The Hateful Eight (2015)

R   |    |  Crime, Drama, Mystery


The Hateful Eight (2015) Poster

In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters.


7.8/10
496,328

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User Reviews


31 December 2015 | tcrescenzo-08409
10
| Everyone seems to be missing the point
If your willing to jump on the bandwagon and avoid this movie just because a couple of thin skinned reviewers are complaining about all the blood and all the "n-words", then you might as well just shovel your money into Disney's pockets and see star wars because that's the movie for you. This is the first real piece of cinema that has come to the theaters this year; with all the audacity, the balls, and the fearless will to show anything on screen that real filmmakers are brave enough to commit themselves to. If all these negative reviewers would just look past the blood and the guts, they would find a truly masterful piece of cinematic art that reflects both the expertise and effort that went into making it. The storyline is a simple one, but it's told in a complex, interesting, and relatively unique way that is guaranteed to keep your eyes glued to the screen throughout the entire 3 hour run time of the movie. Tarantino's direction is unparalleled as usual, and the performance of the entire cast combined with the wonderful cinematography and deeply engaging dialogue make for a remarkably fun time at the theater, if your willing to sit through a lot of grisly violence and mean spirited subject matter. And although many people are complaining about the heavy political undertones of the film's storyline, to me that is one of the main components of this film that stands out the most. The plot of this film serves not only as a compelling metaphor for the racial tension amongst the American people immediately following the civil war, but actually manages to outline the visceral anger and unpredictability of the racial tension that the American people are facing today within society. In a world hell bent on purporting sensitivity and being politically correct, it's nice to see a movie that's willing to raise a middle finger to that social stigma so as to hold a mirror to the racial confrontations that are still plaguing the American people to this very day. Obviously this film is undoubtedly the most sick, twisted, and violent of Tarantino's filmography, and I'm willing to admit that it's not for everybody, but for those of you willing to toughen up, keep your trigger happy insecurities in check, and enjoy a mean, gritty, and badass film that offers no apologies for what it does best I highly recommend this film. And for those of you who are willing to let Tarantino's comments about the police force get in the way of your enjoyment of this film, like I said; Disney is more than willing to take your hard earned money.

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Did You Know?

Trivia

In the original script, the character of Bob was supposed to be a Frenchman, not a Mexican.


Quotes

Major Marquis Warren: Got room for one more?


Goofs

After Ruth and Warren agree to protect each other's bounties, Mannix suggests that they might want to "lie on the ground and make snow angels together". The Oxford Dictionaries have not found any use of the phrase "snow angel" earlier than the 1940s.


Crazy Credits

The roadshow version of the film opens with a faux-vintage Weinstein Company logo, in flat white-on-blue with a very 70s font along with a "Cinerama" logo. The first few credits appear in the same font as the logo's before switching to Quentin Tarantino's usual Friz Quadrata. The standard release opens with only the normal Weinstein Company logo before going directly into the sweeping Panavision shots.


Alternate Versions

For it's theatrical release in India, the CBFC demanded that 1 minute and 34 seconds of cuts be made to the film removing some stronger elements of violence/gore throughout, course language and detail/dialogue relating to a scene of forced sexual activity. The cuts made are as follows: all scenes which feature shooting and violence were cut down by half of what was originally shown, the vomiting scene was reduced especially to shots of blood being vomited onto Daisy's face, reductions were also made to sight of Daisy cutting of a corpse's hand and to close-up shots of Daisy's face as she hangs from a rope in the final scene. The close-up shot of the Mexican's head being blown off after being shot was also completely removed. Further cuts were also made to the forced oral sex scene; removing all visuals of the act itself as well as toning down the visuals before the act were the nude man is seen walking through the snow. Sound edits were also made to this scene muting out some of Jackson's dialogue about the event; the phrases 'Black Pecker', 'Black Johnson' and 'Black Dingus' were all muted out along with some of the bad language used throughout the film, the terms 'bitch', 'whore' 'motherf**ker' and 'son of a bitch' were all muted out whenever used. The filmmakers were also required to attach an anti-smoking disclaimer and a health spot at the beginning (and at the middle of the film in versions with an Interval) they were also made to attach a small notice at the bottom of the screen whenever a character is seen smoking in the film.


Soundtracks

Ready for the Times to Get Better
Written by
Allen Reynolds
Performed by Crystal Gayle
Courtesy of Capitol Records Nashville
Under License from Universal Music Enterprises
(used in the Roadshow Version)

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Crime | Drama | Mystery | Thriller | Western

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