Bad Asses on the Bayou

"We need your help. This is a small town, we don't get to many of these types of crime around here." "This isn't LA, this is Baton Rouge." Frank Vega (Trejo) and Bernie Pope (Glover) have been invited to the wedding of the daughter of an old friend. What starts off has a happy occasion changes when she is kidnapped. When the cops aren't doing enough Frank and Bernie take matters into their own hands and as usual, will stop at nothing to fix things. This is a series that I can't believe is still going. I'm not saying they are bad movies, just more unnecessary. Trejo has a huge cult following and Glover seems to have fallen a long way since Lethal Weapon, but they both fit will together. As far as the movie goes, it's basically the same thing as the other two. Two old guys fighting for what is right and a decent blend of humor and action. Overall, if you liked the first two you will like this one. Generic but somewhat entertaining. I give it a B-.

With the previous two "Bad Ass" movies watched, then of course this one had to be watched as well.

The story in "Bad Asses on the Bayou" was adequately entertaining, but it just felt that they should have stopped making these movies after the first one, because parts two and three don't have the same level of energy as the first movie.

"Bad Asses on the Bayou" was troubled by an overly predictable storyline.

Danny Glover is definitely getting too old for these kind of movies. Danny Trejo carried the movie quite well, and he did make the movie bearable to watch.

If you enjoy action movies, then "Bad Asses on the Bayou" is hardly the first of choices to go to. It was an adequate movie for what it turned out to a; a mediocre action movie.

This is the third Bad Ass film and the second that co-stars Danny Glover along with Danny Trejo, who is the star of all three movies. It's a rather slow-motion action film, with two over the hill tough guys taking on a gang in Louisiana. It's all very silly and far from a must-see film, but if you set your expectations low and just want some mindless entertainment, it's not bad.

This film begins well. Two grumpy old friends, Frank and Bernie (Trejo and Glover) are in a bank trying to work out a loan. However, it's interrupted by an attack by some armed robbers--and the two old geezers manage to take them out with style. Soon, the two become an internet sensation and are minor local heroes in L.A..

They soon are invited on an all-expense paid trip to Baton Rouge to go to a wedding. Once there, however, an armed group of intruders kidnap the bride-to-be and it's up to Frank and Bernie to kick butt and demand answers since it appears that the local cops couldn't care less about the abduction.

What follows is a rather predictable and ridiculous adventure. The dialog is occasionally pretty silly and there isn't a lot to love about this one unless you are fans of Trejo and are also willing to cut the film slack when it comes to the fighting. After all, it's hard to believe either of these geriatric heroes taking on big, tough gang members (especially Glover)...yet again and again, they SLOWLY take out everyone who comes near them. You'll just need to suspend disbelief about all this. Not a terrible film by any standard but certainly not one to rush to rent now that it's debuted on Netflix.

Machete was not enough for the legendary Danny Trejo, he needed another franchise and he got it with Bad Ass.

Trejo returns as Frank Vega, a badge-less old Mexican version of John McClaine who cleans up his hood the best way he knows how...by kicking bad guy butt.

Joining him once again is "too old for this sh*t", Danny Glover, who proves you don't want to mess with old, cranky and don't give a...

Exploiting her viable (yet small) star power at the moment The Real's Loni Love, who had a small part in the second Bad Ass, becomes the center of attention as the Bad Asses attend her wedding only to have to rescue the bride from a kidnapping.

Changing the scenery of the last two movies from LA, the Bad Asses go to the popular filming location of Louisiana were they bring West Coast Justice to a corrupt small time on the Bayou.

Adding to the Bad Ass family is John Amos as a Vietnam vet trying to live his life as a billionaire pacifist, until the wrong men messed with his family (Just as bass ass as it sounds)

A vast improvement over the other two movies, Bad Asses on the Bayou keeps with the momentum of the popularity of the first two movies and uses a bigger budget just to improve on what has already been done. Unlike Taken 3, it does not try to be better than the b-action movie that started it and which everyone loves. Unlike the Expendables, who are also one step closer to the geriatric home, they did not need over the top theatrical action sequences to prove just because your old, doesn't mean you can't be a Bass Ass.

And nothing says Bad Ass like Danny Trejo. It was a fun ride old men. go check it out.

I thank Craig for demonstrating what precisely is bad actors' direction. Most bad movies are combining bad actors, bad directors and a low budget. In this one, most of these actors have been good actors at least a couple of times. The budget is probably not bad with most scenes outdoor and a plane crash. So, to explain these awkward silences between dialogs and this feeling of kids playing the actors, I only see one cause: bad direction. After this painful experience of 85 minutes, I conclude that badly directed actors are definitely looking like bad actors. So I'd like to express my sincere apologies to all actors I've disparaged in the past: maybe they were good actors under bad direction.