V/H/S/Beyond

The 'V/H/S' movies are always a funny one. They're very inconsistent and there's rarely more than one great segment per film. But you keep watching each one in the hope that a magical segment will come along that will blow everything to pieces and make it all worth it.

My ratings of the 5 segments (skipping the wrap-around one):

Stork: 4/10 Dream Girl: 3/10 Live and Let Dive: 6/10 Fur Babies: 8/10 Stowaway: 4/10

Fur Babies was the pick of the bunch for me, but mostly because it appealed to my tastes more than the others. It had a real 'Tusk' vibe to it.

Stowaway was disappointing considering Mike Flanagan wrote it. I was hoping he would have done something special and they were saving the best for last.

Overall the alien theme didn't really do it for me and I preferred the variety the other films had. A generous 5/10.

Once again the V/H/S franchise proves its consistency is in its inconsistency of quality. From the framing tape you would expect that every one of these shorts would be about aliens, but even that isn't consistent as 2 out of the 6 tapes don't follow that theme. I personally don't like whenever the V/H/S franchise focuses on aliens, because due to the microbudget nature of these films, they almost always have to use CGI in order to create aliens/UFOs, which end up looking like trash. Not surprisingly, most of the aliens in this film have that exact same problem where the practical gore effects end up being pretty gnarly and nice, but nearly every time they use CGI it instantly takes me out of the film.

That being said the short "Stowaway", written by Mike Flanagan, actually makes great use out of the alien gimmick, as it is actually shot with a VHS camcorder (something that the V/H/S films are ironically using less and less of), which hides a lot of how amateurish the CGI effects usually can be. It also uses really clever cinematography to never fully reveal what the aliens in the short look like, making great use out of the fear of the unknown.

"Dream Girl" also showcases another major theme of the V/H/S films that foreign filmmakers always outclass their American counterparts. This one isn't about aliens at all, rather a couple of Mumbai native paparazzi who are assigned to get candids of a Bollywood sensation named Tara, who holds a dark secret. It's one of the shorter segments, but it goes pretty hard with some of the best gore in this film.

"Fur Babies" is the other segment that doesn't have any aliens at all, and while it starts off pretty weak, it ends up being pretty middle of the road due to how hilariously they push the concept. "Stork" is also fine, as while the creature design for the alien is pretty gnarly, being based off of the art of Oleg Vdovenko by the same name, it feels more like a video game than an actual horror movie. The gore and action just feel way too floaty and doesn't have the impact that it should.

"Live and Let Dive" is the worst one of the bunch, as it relies too much on the alien gimmick and I quite frankly could not take any of the CGI creatures seriously whenever they come on screen.

The framing tape is ultimately the most frustrating out of the bunch, as throughout we get spoonfed info about how 2 recently discovered video tapes about a missing man might finally prove the existence of aliens. We never really get enough context to actually be excited about what's on the tapes, and when it finally gets revealed at the very end of the movie, it ends up being extremely underwhelming. Yeah, the gore's cool and all, but I've been strung along for nearly 2 hours and this reveal was not worth the wait at all.

If you're already a fan of the V/H/S franchise you'll probably get a kick out of this, and it might provide some amusement if this is your first V/H/S film and you're bored looking for something to watch.

I was a big fan of the VHS series of movies, but I've been very disappointed in the last two movies. HOWEVER, this one is pretty good! The first two movies in the VHS series were very well done, with some unique stories and good scares. I rated them an 8 out of 10.

But the next two were near absolute garbage to me. Not sure what went wrong but something went very wrong with them.

But, with this new movie they get back to what made the VHS series so great. This movie had very unique stories and a couple of decent scares. The main focus was aliens this time.

So if you didn't like the last two movies, give this one a chance, I think it is very well done. 👍

7/10.

I was really looking forward to Beyond, V/H/S series have been sort of my guilty pleasure and having learned that Beyond was gonna focus on stories about aliens, I was really excited, as I'm really fond of the subject. And, well, it was alright. Most of the segments here are pretty enjoyable, although I have an issue with the last one. The premise of it was probably the most interesting to me but it was almost unwatchable because of the actress. I know these movies don't exactly have the best acting, but hers was the newest low. In fact, I don't think it can get worse than that.

Either way. I had a nice evening watching this and you will too, if you embrace the campiness and just enjoy the silly fun.

The anthology V/H/S/ Beyond tries again with the found footage format, this time with a sci-fi approach. However, what seemed like an opportunity to revitalize the genre ended up limiting the creativity of the invited directors, resulting in a series of shorts that, overall, failed to surprise or leave a lasting impression.

Here's my take on each of the short films:

Stork: This short is quite simplistic. The plot is about 15 or 20 minutes of police officers killing strange creatures that look like zombies. There's an attempt at shock value in the end, with a bizarre moment, but honestly, it doesn't go beyond that. It felt like watching someone play a hyper-violent first-person shooter, where violence is the only focus. The final result is a short that doesn't challenge the viewer and sticks to the basics.

Dream Girl: Among all the shorts in the anthology, this was the most eccentric. We follow two paparazzi trying to sneak into the set of an Indian artist, but, as expected, the plan goes wrong. This segment stands out for its extreme level of violence, which may shock more sensitive viewers. Although it's not an easy watch, the unpredictability of not knowing the next move and the subtle reflection on AI kept me mildly interested. However, in terms of innovation or impact, Dream Girl wasn't strong enough to leave a lasting impression.

Live and Let Dive: This short film starts with an interesting premise: a group of friends goes skydiving but crashes into a spaceship. The possibilities for this narrative were vast, and it had the potential to be much more intriguing. Unfortunately, it ended up taking a lazy, cliché-filled path. I admit the scene where the protagonist falls through the open sky was visually interesting, but the rest of the short is let down by a weak narrative and, above all, terrible visual effects that looked like they came straight out of a PS2 game. I felt the segment didn't explore the originality of its premise, and it was a missed opportunity.

Fur Babies: This segment left me genuinely confused about how it fits within the sci-fi theme. The plot follows a group of young people investigating a strange and eccentric dog breeder, but aside from this odd premise, the short doesn't go much further. There are bizarre moments that suggest the story could have gone deeper, but it felt like everything was only halfway developed. The potential was there, but it lacked the ambition to really explore its ideas. Despite being weird and eccentric, it wasn't memorable either.

Stowaway: This was the short I was most looking forward to, mainly because it was directed by Kate Siegel, who I'm a fan of. The premise is interesting: a woman in the desert filming a documentary about aliens ends up entering a spaceship. The idea has a lot of potential, and you can tell the director had a vision for the project. However, the execution failed badly. The big issue is the cinematography: at a certain point, it becomes nearly impossible to understand what's happening on screen. I didn't expect it to be shot in IMAX, but the extreme commitment to realism ended up hurting the visual clarity of the narrative. In the end, it was frustrating because I felt there was a good story there, but the way it was presented made it confusing and hard to follow.

Overall, V/H/S/ Beyond fails to take full advantage of the potential that the sci-fi genre could have brought to the found footage format. Even though there are some interesting ideas and moments that grab attention, the execution of most of the shorts is too basic, predictable, or just unremarkable. This anthology could have been a great opportunity to explore new approaches within the genre, but it ultimately fell short of expectations.