Ballet 422 (2014)

PG   |    |  Documentary, Music, Sport


Ballet 422 (2014) Poster

From first rehearsal to world premiere, Ballet 422 takes us backstage at New York City Ballet as emerging choreographer Justin Peck crafts a new work.


6.2/10
1,105


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  • Adam Driver at an event for Ballet 422 (2014)
  • Ballet 422 (2014)
  • Amar Ramasar and Justin Peck in Ballet 422 (2014)
  • Justin Peck in Ballet 422 (2014)
  • Justin Peck in Ballet 422 (2014)
  • Justin Peck in Ballet 422 (2014)

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10 May 2015 | paul-allaer
8
| Delightful New York City Ballet documentary
"Ballet 422" (2014 release; 75 min.) is a documentary about how New York City Ballet dancer Justin Peck, all of just 25 yrs. old, is commissioned to choreograph a new ballet piece, and he has only 2 months to do it, with the premiere scheduled for January 31, 2013 (it is the only new ballet piece of the Winter '13 season, and it is the ballet's 422th overall). The documentary opens with a couple of facts regarding the City Ballet itself (such as: it has its own full tie orchestra), and then we dive straight in, and we are treated to a no-holds barred behind the scenes look at how Peck goes about it.

Couple of comments: first and foremost, if you don't care for ballet, please save yourself the trouble and check out another movie instead. On the other hand, if you love ballet, chances are that you will marvel as we get a glimpse of how the City ballet actually works on a day-to-day basis. We get to know Justin Peck a little bit, as well as several of the featured dancers including Tiler Peck (no relation) and Sterling Hyltin. If you are expecting high drama (say as in "Black Swan"), you will be sorely disappointed. Instead, we get to appreciate the hard work that goes into a ballet piece, all the way to the smallest details (it is amazing to see how much attention the costume design is given). Couple of surprises for me from the documentary: at no point does Justin Peck share explain his vision or concept for he new ballet piece, or if he did, it didn't make it in the documentary. Also, while we are told that the music being used for the ballet hails from 1935, we don't find out what composer or which music piece until the movie's end credits, wow. But in the end those are minor quibbles, and I enjoyed "Ballet 422" quite a bit.

I saw "Ballet 422" at a recent one-time only special showing at my local art-house theater here in Cincinnati. It was announced beforehand that following the showing there would be a Q&A with Victoria Morgan, Creative Director and CEO of the Cincinnati Ballet. It was great that the theater was absolutely PACKED for this, and indeed there was a lively discussion after the showing, with Victoria sharing her further insights on all this. If you love ballet, I strongly encourage you to check out "Ballet 422", be it in the theater, on VOD, or eventually on DVD/Blu-ray (where hopefully there will be some bonus materials). "Ballet 422" is HIGHLY RECOMMENDED!

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Box Office

Opening Weekend USA:

$27,653 8 February 2015

Gross USA:

$333,554

Cumulative Worldwide Gross:

$333,554

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