A family that survived the genocide in Indonesia confronts the men who killed one of their brothers.A family that survived the genocide in Indonesia confronts the men who killed one of their brothers.A family that survived the genocide in Indonesia confronts the men who killed one of their brothers.
- Nominated for 1 Oscar
- 48 wins & 45 nominations total
- Self - former leader of death squad
- (archive footage)
- Self
- (voice)
- (as Josh)
- Self - Sprecher
- (voice)
- Self - reporter, NBC News
- (archive footage)
Storyline
Did you know
- TriviaAdi and his family moved thousands of kilometers away to the other side of the country, out from under the shadow of the perpetrators who are still powerful situation in North Sumatra.
- Quotes
Himself, brother of murdered Ramli Rukun: Tell me about that madness.
Himself, former leader the village death squad: Some killed so many people who have gone mad. A man climbed a palm tree, every morning, to call for prayer. Killed too many people. There is only one way to avoid it. Drink the blood or go crazy. But if you drink blood, you can do anything.
Himself, brother of murdered Ramli Rukun: [Testing the eyeglasses] What do you think...
Himself, former leader the village death squad: Salty and sweet. The human blood.
Himself, brother of murdered Ramli Rukun: Pardon?
Himself, former leader the village death squad: Human blood is salty and sweet. I know from experience.
- ConnectionsEdited into P.O.V.: The Look of Silence (2016)
- SoundtracksLukisan Malam
music by E. Sambayon & lyrics by Sakti Alamsyah
performed by Sam Saimun
courtesy of Irama Records
Oppenheimer returns to the same material he mined in "The Act of Killing," the slaughter of communists in Indonesia in the 1960s. The men who actually supervised the killings are alive and well for the most part, and still exercise a gangsterish kind of control over the country. Communists aren't still being murdered overtly and en masse, but one senses that it would be easy for someone to "disappear" if he/she pushed too hard against authority. "The Act of Killing" stuck close to the murderers, and we watched in stunned disbelief as they gleefully reenacted their killings, the heroes of their own demented movies. "The Look of Silence" follows a man whose brother was murdered as part of the Communist purges before he was even born, and now wants to confront the men who carried out the murder. It's unclear, probably even to himself, what he wants from these confrontations. Possibly just an apology, possibly simple recognition of what they did. The conversations run the gamut from cathartic to downright frightening (one man obliquely hints that he could make very bad things happen to the film's protagonist if he wanted to). But the reaction from all of the killers is essentially the same: the past is the past (even though in Indonesia it isn't), why are you bringing all of this up again, can't we just agree to forget?
Of course agreeing to forget is what makes horrific events like these possible to repeat. The most fascinating interviews are those not with the killers themselves but with the children of the killers, the people who have inherited their parents' legacies (on both sides of the conflict) and now must make something of the world they share. In some cases, the children learn details they never before knew and we watch them process them on screen in real time. It's difficult as a viewer to know how to feel about these inheritors of their parents' actions. On the one hand, they really can't and shouldn't be held accountable for things their parents did when they were children or possibly not yet even born. On the other hand, like it or not, we all inherit our own histories and have to at least acknowledge them, both the good and the bad, if we are to learn from them.
Both "The Look of Silence" and "The Act of Killing" are infuriating to Western viewers who have been raised to believe that freedom and justice eventually triumph and that evil, either individual or systemic, gets punished. These are brilliant films, and while they certainly sow doubts in my head about the state of mankind, I feel like a better person for having seen them.
Grade: A+
- evanston_dad
- Feb 13, 2016
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Sessizliğin Bakışı
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $109,089
- Opening weekend US & Canada
- $6,616
- Jul 19, 2015
- Gross worldwide
- $157,857
- Runtime1 hour 43 minutes
- Color