The Benefactor (2015)

TV-MA   |    |  Drama

The Benefactor (2015) Poster

A philanthropist meddles in the lives of newly-married couples in an attempt to relive his past.




  • Dakota Fanning in The Benefactor (2015)
  • Dakota Fanning in The Benefactor (2015)
  • Theo James in The Benefactor (2015)
  • Richard Gere in The Benefactor (2015)
  • Richard Gere in The Benefactor (2015)
  • Richard Gere in The Benefactor (2015)

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13 February 2016 | afallguns
| What if Gregory House were a rich philanthropist and not a nihilist douche?
He would be Francis Watt! (Ok, and we wouldn't have one of the finest TV-Shows of recent television)

One thing is for sure about The Benefactor. Richard Gere brought the thunder with his performance and pretty much took the whole movie by his own. Then there was Theo James and he did well, I think. I mean... He's the guy from the last Underworld and the Divergent Series... How much can you ask?

Of course that is not fair with the guy, he's a professional actor and he can deliver good performances. In the case of The Benefactor, there was not much to do with it. Even Dakota Fanning, one of the most brilliant actress of her generation, didn't have much to do or say... AND THAT SUCKS, 'CAUSE SHE CAN DO MORE!!! C'mon Hollywood, can't you give her good parts for Christ's sake? Does she charges for line delivered?

I think... That's all to say that there's not much to say about the acting or the cast, besides Gere. Well, and there was the resemblance between Bobby (Dylan Baker) and Luke (James). Not much as twins, but enough to make clear that Puddles (Fanning) had serious Freudians issues!

The Benefactor is the fiction feature debut to the writer and director Andrew Renzi, and I'll say that I liked and I'll wait to see more of that young filmmaker. The work in the directing wasn't anything mind-blowing but didn't let down.

The writing... Well, the writing is far from brilliant. Actually, is very flawed. None of the characters is somebody, not even Franny, they all are a mosaic of characteristics. They have no story, no ego. And that's pretty much the reason the acting from the supporting cast is "meh". But the dialog saves it from being a total flop. The dialog is the thing that makes possible Gere's outstanding performance. Imagine the dialog full of exposition, not even Gere suffering the effects of abstinence in silence would make it better.

The third act also had a problem. Everything happened so fast. There was no development to all of that and the conclusion lacks credibility for osmosis. Ten or twenty minutes more in the final cut could make all the difference. Turn the silly ending in something really emotional and believable.

Nothing else to be said, just enjoy the movie. It isn't a top-shelf but it works for a simple dose of entertainment.

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