For the past several years, the "Heart Eyes Killer" has wreaked havoc on Valentine's Day by stalking and murdering romantic couples. This Valentine's Day, no couple is safe.For the past several years, the "Heart Eyes Killer" has wreaked havoc on Valentine's Day by stalking and murdering romantic couples. This Valentine's Day, no couple is safe.For the past several years, the "Heart Eyes Killer" has wreaked havoc on Valentine's Day by stalking and murdering romantic couples. This Valentine's Day, no couple is safe.
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Summary
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This is a romcom with slasher elements but the kills are presented in a very goofy way. The main actress is Julia Stiles reincarnated in Gen Z and the twenty-somethings featured in the story evoke silly teen comedies of the 2000s. The darkest thing about this movie was the dark cyan color grading--also found in abundance in the 2000s in teen horrors. The dialogue and characters are cartoonish, the protagonist is invincible even in her juvenile and clumsy silliness, and the movie, admittedly, is successful in creating an odd fusion romcom with horror but it only works if you were expecting Bring It On, Not Another Teen Movie, or Scary Movie. But sprinkle in a few funny killings.
It's also by SONY. Do with that what you will.
The first and last kills would probably be the only interesting thing to a viewer expecting a horror movie. Toss the rest.
Then it ground to a halt and it became a really lame romantic comedy (without real comedy, just awkward smile cringe humour). This went on far too long and luckily just when I said out loud....."oh for Christ's sake! Enough of this soppy nonsense" the killer returned and we were off again with some great action. I wasn't really liking the characters yet so didn't care whether they lived or died. Was just wanting more of the killer without the cringe level attempts at comedy.
This film didn't know what it wanted ro be. A soppy romantic soft comedy or an all out slasher gorefest. I guess they thought they were being original trying tk blend the two but it didn't work for me.
The humour seemed out of place and silly and I was constantly thinking "I wish they had played this straight as the killer is really good.
The two cops "Hobbs and Shaw" *eyeroll moment and if it was a nod to something it was lost on me. Same writer ir director as the Staham/Rock film maybe? Otherwise it was just plain odd ??
The police station scenes were well ahem...executed but soon after the film Grinds to another halt to allow some more pointless romance !? Mid chase from a maniac slasher!?? Really!?
Luckily this is not as long as before and the killer takes out the stoners in epic fashion. Now that's more like it.
Ignoring the plenty of opportunities the killer has to end the couples life's yet doesn't the scene is good.
Then back to the soppy romantic slop. And I was almost ready to turn it off.
But then a very lazy twist and we have yet more opportunities to end the heroes but fail and end up toast.
Soppy ending with embarrassing phone call that was supposed to be amusing yet made my eyeballs roll so hard back I could see my brain.
It gets a 5 for the fantastic slasher character who if had been done better and play3d straight couldn't have been a new horror icon.
But wasted opportunity.
It's like a husband and wife team decided to make a film together with one another. One loving Slashers and the other Notting Hill.
The humour didn't land very well and it was ultimately a frustrating mess.
I was seriously looking forward to this, they made it look quite something in the trailers, I was expecting something along the lines of Scream, what I wasn't expecting was a film that had horror elements, but was 70% romcom, I'm not one hundred percent sure it worked.
It definitely deserves a couple of points for originality, I can't think of many films that have emade me laugh and bad a couple of decent jump scares. The restaurant scene also made me chuckle, amusing to see the man being objectified, it was funny.
If they'd done less of the soppy stuff and more scares, it would have worked a whole lot better, there were essentially three big scare scenes, you couldn't really blame the killer going after that awful couple at the start.
Interesting, if flawed.
6/10.
The cast's comedic timing shines, with the lead bringing charm and awkwardness to the role. The chemistry between characters enhances the absurdity, making the escalating madness all the more engaging. The creative direction stands out with stylized action sequences and inventive kills that keep viewers on the edge of their seats.
While the film may not be for the faint-hearted, its self-aware tone and sharp wit make it an absolute treat for fans of horror comedies.
Heart Eyes is a blood-splattered joyride, reminding us that sometimes love - and (s)laughter - can be found in the most unexpected places. A must-watch for those who like their laughs served with a side of mayhem.
Storyline
Did you know
- TriviaThe mask designer for "Heart Eyes," special effects artist Tony Gardner, also created the killer masks for "Freaky," "Happy Death Day," and "Totally Killer."
- GoofsWhile palm trees are not unheard of in the Seattle area, there are far more in the film than reality revealing its New Zealand filming location.
- Quotes
Monica: [On the phone with Ally] Hey, Ally? Ally, listen to me: you deserve to be happy. You deserve to have someone love you for the beautiful, neurotic mess that you are. I mean, you can be so clueless sometimes; it's one of the ten things I hate about you, honestly. You can't let Jay go off to his best friend's wedding and hook up with a bunch of bridesmaids and move to Notting Hill. No. This is love, momma. Some kind of... wonderful, crazy stupid love, actually.
- ConnectionsFeatures His Girl Friday (1940)
- SoundtracksAmazed
Written by Marv Green, Chris Lindsey and Aimee Mayo
Performed by Lonestar
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
Everything New on Netflix in May
Everything New on Netflix in May
Details
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- Also known as
- Π‘Π΅ΡΠ΄Π΅ΡΠ½Ρ ΠΎΡΡ
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Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $30,415,738
- Opening weekend US & Canada
- $8,305,156
- Feb 9, 2025
- Gross worldwide
- $32,947,032
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.39:1
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