This is a prime example where less is more. The movie executes multiple perspectives and subplots to the point of exhaustion. It follows John Doe (Vinnie Jones) as he sets intricate plans for revenge by hiring six different conmen or assassins. Each of them reveals a facet of the target, along with occasional flashback and branching story, all of which ultimately end in an uninspiring conclusion.
With six hit men following their own respective plot, this is basically six short stories woven together, but not in consistent fashion. It's not an intersecting story like Snatch or even Smokin' Aces, there are many perspectives and timelines, yet they don't mesh together that well. It even feels fragmented since each hit-man has limited screen time, not enough to establish their character for overall continuity.
Cinematography is done with too much focus on style, the movie repetitively pans over to the same shots of night club, flashback or slow motion gun shot. Prepare to see these scenes again and again throughout the movie as though it wants to be edgy so badly, instead it becomes tiresome later on.
The cast is pretty presentable, action fans would be pleased to see the Vinnie Jones or Vivica A. Fox. The characters are made to cater flamboyant lifestyle with extravagant personalities and attractive ladies. This might appeal to viewer who like exaggerated hit-man or noir style, although the movie could've worked better with lighter tone or more constructed plot.
It tries to produce intense display of a revenge tale as it delves into different aspects of the target's life, yet it's gradually becoming shallower as it progresses. Furthermore, the ending feels forced, making it a needlessly complicated and boring spectacle.
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