In ancient Polynesia, when a terrible curse incurred by the demigod Maui reaches Moana's island, she answers the Ocean's call to seek out Maui to set things right.In ancient Polynesia, when a terrible curse incurred by the demigod Maui reaches Moana's island, she answers the Ocean's call to seek out Maui to set things right.In ancient Polynesia, when a terrible curse incurred by the demigod Maui reaches Moana's island, she answers the Ocean's call to seek out Maui to set things right.
- Nominated for 2 Oscars
- 22 wins & 90 nominations total
Auli'i Cravalho
- Moana
- (voice)
Dwayne Johnson
- Maui
- (voice)
Rachel House
- Gramma Tala
- (voice)
Temuera Morrison
- Chief Tui
- (voice)
Jemaine Clement
- Tamatoa
- (voice)
Nicole Scherzinger
- Sina
- (voice)
Alan Tudyk
- Heihei
- (voice)
- …
Oscar Kightley
- Fisherman
- (voice)
Troy Polamalu
- Villager #1
- (voice)
Puanani Cravalho
- Villager #2
- (voice)
Louise Bush
- Toddler Moana
- (voice)
Mladen Badovinac
- Tamatoa
- (uncredited)
Chris Jackson
- Chief Tui
- (singing voice)
- (uncredited)
Summary
Reviewers say 'Moana' follows familiar Disney themes with a young protagonist on a self-discovery journey, vibrant animation, and memorable songs. It features a strong female lead, Polynesian culture, and mythology, including a demigod sidekick and animal companions. The quest to restore world balance offers unique cultural insights, providing a refreshing take on traditional Disney tropes despite formulaic elements.
Featured reviews
Why this movie has 7.6? Y'all crazy, this is a great movie, with amazing music. Yes is not perfect portrayal of polynesian culture and that's usually never the point with Disney movies.
Despite being a lifelong Disney fan, that is not to say that everything they've done is great. They've done many classics, their best revolutionary, though they had hit and miss periods in the 80s and the 2000s.
'Enchanted' and 'The Princess and the Frog' saw a return to form, while the likes of 'Tangled', 'Wreck It Ralph', 'Zootropolis' (aka 'Zootopia') and 'Frozen' were even better and there was a lot to like too about 'Big Hero 6'. Of the "2nd Renaissance"/"Disney Revival" period, 'Moana' is up there with the best of them and as one of Disney's best in about twenty years.
Maybe the momentum dips ever so slightly going into the final act, Maui's change of heart is a touch rushed and for me there was no real point to the pig character that induced more unintentional awkwardness than amusement. It was however difficult to fault 'Moana', because of how many things it did right and how brilliantly the things it did right were executed. There have been criticisms regarding a formulaic story, HeiHei the chicken being irritating and the portrayal of Maui being stereotypical, but these were criticisms that didn't bother me at all.
Firstly, the animation is phenomenal. Disney's best-looking film in a long time and one of their best-ever looking films, not just this but perhaps the most visually exquisite animated film this year in a year that also saw 'Your Name', 'Kubo' and 'Zootropolis' and even one of the year's best-looking films. The attention to detail is impossible to fault, whether it's the water, the trees or even Maui's tattoos, while the colours just pop out at you and everything is immaculately detailed with not an ounce of artificiality in the backgrounds, further boasting visually stunning sequences such as the climax, "We Know the Way", "Shiny" and with the coconut pirates.
The soundtrack has garnered a huge amount of praise, and for good reason. Love the evocative orchestration and instrumentation, with its seamless blend of South Pacific Culture, pop and Broadway. Likewise with the songs, which are along with 'Frozen' the best and most consistent set of songs from a Disney film since 'The Hunchback of Notre Dame'. "How Far I'll Go" is an "I want" sort of song that's infectious, heartfelt and inspiring. "You're Welcome" sees Dwayne Johnson showing a quite wide range of emotions through a surprisingly good singing voice. "Shiny" is deliciously kooky and like something that David Bowie would be proud of, Jemaine Clement sings the heck out of it. "We Know the Way" sends chills up the spine.
Scripting-wise, 'Moana' encompassed a wide emotional range within me. There is something for everybody, never too complicated for children and never too childish for adults, tonally it's focused throughout, and it's very witty and thought-provoking. Throughout there are many opportunities to laugh, cry and be inspired. The story is, while not exactly original, beautifully paced and enthralling.
The whole Polynesian culture, faith and seafaring traditions included and explored generously but in a way that feels part of the story rather than just thrown in, and while there are elements that reminds one of Disney past and present this feels more affectionate than Disney just running out of ideas. The coconut pirates scene may seem like filler, but instead of being incidental and dull filler it was entertaining and visually dazzling, while the musical numbers bring the storytelling forward and say much about the characters' motivations and the climax is hair-raising.
Moana is has now joined the list as one of my favourite female Disney characters, while Maui is a fun, compelling character and the chemistry between the two being a large part of the film's humour and heart. Personally found myself entertained by HeiHei and that his existence and role in the story were justified. If anybody does find him dumb or annoying, this is a rare of those not being bad things for a character clearly intended to be that way from reading up about the film. The voice acting is top notch, with Auli'i Cravalho making a startling debut (voice and singing, goodness she has pipes). Dwayne Johnson, on paper an unlikely and eyebrow-inducing choice, is also splendid, as an actor he's grown a lot, while Alan Tudyk is amusingly zesty and Jemaine Clement bringing gleefully kooky menace.
In summary, knocks it out of the park in visual beauty and sheer entertainment value, Disney does it again with their latest classic 'Moana'. 9/10 Bethany Cox
'Enchanted' and 'The Princess and the Frog' saw a return to form, while the likes of 'Tangled', 'Wreck It Ralph', 'Zootropolis' (aka 'Zootopia') and 'Frozen' were even better and there was a lot to like too about 'Big Hero 6'. Of the "2nd Renaissance"/"Disney Revival" period, 'Moana' is up there with the best of them and as one of Disney's best in about twenty years.
Maybe the momentum dips ever so slightly going into the final act, Maui's change of heart is a touch rushed and for me there was no real point to the pig character that induced more unintentional awkwardness than amusement. It was however difficult to fault 'Moana', because of how many things it did right and how brilliantly the things it did right were executed. There have been criticisms regarding a formulaic story, HeiHei the chicken being irritating and the portrayal of Maui being stereotypical, but these were criticisms that didn't bother me at all.
Firstly, the animation is phenomenal. Disney's best-looking film in a long time and one of their best-ever looking films, not just this but perhaps the most visually exquisite animated film this year in a year that also saw 'Your Name', 'Kubo' and 'Zootropolis' and even one of the year's best-looking films. The attention to detail is impossible to fault, whether it's the water, the trees or even Maui's tattoos, while the colours just pop out at you and everything is immaculately detailed with not an ounce of artificiality in the backgrounds, further boasting visually stunning sequences such as the climax, "We Know the Way", "Shiny" and with the coconut pirates.
The soundtrack has garnered a huge amount of praise, and for good reason. Love the evocative orchestration and instrumentation, with its seamless blend of South Pacific Culture, pop and Broadway. Likewise with the songs, which are along with 'Frozen' the best and most consistent set of songs from a Disney film since 'The Hunchback of Notre Dame'. "How Far I'll Go" is an "I want" sort of song that's infectious, heartfelt and inspiring. "You're Welcome" sees Dwayne Johnson showing a quite wide range of emotions through a surprisingly good singing voice. "Shiny" is deliciously kooky and like something that David Bowie would be proud of, Jemaine Clement sings the heck out of it. "We Know the Way" sends chills up the spine.
Scripting-wise, 'Moana' encompassed a wide emotional range within me. There is something for everybody, never too complicated for children and never too childish for adults, tonally it's focused throughout, and it's very witty and thought-provoking. Throughout there are many opportunities to laugh, cry and be inspired. The story is, while not exactly original, beautifully paced and enthralling.
The whole Polynesian culture, faith and seafaring traditions included and explored generously but in a way that feels part of the story rather than just thrown in, and while there are elements that reminds one of Disney past and present this feels more affectionate than Disney just running out of ideas. The coconut pirates scene may seem like filler, but instead of being incidental and dull filler it was entertaining and visually dazzling, while the musical numbers bring the storytelling forward and say much about the characters' motivations and the climax is hair-raising.
Moana is has now joined the list as one of my favourite female Disney characters, while Maui is a fun, compelling character and the chemistry between the two being a large part of the film's humour and heart. Personally found myself entertained by HeiHei and that his existence and role in the story were justified. If anybody does find him dumb or annoying, this is a rare of those not being bad things for a character clearly intended to be that way from reading up about the film. The voice acting is top notch, with Auli'i Cravalho making a startling debut (voice and singing, goodness she has pipes). Dwayne Johnson, on paper an unlikely and eyebrow-inducing choice, is also splendid, as an actor he's grown a lot, while Alan Tudyk is amusingly zesty and Jemaine Clement bringing gleefully kooky menace.
In summary, knocks it out of the park in visual beauty and sheer entertainment value, Disney does it again with their latest classic 'Moana'. 9/10 Bethany Cox
I love everything about this movie. The colors, the setting and the characters, all good to my eyes!
2016 has been a particularly strong year for animated films. With the likes of Zootopia, Finding Dory and Kubo & The Two Strings all vying for best animated picture of the year, it seems Moana deserves to be mentioned in the same breath as well. It's no fluke that out of the four movies I just mentioned, 3 of them belong under the house of the mouse.
Legend has it that demigod Maui stole a sacred stone, the heart of the goddess Te Fiti. The lava demon confronted him and both the heart and Maui were lost forever. Now, the world is slowly dying and someone must find the heart and force Maui to put it back. But who is this chosen one? It might be Moana, a Polynesian girl who is suppose to be taking over as chief of her tribe, but longs to sail beyond the reef. Featuring new comer Auli'i Carvalho as Moana and the most electrifying man in sports entertainment, Dwayne 'The Rock" Johnson, as the demigod Maui.
It's not surprising that I found myself tapping my feet to the songs in this film because Lin-Manuel Miranda, creator of Hamilton, shares his talent with this film. I can easily see any one of the songs in this piece going up for and winning Best Original Song, giving the man the O in the prestigious PEGOT award circle. He currently has a Pulitzer, Emmy, Tony and Grammy, among more. The songs here remind me of the old-school Disney songs, easy to listen to, fun to play on repeat and important to the story. At first, I felt it was a little too on the nose with some of the lyrics, but eventually he won me over and I've been listening to the soundtrack ever since.
The film itself might lack some of the intricacies of plot heavy films like Zootopia, but this journey story is entertaining and heartfelt. The vibrant colours of the green islands and the blue sea help propel the film above and beyond what some others films have to offer. The animation takes a nice little turn for the creative when the characters find themselves under the sea in a side villains lair. We are treated with some bioluminescent sequences with another catchy tune not far behind.
Johnson is stellar as Maui, he seems completely comfortable in a voice acting role and surprisingly has the chops to sing a tune. Newcomer Auli'i Carvalho holds her own against a star like Johnson and she really gives a strong voice to a driven female character. I applaud that Disney didn't feel the need to shoehorn in a love story either. This is a tale about self discovery, not some young woman needing to find a man. Disney nods and respects their past while looking to the future with Moana. Princesses no longer need to be the 'love' goal of a man.
Moana is a visually beautiful film with great songs and a strong female lead character. There are some visually gags for the kids and a great time for adults. Moana is a great film.
Legend has it that demigod Maui stole a sacred stone, the heart of the goddess Te Fiti. The lava demon confronted him and both the heart and Maui were lost forever. Now, the world is slowly dying and someone must find the heart and force Maui to put it back. But who is this chosen one? It might be Moana, a Polynesian girl who is suppose to be taking over as chief of her tribe, but longs to sail beyond the reef. Featuring new comer Auli'i Carvalho as Moana and the most electrifying man in sports entertainment, Dwayne 'The Rock" Johnson, as the demigod Maui.
It's not surprising that I found myself tapping my feet to the songs in this film because Lin-Manuel Miranda, creator of Hamilton, shares his talent with this film. I can easily see any one of the songs in this piece going up for and winning Best Original Song, giving the man the O in the prestigious PEGOT award circle. He currently has a Pulitzer, Emmy, Tony and Grammy, among more. The songs here remind me of the old-school Disney songs, easy to listen to, fun to play on repeat and important to the story. At first, I felt it was a little too on the nose with some of the lyrics, but eventually he won me over and I've been listening to the soundtrack ever since.
The film itself might lack some of the intricacies of plot heavy films like Zootopia, but this journey story is entertaining and heartfelt. The vibrant colours of the green islands and the blue sea help propel the film above and beyond what some others films have to offer. The animation takes a nice little turn for the creative when the characters find themselves under the sea in a side villains lair. We are treated with some bioluminescent sequences with another catchy tune not far behind.
Johnson is stellar as Maui, he seems completely comfortable in a voice acting role and surprisingly has the chops to sing a tune. Newcomer Auli'i Carvalho holds her own against a star like Johnson and she really gives a strong voice to a driven female character. I applaud that Disney didn't feel the need to shoehorn in a love story either. This is a tale about self discovery, not some young woman needing to find a man. Disney nods and respects their past while looking to the future with Moana. Princesses no longer need to be the 'love' goal of a man.
Moana is a visually beautiful film with great songs and a strong female lead character. There are some visually gags for the kids and a great time for adults. Moana is a great film.
Moana is a return to the classic Disney formula, the clichés and characters ripped from a number of other animated films. However, the pure beauty and skill of the production rises the old story into new heights.
Following from the success of Zootropolis, Moana follows a more traditional narrative we know and love; the princess who wishes for something more and is whisked on a supernatural adventure. We know this story so well yet Moana seems fresh and thrilling as if the plot was innovative. Perhaps this is due to the Polynesian setting or the morally ambiguous Maui, played perfectly by Dwayne Johnson, but most likely it is it the simple magic of Disney – the wonder for both children and adults has reached its peak with the perfection of the classic formula. For once, the clichés make the film more enjoyable. The quality of the animation helps too: it's clear they have reached the pinnacle of blending realistic textures with stylised designs, creating an aesthetic beauty that few other companies can match – Disney have mastered water to the point it looks better animated than in real life! Even the music has been perfected here, the annoying catchiness of Frozen's tunes replaced by memorable but effective songs that fit the culture and setting of our adventure. A childlike warmth was awakened in me and many other adult members of the audience as the film brought the emotional highs of the Disney renaissance without the modern subversion of the classic tropes. While Moana sometimes threatens this with pop culture references, the film thankfully keeps to mostly traditional values and morals; a step above many children's animated films released today.
Moana is good, old fashioned Disney magic; the traditional narrative and morals updated with stellar animation and an awareness that's effective but never overpowering enough to threaten the integrity of the Disney formula.
SWEET
Visit https://sweetorsaltedmoviereviews.com/ for more.
Following from the success of Zootropolis, Moana follows a more traditional narrative we know and love; the princess who wishes for something more and is whisked on a supernatural adventure. We know this story so well yet Moana seems fresh and thrilling as if the plot was innovative. Perhaps this is due to the Polynesian setting or the morally ambiguous Maui, played perfectly by Dwayne Johnson, but most likely it is it the simple magic of Disney – the wonder for both children and adults has reached its peak with the perfection of the classic formula. For once, the clichés make the film more enjoyable. The quality of the animation helps too: it's clear they have reached the pinnacle of blending realistic textures with stylised designs, creating an aesthetic beauty that few other companies can match – Disney have mastered water to the point it looks better animated than in real life! Even the music has been perfected here, the annoying catchiness of Frozen's tunes replaced by memorable but effective songs that fit the culture and setting of our adventure. A childlike warmth was awakened in me and many other adult members of the audience as the film brought the emotional highs of the Disney renaissance without the modern subversion of the classic tropes. While Moana sometimes threatens this with pop culture references, the film thankfully keeps to mostly traditional values and morals; a step above many children's animated films released today.
Moana is good, old fashioned Disney magic; the traditional narrative and morals updated with stellar animation and an awareness that's effective but never overpowering enough to threaten the integrity of the Disney formula.
SWEET
Visit https://sweetorsaltedmoviereviews.com/ for more.
Did you know
- TriviaDwayne Johnson believes that voice acting is the most difficult career in acting, and is personally annoyed when celebrities are cast in animated films despite voicing their characters badly. When Johnson was cast for the film, he repeatedly asked the other voice actors present if he was really giving a good performance.
- GoofsIn the beginning, Gramma Tala is telling the story in the gazebo. When Chief Tui knocks down the banners, the one to the left of the picture of Maui and to the right of Te Ka is a large monster but switches to a mountain and sea scene as baby Moana sneaks out of the tent.
- Crazy creditsThere is a post-credit scene where Tamatoa the Crab (Jemaine Clement) explains he's still stuck on his back and is still upside down and he needs a little push then he breaks the fourth wall by telling the audience that if he was named Sebastian and if he had a cool Jamaican accent we would help turn him over. A clear nod to the directors Ron Clements and John Musker's crab character "Sebastian" in The Little Mermaid, which they wrote.
- Alternate versionsA Sing-Along version was given a limited release in select theatres in 2017, which contains on-screen lyrics for every musical number in the film. This version can now be watched on Disney+.
- ConnectionsEdited into Zenimation: Water (2020)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Moana: Un mar de aventuras
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $248,757,044
- Opening weekend US & Canada
- $56,631,401
- Nov 27, 2016
- Gross worldwide
- $643,332,467
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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