Zama (2017)

Unrated   |    |  Drama, History

Zama (2017) Poster

Based on the novel by Antonio Di Benedetto written in 1956, on Don Diego de Zama, a Spanish officer of the seventeenth century settled in Asunción, who awaits his transfer to Buenos Aires.




  • Jorge Raúl Ojeda and Rafael Spregelburd in Zama (2017)
  • Zama (2017)
  • Lucrecia Martel in Zama (2017)
  • Daniel Giménez Cacho in Zama (2017)
  • Daniel Giménez Cacho in Zama (2017)
  • Lucrecia Martel in Zama (2017)

See all photos

Get More From IMDb

For an enhanced browsing experience, get the IMDb app on your smartphone or tablet.

Get the IMDb app

Reviews & Commentary

Add a Review

User Reviews

4 November 2017 | Raven-1969
| Rich, Deep and Dazzling
The radiant colors of fire sparks in the night, shocking pink native dyes and lush green moss, and oscillating cascades of sound including exotic guitar, electronic interludes and soothing lapping waves, these and other rich innovations bring extra zip to the already thrilling story of Don Diego de Zama. Zama, a Spanish administrator in 1700s South America, refuses to adjust to his surroundings and instead pines for the continent and habits he left long ago. As his expected transfer to Spain hangs in limbo, Zama's paranoia about the dangers of the local landscape and hostility towards those of different races, increases. He lives in a bubble of his own creation. Yet if the sulking and morose Zama will not visit the pulsing and vibrant new landscape around him, it will visit him.

Director Lucrecia Martel deftly makes the audience part of the story. The scenes she provides are rich and dazzling in a variety of ways; color, sound, wildlife, clothing, furnishings, evident historical research, insight into human nature, brilliant acting and more. Her portrayal is wonderfully balanced. Martel does not glorify the past, nor does she skewer it. Pristine and beautiful scenery of lakes, rivers and forests are offset by glimpses of the morgue with its cholera and plague victims, the cruel and routine punishments and torture implements of the time and whirling ceiling fans that remind you of what the tropics without air conditioning must feel like. Martel's sensitivity and depth of feeling is astounding. The film audience, for example, is not provided with subtitles of native languages. "We deserve to not understand what the natives are talking about," said Martel who was at this Toronto International Film Festival screening. "History taught around the world is mostly about the colonizers." In one scene there are three sisters who revolve around a central point in a room, and Martel wants it to seem like they are part of a miniature music box. Such wonderful little touches. The film is spiced with brilliant lines throughout. "Europe is best remembered by those who were never there," for instance, and "nighttime is safer for the blind." The film is based on a novel by Antonio Di Benedetto.

Metacritic Reviews

Critic Reviews

Everything That's New on Netflix in July

No need to waste time endlessly browsing—here's the entire lineup of new movies and TV shows streaming on Netflix this month.

See the full list

Around The Web


Powered by ZergNet

More To Explore

Search on