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  • khilbill21 February 2020
    Just loved those last three words uttered right before the credits rolled. And delivered with utmost charm by none other than Andrew Lincoln.

    Truly hit the spot and was very much needed..

    Get the door Coral! ITS FOR YOU..
  • braedynh27 March 2020
    Brilliant character driven episode that really brought Carl's character to life as well as uncovering a big part of Michonnes past, one of the most under appreciated episodes of the series
  • This is the ninth episode of the fourth season of the Walking Dead. Nothing can beat the craziness the last action-packed episode gave us, so this episode is a more character-driven episode designed to give us the direct aftermath of the prison assault, mainly focusing on Rick, Carl, and Michonne. The episode may be slow-paced, but it's an episode that proves us the strength of the characters thanks in part to strong writing.

    In this episode, "After," Rick and Carl hit the road scavenging for supplies and a place to stay. Rick is in horrible shape and Carl blames his father for not being able to protect his people at the prison. Meanwhile, Michonne struggles with her past as her past threatens to overwhelm her.

    Overall, this was a slow episode, but a pretty meaningful one. I also liked the episode because we finally learn more about Michonne's past, something that has been eluding us up to this point. I rate this episode 9/10.
  • grondonamanu29 November 2020
    This episode shows the amazing category of actors and actresses TWD had at that time. Danai Gurira, Chandler Riggs and Andrew Lincoln show how it's done. Superb. Also, great characters developing and writing. You can add photography if you want to. Television Academy, shame on you!
  • Warning: Spoilers
    It is really hard to top "Too Far Gone", perhaps no Walking Dead episode ever will. However, instead of trying to do so with a big action scene or tons of intensity, the show took the route of a character-focused episode. They really put Carl (formerly a "problem character") and Michonne under the microscope. Their move paid off thanks to some superb writing, solid acting, and fantastic symbolism. It was also really good being back on the road again: there's just a certain vibe that comes with it. I might get a bit of backlash for loving the episode as much as I did, but I don't care all that much: this episode was phenomenal. As far as slow and character-driven episodes go, this is one of the best that Walking Dead has done....

    In the early scenes between Carl and Rick, a few things became apparent. First and most obviously, Rick could barely move. We've seen him in rough shape before, but nothing like this. What I appreciated most about their first scene together, however, was when Rick is about to say "it's going to be OK". He can't bring himself to say that last word though, because he knows it isn't true. To use the line from Pulp Fiction, things are pretty far from "OK". This was a superbly written and very subtle moment. This helped lead to one of the themes of the episode: thing can't be the way the used to be. While it was explicitly stated at the end of the episode by Rick, this fact was shown in a few different ways throughout. My favorite was when Carl went into the bedroom with the video games. he begins "geeking out" so to speak, looking at all of the cool games and assorted items. However, he snaps back into "apocalypse mode" and uses the TV chord to secure the door. Symbolism like this was EVERYWHERE in this episode, which is what made it really special. While the video games were one of the most notable and noticeable, here's one you may not have caught: when Carl kills the walkers that he drew away along with the extra one that ambushed him, he falls down. He shoots the walkers that fall on top of him almost EXACTLY how Rick did in the episode "18 Miles Out" (one of my personal favorites). I was giddy like a little child when I saw that because it was simply incredible that they put it in there. Scott Gimple, who wrote "18 Miles Out", used to be the only one that did stuff like this, but now that he is showrunner we see it quite often. They started to get a little sloppy with it execution-wise in the 2 Governor episodes, but they are back at the top of their game now. That is the reason Walking Dead may finally enter the upper echelon of shows: the action, acting, and production values were always phenomenal, but now the writing is reaching the same quality. All of the best shows like Game of Thrones, Breaking Bad, and not True Detective do that, and it was present this week. There was even a bit of humor thrown in here to mix things up (112 oz. of pudding!). Also, while this is considered a "slow episode", I really didn't feel like the pace was "bogged down" at any point. Everything flowed nicely throughout. Another thing I have been noticing is that they are following the comics very closely now while at the same time putting their own spin on things. Many of this week's scenes were direct quotes and even shot-for-shot with the comic. Hopefully they can keep all of this up. If that happens, then The Walking Dead will have finally put together a complete season of quality episodes....

    Sure, this episode didn't move the plot forward leaps and bounds, it only united 2 of the split groups, and so on. However, not only did the emotional impact of the prison need to be felt, making this episode necessary, but it was an incredible episode as well. None of it felt like the dreaded "filler material" we began to see immediately in the second half of last year. Those slamming the episode must not like the comics either, because there is an emotional and contemplative break before the group moves on to bigger things. Sure, I would have liked to see other groups, but I don't see that as a negative because they used their time well this week. Also, if they go where I think they are going with the show, then don't worry about not having enough action: it will be coming, and in brutal ways that TV has rarely if ever seen before. The first half of the season was probably the best the show has ever been, and they were still on cleanup duty for how badly the last showrunner messed up the end of season 3. Just be patient. For now, this episode featured some of the best writing we've seen on the show, lots of symbolism, creative methods of showing the characters' mental state, and finally bringing Carl to appreciate his father in a convincing and realistic way, this episode will go down as one of the best character-focused episode the show has ever done....

    OVERALL SCORE: 9.4 out of 10 FULL REVIEW AT http://www.ign.com/blogs/ao66/
  • Warning: Spoilers
    This slow-paced episode is certainly not the best or most interesting of all Walking Dead episodes, but it just has this charm about it and I'm glad many of you guys are digging it. Watch this one on its own, forget the plot even, and it's like a short artsy film about a boy, his dad and a young woman(Michonne). It's bleak but beautiful, a good break from the previous action-packed "showdown"-style episode.

    Once again, I think Rick is at the center of this charm the show has. He is the most developed character I've ever seen(and the actor is great). Even when dozing off for half the episode, everything that happens seems to be tied to him. Being the leader he has literally "made" much of the plot and is the reason Carl and Michonne are where they are(and alive). Because all this, watching him so beat and weak was very hard and tragic, yet I feel the Rick we are seeing here is much more resilient than he was at this season's start. I'm counting on him!

    I think he is why this episode is better than the next one. Michonne and Carl are doing a good job and are also developing in character. Next episode "In Mates" feels just a wee bit weaker in comparison, with undeveloped\weak characters like Tyreese, the two little girls and the most-hated, returning Carol. Why the hell bring that woman back? I have absolutely no idea. But I'm looking forward too see it all make sense.
  • and_mikkelsen25 January 2024
    This is by far what carries and elevates this episode! The characters are wonderfully handled and developed as they try to adjust and survive without a solid base and the losses they have suffered!

    The character that stood out the most to me, Was Carl! He finally got some great development and i really felt i got to know him! Chandler Riggs was at his best, giving us a Carl who just wanted his fathers trust and respect! He wanted to prove he was not a kid anymore.. and he did! Some amazing chemistry between him and Andrew! They really felt like father and son!

    Danai Gurari was equally great! Giving us some very emotional moments with Michonne and a look into her past and character through a great flashback/dream!

    This was such a great experience showing the many ways this show can produce quality!
  • Warning: Spoilers
    The Walking Dead returned this week from its traditional mid-season break, and while this could have been the opportunity for a stellar, welcome back episode, it failed to live up to its potential promise and only left me shaking my head numerous times throughout the episode.

    First off - Michonne and the walkers. I thought we established in the very second episode that you had to smell like a zombie in order to blend in. How is Michonne walking nonchalant through a horde of zombies? Yes, she has the two zombies with her, but what should that matter? Just because she is in a close proximity to two zombies does not mean she herself smells or behaves like one. How did those zombies ignore her? Speaking of which, why did those two zombies not try and attack her?

    Second,Carl's God damn falling. How many cheap ploys does this show have when it comes to zombie attacks? Not many, as apparent by this episode. Not once, but twice this episode Carl fell down when a zombie was attacking, only to have to attempt to shoot it (and fail several times). We know Carl will not die, and this ploy only serves to add artificial tension. And WHY did they have to do it twice?

    Third, regarding another stupid scare tactic, was Rick's potential zombification and Carl's attempted shooting. Again, we know Rick is not going to die, so again the show added only an artificial tension. Also, why did Rick not attempt to stop Carl? A simple waving of his hand or the universal "stop" motion could have sufficed. It simply makes no sense and left me scratching my head as to why the show would attempt such a false scare.

    Yes, the Michonne development was done well, and the episode has a McCarthy-ian feel to it similar to his "The Road" which is always a plus, but the numerous stupid and false scares and head-scratchingly bad predicaments these characters got into simply took too much away from the episode and made me very aware that I was watching an episode of television and critiquing its silly conventions and presence of a writing team.
  • I guess this is the ONLY series ever I watch for the second time and it still kicks ass. I watched it for the first time two years back then I read the comics and now watching for the second time. I think this episode is brilliant but they all are. Also I think it is extremely clever and superbly executed how the series and the comic are the same and yet different. I was surprised at some of the twists and turns in the comic although most larger story arcs are the same. I also think it is one of the best series on a psychological level. I feel none of the characters are good guys without flaws.. Carl can be stupid but still he is a good kid having to act all grown up before his time. I liked this episode better the second time for some reason...
  • "After" opens up with drama and memories which then continues with exploring the remaining world.

    That's what makes this series so awesome and addicting- exploring the post-apocalyptic world.

    And it's good to see how their new lives can take the best of them. You cannot forget how easily your chances may fade and your life may become the after... life.

    "After" closes the past and opens up a new beginning. Or one may say it starts with another ending ;)

    10 points from me :)
  • Had heard nothing but great things about 'The Walking Dead' from friends and IMDb reviewers. It took a while to get round to watching, both from being busy and also not being sure whether it would be my cup of tea. Finally getting round to it a few years ago and slowly working my way through it, having had a very long to watch and review list, 'The Walking Dead' turned out to be very much my cup of tea and as good as the hype made it out to be, have found it extremely addictive.

    Season 4, as far as previous episodes go, has been very promising on the whole, "Internship" and "Too Far Gone" being exceptional. It still shocks me at how an intelligent, well-made (so much so that it is easy to mistake it for a film) show about zombies could be made when so many films have tried and failed abysmally to do so. After such a brilliant previous episode, a season and show high-point, "After" disappointed somewhat while still having a number of good things. It is not as strong reminder of most previous episodes of how Seasons 1-5 of 'The Walking Dead' to me were absolutely brilliant and seeing the show in its full glory days (Season 6 was uneven, Season 7 was a huge disappointment and am still debating whether to watch Season 8). For a start to the second half of the season, one inevitably expects a start with a bang quality, although the opening sequence did that it was not quite managed for the rest.

    Certainly "After" has a number of good things. It, like all the episodes before it, is superbly made. It has gritty and audacious production design, effects that are well crafted and have soul rather than being overused and abused and photography of almost cinematic quality. The music is haunting and affecting, having presence but not being intrusive. The more eventful scenes, like the beginning, are unsettling and uncompromising.

    There are moments of thought provoking writing and some tension and emotion. The beginning does intrigue and wrenches the gut. Characters are far fewer than usual, focusing on Rick, Michonne and Carl. There is some great character development in "After", with the most interesting character being Michonne boasting some quite resonant moments, and the episode excels in the interaction. The performances are without complaint, Andrew Lincoln is superb as always but Danai Gurira's powerful performance stands out here.

    However, something was missing. Admired the quieter and more reflective approach and its focus on characterisation, but a large part of me found it lacking in tautness and that it was too restrained after such a gut-wrenching opening. There are pacing issues here, with some dull stretches and at times too much talk.

    Did admire too that effort was made to develop Carl and make him the most interesting he's been so far this season. Did find that this wasn't executed completely right, count me in as another person who frequently was frustrated by Carl with his immaturity and rushed without thinking decision making (making it difficult to get behind him) that does make for some uncharacteristically head-scratching moments up to this point of the show.

    Overall, pretty decent, but after being amazed by the previous episode that rounded off the first half of Season 4 was expecting a lot more considering that it started the season's second half and could have been mistaken easily for not being one. 7/10 Bethany Cox
  • Warning: Spoilers
    After the fall of the prison, we focus on Rick, Carl and Michigan (in the last two much more). It is a bottle chapter, but it manages to be very entertaining and emotional with only three characters. A clear example of how to handle a bottle episode written by the creator of all this Robert Kirtman. as soon as michonne its development and deepening is very interesting and emotional. His past is great and he has a badass moment. As soon as Carl sees his conflict with his father after the fall of the prison and the losses. At the beginning, Carl was very angry and thought he didn't need Rick. but after believing that he is dead, he cannot kill him and decides to surrender. One of the most emotional moments of the series. the last talk between rick and carl is very pretty and michonne finding rick and carl was something emotional
  • Season 4 restarts with a slow burner.

    Plot In A Paragraph: In the aftermath of the Governor's attack on the prison, Michonne (Danai Gurira) finds herself alone, killing some walkers. She has flashbacks to her life before the walkers including life with her husband and baby. Rick (Andrew Lincoln) and his son Carl are on their own too, but their relationship is tense however. Rick still sees his son as a child, and he is in charge. Carl meanwhile thinks he is an adult now and his father failed in his job to protect the group.

    A frustrating episode as I wanted to slap Carl for the most part of this episode, and I for one would not have minded in the slightest if him acting like a big douche got him killed!! I'd have felt for Rick, but that's it. The Michonne parts were good though. These three were the only characters shown. An OK way to restart the season.
  • ottawa10112 March 2022
    After the farm collapsed, the group was all spread out yet without any previous planning, all instinctively went back to the highway and met up. Once they took the prison, they immediately parked cars facing out planning for trouble. Beth and Maggie both discuss in the last episode how they all have jobs so they've obviously discussed "what if" situations. If they've planned, you'd think they would have a rendezvous point for evacuation.
  • Warning: Spoilers
    The first half of season 4 of The Walking Dead was a lot of things and got just as much as wrong as it got right. Between delaying the moment in which will find out the truth and the entirety of the rushed Governor story arch, there was a lot to dislike. However, the show re balanced the stakes in its favor with the extended gut wrenching assault that brought actual stakes and dread back to the show.

    Now with everyone spread a part amidst the chaos, the show has returned with the weight of expectation on its back. And the show tackles expectation in the same way it always has: in an incredibly uneven fashion.. Somehow, even with the last episode ending with everyone fleeing a now overrun prison, the show manages to continue dicking around at the location everyone has grown sick of. Luckily, it is only a portion of the episode, but every time it cuts to Michonne everything grinds to a halt.

    Then again, the momentary reprieve from the suddenly dickish Carl is almost welcome (did he have some kind of hormonal change in the moments between episodes?). I guess he has a real boner for murder now. And his emotional blowout midway through the episode while technically in character just feels like a detour to eat up time. The same can be said of the existential aimless wandering Michonne does.

    So what we end up with is an episode of "so that happened" moments. There are fleeting points where the episode works, but in the end it is just another uneven, forgettable episode.
  • skimmel666-734-249522 March 2014
    After the first episode (the real first episode), I was so stunned that they killed the horsie? I quit watching. But, something drew me back. I don't remember. What it was? Nope. Don't remember. But this show has me utterly gob-smacked, at times. When Carol answered Rick's question, "Did you kill Karen and David?" and she, matter of factly, holding that empty water container, "Yes" and then went on her way? I fell off the sofa. The hubs and I were shocked. First, that she did it. Second, the forthrightness with which she admitted it. The hubs was perplexed as to how Rick sussed it out. I had to remind him that this was Rick's first actual crime he could investigate, since Z- Day. He looked at the print on the door, saw it was small, knew the kids couldn't have had the power to drag dead bodies. Voila, my dear Watson. When all other information is excluded, the remaining one, however implausible, must be the answer. Or something like that. God, I LOVE this show!!
  • This episode heavily focuses on Carol and Michonne with a little tiny bit of Rick. It's really not the best episode to open the mid-season though Michonne does have an insane kill-count for those who love blood and gore. But, frankly as a whole, Carl mainly wants to prove that he can survive by himself, that he doesn't need his dad to protect him all the time. Very simple son and dad drama. Though Carl does get into tight situations are quite jumpy.

    I'm pretty sure that we all say Carol can be a idiot sometimes. For Rick, all he does is trying to protect Carl which isn't new so its been there done that. I have to say that the ending is quite nice and the next episode looks a very scary ride for the survivors for what they encounter next.
  • "After" picks up immediately after the fall of the prison, with the group scattered and struggling to survive. The episode focuses primarily on Rick and Carl as they navigate the devastated landscape. Rick is severely injured from the battle, and Carl must step up to protect and care for his father. The episode delves deep into their strained relationship, showing Carl's struggle with his father's leadership and his own coming-of-age as a survivor in the brutal world they inhabit. The episode also explores themes of family and resilience, as Rick and Carl lean on each other to survive.

    In many ways "After" trusted the audience to draw their own conclusions. Yes, we can assume that Michonne's lover, and what looks to be his friend, made the decision to kill themselves and exit the living nightmare that their lives had become. We can guess that they chose to take her son with them, which in Michonne's eyes rendered them sub-human and worthy of being reduced to her zombie repellent "pets."

    The loss of a child is bad enough, the loss of a child by his own father's hands...Well, that would turn most people into a near-catatonic mute for a time, but what I like is that there's room for other interpretations. When Michonne says that she knows "why" it's worth living, Kirkman leaves it to us to decide what she means.

    It's about the tiny victories, the little moments where they feel connected or "win", it's about finding the boy she's looking for so that life can be, ever so briefly, sweet again. For Michonne, for now, the "why" is Carl, the man-child who just may stand in for the son she lost. It's about making the best of what you've got, no matter how hard that may be. The shot of Carl sitting on that roof, eating a troth of pudding with a walker growling in the background was the picture of the exact balance between what is, and what should be.
  • The walking dead gives a great slowed down after the events explosive too far gone. Series hits in full to focus on the past michonne and its almost isolation, as well as in the development of Carl, which after his father stay unconscious end up having to turn to survive. Another very positive is the direction, Greg nicotero proof once again be one of the best directors of the series. However, the series sins in their visual effects (a problem already old), who then not rolled his eyes after see the blood dripping by head severed of hershel.

    To analyze the episode as a whole, we see that he explains well theme series : dramas human
  • claudio_carvalho12 February 2014
    Rick, who is seriously wounded and tired, and Carl wander seeking for supplies and shelter. Carl blames his father for the fate of the survivors since he was the leader and did not protect the group. Meanwhile Michonne is also on the road haunted by nightmares.

    "After" is a dramatic and low paced return of "The Walking Dead" after another interruption. In this episode, only a few things happen with Rick, Carl and Michonne keeping the series stalled and warming-up. Carl is coming of age in the worst way in an aggressive environment. The greatest mystery is who is knocking the door? My vote is seven.

    Title (Brazil): "After"

    Note: On 15 April 2016, I saw this show again.
  • Rick and Carl find a house to sleep for the night whilst Michonne struggles with the past.

    This is a welcome change of intensity from the previous ultra-dramatic episode.

    The overarching narrative barely moves an inch as the episode focuses entirely on three characters, particularly Carl. It's done as cinematically as possible but I think you have to like them (or at least be interested in them) to really enjoy it.

    Rick is depicted as being in a hell of a mess both physically and emotionally, which shows good consistency with 'Too Far Gone'. Likewise the other characters are suffering. It's about time we had some Michonne backstory and her scenes for me are the high points of the episode.

    The coming of age theme and willingness of all characters to accept the way things are is done very well. Characters talk to themselves in some scenes which feels a bit forced at times. The hints about individuals possibly deciding to go it alone were reasonably good, but never really make me think they would actually do it. Also one dramatic moment involving Rick near the end does not work at all.

    Performances are strong as usual, particularly Danai Gurira who plays the most likeable character on the show for me. Chandler Riggs is reasonably good by the standards of most young teenage actors.

    As ever the general visuals and zombie effects are excellent.
  • -no real spoilers as nothing really happened- This was a hard episode to watch. Micheone's part wasn't too awful, but holy crap, what were the writers thinking with Carl. It was quite painful to watch. Sadly the worst walking dead yet. I like character development, but the writing and direction has to be there. It's hard to blame the young actor, the director should have the sense to realize that the emotional scenes are just not hitting the mark. It's not ringing true. I am not beating up on supposed character development - in fact I think they need fewer zombie special effect nonsense and more psychological content and story telling. I have been watching the walking dead this since the start and have been hoping that the writing and direction will improve. It has had a few moments of brilliance, but sadly most has been just tolerable. This one feels like rock bottom. Depending on how the rest of the season goes, I think I might have to stop buying this content... :/
  • zombwhlio14 February 2014
    Warning: Spoilers
    This episode has confirmed that any scriptwriters here, are as brainless as those zombies that they are promoting.

    At which point can zombies be domesticated? They are rabidly, feral undead who will not stop their hunger of consuming the living. Begging that obvious question of how they can be walked on a lead with, or even amongst? A zombies sense living flesh with rabid intent as their source of sustenance. The head that was decapitated and turned into a zombie, but without be bitten or eaten by all of those other approaching zombies? Durp durp and the big send off...

    Can see you see the problem here? This show undermining the main antagonist, turning them into your average cattle to be constantly, gratuitously, slaughtered. How horrific, really?

    But at least we get to know all about these characters lack of psychology in their most childistic demeanours. Having the dads best zombie impression,(he is gonna turn please turn, shucks he didn't turn). The child doing reverse behavioural patterns, as they obviously do,(I got the best food, no I'm not gonna eat it. Look at that knot it is just super tight, oops lost a shoe). The gun the kid was holding should have sent him flying back 5 yards from kick back. Hurray for all of these characters insights in the form of their daydreams. Her fetishism (lapdogs, on a lead, yho biatch) the source of that imagined anger. Waking up, having a bloodbath, but so grandiose. Although it didn't justify any of those delusions, when undermining the source of any horror.

    No more colonel, really? The only protagonist worthwhile, as he knew how to keep these antagonists in check. Because team zombie doesn't win half so much.

    1 out of 10 zombies are brainless, so are scriptwriters who think zombies can be domesticated
  • fuad_tarin_5827 June 2019
    6/10
    Wtf?
    Warning: Spoilers
    I would seriously give this episode a 9/10. Because carls acting here(i never liked carl) was really amazing when he though his father is dead. And it was great acting. But then well rick is not dead and at some poing he goes after carl like an zombie.. wtf they think? We are morrons!! If rick was dead there it wouldve been a great episode. Not that i want him dead but the way they set it up, he suppose to be dead. Lame writing!!
  • Warning: Spoilers
    "I've never seen a gorilla drive a car before but if you put it in a museum, I'm not gonna call it art" -Michonne Hawthorne. Worst episode of The Walking Dead so far by far. Literally nothing happens except Rick and Carl are reunited with Michonne at the end of the episode. They can't make the whole group reunite. It has to take 8 terrible episodes for that to happen. Coral is still as stupid as ever. I really thought he would've matured by now. If your dad "can barely walk", shouldn't you be holding the damn food, Coral? He's acting like it's Rick's fault Shane is dead. Coral, maybe get him some water, don't shake him, h'es unconscious, but nice job alerting the walkers. He nearly gets himself killed, twice. Bro really tried to run into a door to open it. Ever considered that maybe the door was unlocked. Neither Rick, Coral or Michonne checked to see if any of the motorcycles had gas in them. Michonne's hallucinations/memories are not at all interesting or build up her character.
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