Bridget Jones: Mad About the Boy

There was a time when Bridget Jones's Baby felt like the perfect send-off for our favorite clumsy, charming, and endlessly relatable heroine. So when Mad About the Boy was announced, there was a mix of excitement and hesitation. Did we really need another Bridget Jones movie? Was this going to undo the closure we had? But as soon as the film starts, you realize-there's still more to tell. And more importantly, there's still more to feel.

This final chapter of Bridget's journey is a bittersweet one. It deals with grief, loss, and moving forward in life even when it feels impossible. The film beautifully captures the struggle of giving yourself a second chance, of learning how to heal while still carrying love for the past. If you've followed Bridget since the very first film, you'll feel every bit of her emotions. She's still the Bridget we love, but she's more mature now, wiser, a little less clumsy, a little more self-assured. Life has shaped her, as it does to all of us. And that's what makes her story so heartbreakingly real-she's growing, changing, adapting, but at her core, she's still Bridget.

And honestly, this couldn't have worked without Renée Zellweger. There is no Bridget Jones without her. She slips back into the role like she never left, embodying every awkward entrance, every grand gesture, and even the tiniest mannerisms-the nervous smiles, the way she tilts her head when receiving bad news-it's all still so Bridget. Zellweger's performance is nothing short of stunning. She is Bridget Jones, and no other rom-com character can ever quite match what she brings to this franchise.

The film also introduces new love interests-Roxster (Leo Woodall) and Mr. Wallaker (Chiwetel Ejiofor). They bring fresh dynamics to Bridget's life, but they don't quite match the charm and chemistry that Mark Darcy or Daniel Cleaver once had. Roxster is fun but a little two-dimensional, existing more to push Bridget's journey forward rather than being a compelling character himself. Mr. Wallaker, on the other hand, is serious-maybe a little too serious. Unlike Mark Darcy, who had a dry wit that balanced Bridget's chaos, Wallaker feels a bit plain. It's hard to imagine him truly being the one for Bridget.

But Mad About the Boy isn't just about romance. It's about life. It's about parenting-the struggles of balancing kids, work, and personal happiness. It's about friendships-because Bridget wouldn't be Bridget without her loyal, slightly chaotic circle of friends. The film reminds us how much friends shape our lives, offering love, support, and, of course, comic relief. And speaking of comedy, the humor here is just right-not too over-the-top, not forced, just classic Bridget Jones wit.

That said, while the film gives us a solid and heartfelt ending to Bridget's story, the final scene feels a little... abrupt. It's good, but it's not as satisfying as it could have been. After everything Bridget has been through, she deserved a stronger, more definitive farewell.

Verdict Bridget Jones: Mad About the Boy is like Avengers: Endgame for our aunts and moms. It's a long-lost reunion that feels earned, deserved, and deeply emotional. Best sequel since Bridget Jones's Baby, this is the perfect film to watch with a cup of hot chocolate, wrapped in a blanket, feeling all the feelings. Bridget Jones, thank you for everything.

I didn't think I would love this movie as much as I did. I laughed, I cried and the nostalgic factor was chefs kiss! I love that it dealt with real life issues like grief, single motherhood and feeling like you are always failing at life. I also enjoyed the nostalgic factor. I feel like for not being in theaters, this was a wonderful movie with a beautiful soundtrack and amazing actors! Although this movie dealt with serious topics, there was also some very cute comedic relief sprinkled in. You won't regret the watch if you loved the Bridget Jones Diaries movies. I would absolutely recommend it!

"Bridget Jones: Mad About the Boy" is a beautiful, heartfelt return to the world of Bridget Jones, bringing both nostalgia and a fresh, deeply emotional perspective. This time, we meet Bridget as a widow and single mother, trying to navigate a new chapter of her life while raising her children. The film delicately explores grief, resilience, and the messy, sometimes hilarious reality of starting over. While it still has the humor and charm we love, there's an added depth that makes this story feel more mature and profoundly moving.

Renée Zellweger shines once again, effortlessly embodying Bridget's warmth, wit, and vulnerability. Her performance is both endearing and authentic, making us laugh one moment and tear up the next. The film perfectly balances lighthearted moments with genuine emotion, reminding us why Bridget has always felt so real and relatable. Whether you've been a fan since the beginning or are just meeting her now, "Mad About the Boy" is a touching, uplifting addition to the series - one that stays with you.

As a die-hard Bridget Jones fan, I went into this film expecting a fun, chaotic, and laugh-out-loud experience-because, let's be honest, that's what Bridget does best. Instead, I found myself watching something entirely different. And by different, I mean a film that forgot it was supposed to be a comedy.

Sure, there are jokes. But they're either painfully forced, overacted, or just... not funny. I chuckled maybe twice, three times max, throughout the entire movie. For a Bridget Jones film, that's borderline criminal. The humor, once effortlessly awkward and relatable, has been replaced by exaggerated, almost theatrical performances that feel more like a sitcom laugh track than genuine comedy. Even Bridget herself seems to be acting like Bridget, overplaying her signature quirks to the point where it feels unnatural.

The trailer had me excited for a hilarious take on modern dating, especially the disaster goldmine that is dating apps-people not looking like their photos, bizarre miscommunications, painfully awkward first dates... There was so much potential! And yet, instead of a variety of comedic misadventures, the film latches onto one and stretches it too much.

And here's the kicker-the trailer is misleading. This isn't really a rom-com. It's a film about grief, family, and life's emotional transitions. Which is fine... but it's not exactly what you expect from Bridget Jones. The sentimental moments feel heavy-handed, like the movie is trying too hard to be heartwarming rather than letting the humor flow naturally. And to top it off, you can predict the ending within the first 15 minutes. It doesn't help that some scenes feel oddly low-budget (which they definitely weren't), and the over-the-top acting only adds to the artificial vibe.

That being said, it's not all bad. There are some genuinely sweet moments about cherishing life's little joys, appreciating the magic in everyday moments. But let's be honest-when you buy a ticket for a Bridget Jones movie, you expect to laugh.

If this really is the final chapter, I can't help but feel disappointed. Bridget deserved better.

Renée Zellweger was just past 30 for the first Bridget Jones movie, now she will turn 56 later this year, 2025. Today is Valentines Day and it seemed fitting that my wife and I decided to watch this movie, released just yesterday, streaming on Peacock.

It has a very slow start, we both looked at each other after about one-half hour and said, "Are you enjoying this?" We weren't and both hoped it would soon get good. All the characters were annoying and inappropriate, even the kids. In one scene the little girl is running around the house and banging on a pot for the longest. In social gatherings all the lady friends are intrusive and most of the interactions are silly. Fortunately, by tolerating all that it did pick up during its second half.

As this story starts Bridget's husband died in an unfortunate accident four years earlier, leaving her with a young son and an even younger daughter. She was still trying to cope and had not been back to her job as a TV show producer. All her friends wanted to know when she would find a man. One even started her a dating ap.

Later, as the story winds down, good things start to happen for Bridget and the kids. The son is worried that he might forget his dad and his science teacher helps by reassuring him that his dad is everywhere, his energy is, because energy can neither be created or destroyed, it just changes its form.

I would watch the second half again, but NOT the first half, neither interesting nor entertaining. And I did just that, a few weeks later. I started at the middle and the second half is an excellent one-hour movie.

Later I got the DVD from my public library and re-watched the original Bridget Jones movie. The closing credits of this movie contains a number of still shots from that original.