Transparent

Like many ppl already said , the last episode sucks. But hey there were 4 great seasons before that. And those were good so enjoy the show, and than open a bottle of wine for the last episode ...

I've gotta say, it's usually that shows gain steam as they go on. With this, it was the opposite. I thought it started off truly fantastic, but somewhere after the first few episodes it lost me a bit. I'm totally up for unlikable protagonists, but Ihave to find them interesting. Two of the three siblings here were not only at times completely insufferable and got more unlikable as the season went on, but their story lines were only mildly interesting at times, and the other times not at all. The one sibling that I did like and found interesting despite also being pretty unlikable was Amy Landecker's character, and I think in her case it really only was because I'm a fan of her as an actress in general. The season should've really concentrated more on Tambor. As it is, it's a pretty good first season despite me liking it less and less as it went on, even if totally unoriginal.

In what could have been an insight into the different lives of a culture we rarely get to contemplate we instead get to focus on a collection of ugly characters believably reflecting the current state of the self centered American psyche. The dialog is witty, the acting is convincing, and the action is believable for the country it comes from, and it's a thoroughly engrossingly unpleasant experience that eventually has you wondering "why am I watching these horrible people?". It's like a lot of American TV of recent years, deriving entertainment from pain & ugliness, and feeding back into the normalisation of that thinking. I got tricked into watching this by the interesting premise and revolted by the self centered side characters to the point of having to abandon the exercise. I don't want these people in my life.

I kept watching and watching, hoping that as I got to know them I would begin to care about this extraordinarily shallow, spoiled and obnoxious bunch of people - or even to laugh at them for being so relentlessly revolting - but the opposite happened. By the middle of Episode 7 I loathed every one of them so deeply that I just wished The Big One would finally come along, pull the chain, and flush the entire state of California to the bottom of the Pacific Ocean where it belongs. Then it occurred to me that I didn't HAVE to watch this crap, so I stopped.

I love the idea behind this series, and it might have been really good if only there were at least one character I could stand to watch, or laugh at, or maybe even like. There isn't.

Tambor and Hoffman are excellent in roles that fit their talents so perfectly that it's hard now to imagine either of them ever playing any other characters. I do care about those two actors - especially, now, for the first time, Hoffman. I just don't care at all about either character. I wish I wished Maura well, but I just don't. I can't. She's too dishonest and shallow and selfish.

The other actors - with one notable exception - are all right but don't bring any personal depth to their tiresome, narcissistic characters, as Tambor and Hoffman do. The exception is Judith Light, whose restrained and sensitive performance in Save Me was a revelation. Here she shows no subtlety or intelligence at all, playing a Southern California Jewish matron so shrill and strident that the human being is completely lost in the stereotype.

Most of the writing is clever, the production is excellent, and the series might have been a real treat if I could only have cared about even ONE of the profoundly revolting characters.

Let me say at the outset that there have been a lot of disappointed reviewers, and most of them just don't get it - the comedy and the drama come from a series of contrasts.

The rest of the cast are so delightfully screwed up that it helps us to be sympathetic to Jeffrey Tambor's character. This isn't a one-trick pony, as the continuing adventures of the entire cast sets up some beautiful compare and contrast moments.

Not that this is for everybody. If your are looking for high discourse, the don't choose a comedy, and don't try to map an excellent slow comedy into a disappointing drama. It is simply a well-written light comedy about society and the opening up of transgender issues within that context.