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  • mario_c24 February 2015
    Warning: Spoilers
    Based in the Mayan mythology that the year 2012 would be the beginning of a new era, ASMODEXIA is not the typical film about exorcism. In fact as the viewer will see along the plot it has not much to do with Christian faith... At the beginning it seems it has but then we start realizing that priest is not a disciple of Christ! At the end there is a nice twist in the plot that shows it clearly.

    The production is very good, in the great level we are used to from recent Spanish cinema. It's suspenseful, mysterious and it's filmed in some abandoned places that are really spooky. The acting could have been better though. It's not generally bad but it could have been better at parts...

    Overall I think the positive features of this film are the nice production and the open ending with that final twist. Asmodeus was set free...
  • Horror picture shot in fits and starts with incoherent plot, dealing with ghastly possession , as people are possessed by malevolent and heinous spirits causing creepy , scary and terrible moments. The film mixes badly terror , possessions , desperate exorcisms and road movie. The synopsis follows the footsteps of the pastor Eloy de Palma and his granddaughter Alba for four days , in a Barcelona besieged by diabolical appearances and various demonic possessions . His mission is to help those possessed by evil , whose souls have been infected . In each new confrontation with the evil one , clues about the mysterious past of the protagonists are discovered , resulting in an enigma that can change the world.

    It is a weak , uneven and disjointed film and it really falls short , in which an exorcist and his granddaughter , working in the Barcelona area where some strange forces seem to be infecting the purest souls cases . Routine , typical horror movie about possession and haunting events with chills , thrills , plot twists and creepy happenings . Ordinary Exorcist movie style with usual ingredients as possession , violent events , disgusting faces from the possessed people , grisly crimes and poltergeister phenomena . Asmodexia is mediocre , but not in a global sense , hence the script doesn't deliver the necessary elements , turning out to be extremely confusing , twisted and incomprehensible . The only really clear thing is that two exorcists attempting to free the immortal souls of the unfortunate ones who are grievously afflicted by the mark of the demonic Evil One , while only a few days away , an earlier cryptic "Resurrection" to take place. The basis on which the plot is based have the ordinary exorcist ingredients, in which roaming Spain's rugged countryside , a pair of travelling exorcists , a grizzled preacher, and his gifted young granddaughter undertaking their eerie activities. Let's say that the general idea is good , or at least acceptable , it is the development of this main idea what ruins the film . From my point of view, and only as a spectator, I come across the actors are not credible -although perhaps this is due to the fact that most of the dialogues seem to be set with the sole purpose of filling- , the edition is confused and the rhythm results to be irregular . A clue that the story is not well told can be found in the ending : the director should not have needed to use flashbacks to resolve loose ends and make understandable a story that otherwise does not have much to understand . Giving so many explanations to make sure no one has missed anything ruins the final climax . Although this is just one of the many details that reveal a possible bad planning in the making of the script , since there are plenty of holes , inconsistencies , forced twists and flaws .

    Asmodexia (2014) follows in the wake of modern Exorcist movies , such as :¨The Exorcism of Emily Rose¨, ¨The Haunting in Connecticut¨ , ¨The Haunting in Connecticut 2: Ghosts of Georgia¨, ¨The Vatican Tapes¨, among others. The motion picture was regularly directed by Marc Carreté. He studied Audiovisuals and MBA, and worked for years with some of the leading advertising agencies in Spain. In 2015, founded "Creatures of the Dark", and presently is developing and producing indie horror films such as : ¨Lagunas¨ , ¨la guarida del diablo¨, ¨Asmodexia¨ , ¨After the Lethargy¨ and Shorts : ¨El Espiritista¨ , ¨Castidermia¨ and ¨Mal cuerpo¨ . Rating : 4.5/10, so-so and average terror movie.
  • Five days in the lives of exorcist Eloy de Palma (Lluis Marco) and his granddaughter Alba (Claudia Pons), working in the Barcelona area.

    We get a strong opening, with great use of camera technique and color, along with a gripping score from Jordi Dalmau. The New York Times refers to Dalmau's work as "an eerie, echoing sound design of plinking pianos and ghostly choirs." It is that and much more. Of course, this level of greatness is not maintained for the full duration, but it really showcases the potential of those involved.

    Adam Clarke has reviewed the film mostly positively, saying it is "full of interesting ideas" and singling out the cinematography of Xavi Garriga (in his feature film debut). What Clarke appreciates most is the "switching genres" between "exorcism, police procedural and apocalypse drama." He is absolutely right for singling out Garriga, who hopefully continues to make more films. If nothing else comes of this, Garriga should have a bright career.

    Some people may be turned off my the subtitles, but that is their loss. While this may not be the greatest film in the exorcism category of horror films, it is different enough that it should be praised for its originality. A new twist on an old theme, with some imagery that evokes comparisons to David Cronenberg's early work? Keep your eyes on this one.
  • People should stop putting a "horor" label on every movie where the Devil appears! This is not a horor, this is a comedy, very bad one. I never thought I could fall asleep while watching a "horror" movie...Soooooo boring, it hurts how boring this film is! Incredibly bad acting. Uh! I will put this director on the my blacklist and never, but NEVER again watch any of his films anymore.This was such a waste of time!
  • Lots of overacting and a bit of underacting, with very few scares and a predictable ending. Impossible to like any of the characters. There are far better exorcism movies than this mess.
  • Warning: Spoilers
    One of those movies in which "things aren't as they seem". The movie lies and cheats the viewer by making us think that people are possessed by demons - when in fact they're possessed by God.

    Say what? God? Since when does THAT happen? Now, I appreciate being deceived by a film, but within reason i.e. the deception has to make sense. This movie breaks a very basic rule of religious horror and that's: only Satan possesses bodies, making them behave in weird demonic ways.

    It's a pity, because there is very nice quasi-apocalyptic scenery, and a solid mood. That ending also could have been a lot better if there were more to it than just the major twist - which at first appears fun but on closer scrutiny turns out to be dumb or at least flawed, for the reason I mentioned previously.

    Pretty good - for a Spanish film though. Usually they suck. Spanish cinema rarely delivers a good product. This had potential, but it's ruined by a dumb way of cheating the viewer. If the film had devised a cleverer way of portraying Satanists as the good guys, the film would have worked.

    The VHS tape scenes are very cheesy.

    Perhaps there was a low budget so it couldn't afford to even slightly show us the Armageddon.
  • Warning: Spoilers
    Eloy is a cult leader who travels by foot with his granddaughter Alba. They perform a 1 minute exorcism. They just know where to go. The time is right before 12/21/2012 the "end" time for the Mayan prophecy which is blended with Biblical prophecy. Meanwhile there is a woman in a mental institution with her sister, a policewoman who is investigating the strange occurrences. The weather is unseasonable warm as the world is about to "reverse" whatever that is.

    The film is pretty much as expected. Once we see the flashback film of the cult, we get a good idea what is going on. The twist at the end was not totally unexpected and it was a bit boring.

    Wasn't worth sitting through with subtitles.

    Guide: F-bombs. No sex or nudity. Some blood.
  • Since 2010 or so, exorcism horror movies appear to be totally hip again. Personally I have never been a big fan of this sub genre (and even think that some of the greatest classics are a tad bit overrated), so I couldn't yet bring myself to watch all those similar looking and clichéd sounding new titles like "The Last Exorcism", "The Possession", "The Devil Inside" or "The Rite". At this year's edition of the Brussels International Festival of Fantastic Films, however, I was immediately intrigued by a modest and rather anonymous little Spanish effort entitled "Asmodexia". The poster art looks creepy, the title alone sounds intriguing already and – most of all – the plot appears to be more original and ambitious than the average "innocent young girl possessed by the devil" vehicle. Unusual as it may sound, debuting writer/director Marc Carreté comes up with the creative idea to blend the exorcism rites with a kind of road-movie concept and, moreover, even link it to the infamous 2012 Maya-predicted apocalypse. Elroy de Palma, formerly the leader of a creepy hippie cult, roams around the Barcelona area with his 15-year-old granddaughter Alba in order to perform exorcisms. The phenomenon of demonic possession strangely turned into a kind of virus that spreading fast, especially among the most vulnerable members of society like children, mental patients, and drug addicts. They are also pursued by wicked disciples of Elroy's old sect, and they are particularly interested in Alba's pure virgin soul. "Asmodexia" is an extremely tense thriller with a constantly grim atmosphere and an intelligent (albeit slightly too convoluted) screenplay. Several sequences (notably the ones shot inside the mental asylum) are disturbing and the finale is sublime and much more satisfying than any other exorcism-horror I've seen. The modestly budgeted film also benefices from slick and impressive camera-work and a moody soundtrack. There's also a more than decent amount of shocks and bloodshed, for the sick puppies among us, and the acting performances are very adequate. If you choose to watch your next exorcism-horror film, why not make it this Spanish one?
  • Warning: Spoilers
    The synopsis is actually very scant in that it basically said this was four days in the lives of two exorcists working in the Barcelona area; so a bit of Gaudi, God and Satan sort of thing - but no. It follows the story of Eloy and his granddaughter, Alba, and they at first appear impoverished but are on a foretold mission to save 'souls'.

    Now to say any more could reveal too much so that the slow feed of twists and revelations (no pun intended) are spoiled. I kept thinking I had it all worked out and each time I was left surprised.

    It is all acted exceptionally well and is obviously an indie effort but it does not really show. The locations are great too adding to the atmosphere of the piece. This is not a slasher though so please avoid if that is your thing. It also covers areas you would not have expected. I have to say I was really impressed with this – mostly in Spanish with good to OK sub titles this is one for folk who like things to be a bit different.
  • Warning: Spoilers
    Do you think it hurts them...when it leaves their souls? You can't even imagine Alba. His eyes...his voice...he whispers in my ear....they shan't destroy his work. I like cemeteries, I find them attractive..The most terrible secrets of humanity are not hidden away in books or libraries...but cemeteries. The whole movie follows Eloy and Alba as they exorcise people. It seems as though they are the good people. Except near the end you start to realize they might not be so good after all. They're definitely doing something.....maybe instead exorcising all the demons from the people, Alba is actually absorbing all the evil energy into herself. When they reach the lower temple doorway...it all starts to come together and make sense. Alba is actually the child of her dad's daughter...except her dad is also her grandfather, inbreeding.
  • parry_na29 March 2018
    Ever since the seminal film from 1973, exorcisms have been a thriving subject for various horror productions. Director and co-writer Marc Carreté's story provides something a little different. We are still treated to 'wailing and gnashing of teeth' as we would expect when demonic forces are expelled from the human host, but this Spanish film concentrates more on the exorcists themselves. Fifteen-year-old Alba (Clàudia Pons) and her grandfather Eloy de Palma (Lluís Marco) travel from city to city to help the possessed, usually comprising of those existing in the lower end of society.

    Jordi Dalmau's excellent score is worth mentioning because it enhances the dread. When we realise that even those we thought of as the 'good guys' turn out to have dark secrets of their own, we're inclined to believe that nowhere is safe. Well worth a watch. My score is 7 out of 10.
  • Warning: Spoilers
    Eloy and Alba are a grandfather/granddaughter team of exorcists who are performing exorcisms on people possessed by enigmatic The Evil One.The Resurrection of The Evil One will happen very soon so they must hurry.A mysterious hooded figure is following them.Eloy used to be a member of a religious hippie cult and now he tries to stop Evil Demon from rising.Or is he really?I must say that I kind of enjoyed "Asmodexia".The film is visually appealing and there are several spooky and abandoned location sets in which action takes place.I liked also post-apocalyptic finale which resembled me a little bit last sequence of Fulci's "The Beyond".Still the plot of "Asmodexia" is quite confusing and complex,so be prepared.There is very little gore and absolutely no nudity.6 apostles of Hell out of 10.