Odenkirk on absolutely towering form throughout as one of television's most fascinating and meatiest leading characters, one that one is repulsed by but also one that is not hard to sympathise with in some situations. Rhea Seehorn and Michael McKean are excellent as well, McKean giving one of his best work in years. The character writing is rich and compellingly real.

Concluding, truly outstanding show. 10/10.

With every episode it gets heated a bit...... and you won't even realise when the water stars boiling......