Add a Review

  • One of the reasons that I write reviews of movies is that I hope to turn people on to good movies that might otherwise fly under their radar.

    Such is my hope with Tina Fey's latest film WHISKEY TANGO FOXTROT - a satirical view of the conflict in Afghanistan as seen through the eyes of a novice International reporter (Fey). What starts out as a funny and corny "fish out of water" movie, slowly morphs into a more serious film about the addictive nature of constantly being in a warzone situation.

    Fey is perfectly cast as the central character - war correspondent Kim Baker - who heads to an overseas assignment in Afghanistan to escape a rather humdrum life. I was a little nervous, at first, as all the funny parts that were in the trailer were in the first 1/2 hour of this film - and Fey handles those with aplomb. She is a gifted comedienne, so these scenes looked effortless for her. It is her transition to a more serious reporter, addicted to the adrenaline of her job that Fey really shines. I was impressed with her serious work in THIS IS WHERE I LEAVE YOU and was anxious when it looked like her career regressed with last December's SISTERS, but I'm happy to say she continues to grow as an actress and she is strong in this part.

    But, this movie is more than just Fey. She has a very strong supporting cast around her - Martin Freeman as an Irish photographer, Margot Robbie (who continues to grow as an actress) as a friend/journalist competitor to Fey, Alfred Molina as an Afghanistan politician and newcomer (at least to me) Christoper Abbott as Fey's interpreter - they all bring something interesting to the table that helps this movie along.

    Special mention should be made of Billy Bob Thornton's General Hollander - the US Commander in the region. While he does not have many scenes in the movie, he brings a presence that is heads and shoulders above everyone else when he is on screen. This fits well in this movie, for the Commanding General in that region should be heads and shoulders above the rest. He also gave me the best laugh in this movie (a joke I will not spoil here).

    This movie is much, much more than a simple rom-com or military comedy, it is a Comedy/Drama that brings quite a bit of heart to it. I would strongly encourage you to seek this one out, you'll be glad you did.

    8 (out of 10) stars and you can take that to Bank (of Marquis)
  • jim-man22 March 2016
    I am impressed. This is one of the few films which has inspired me to read the source material; the autobiography by the journalist Kim Baker..

    The film starts with comic moments as greenhorn middle-America Kim Baker (Tina Fey) arrives in a war zone. Then, the film darkens as it touches on the corruption of the expatriate community and the seduction of war reporting.

    Surprisingly, Tina Fey can act in a dramatic role. Being comic with a straight face, facing danger, fending off romeos, and falling in love. In the end, Kim Baker rediscovers herself and returns home.

    The film deals superficially with the horror faced by Afghan civilians and the root causes of the insurgency. However, this is the story of a white woman in a foreign land.

    Overall, the film was predictable but lightly touches the soul. Credit to the editor for walking the difficult line between entertainment and horror. The rest of the cast did a creditable job.
  • "Whiskey Tango Foxtrot" (2016 release; 111 min.) brings the story ("Based on a True Story" we are reminded) of Kim Baker (played by Tina Fay.. As the movie opens, we see Baker in a heated argument with an Afghani man. Then we go "Two Years Earlier", where Baker, looking miserable, is in a team meeting for some news outfit. When told that there is a shortage of TV journalists in Afghanistan, Baker does not hesitate, and she volunteers, supposedly for a three month assignment. Next thing, we see Baker arrive at the Kabul Airport. At this point we are at most 10 minutes into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: this movie is the big screen adaptation of the book "The Taliban Shuffle: Strange Days in Afghanistan and Pakistan" by real-life TV reporter Kim Barker (not sure why in the movie the names becomes "Baker"). The movie is the latest for directing team Glenn Ficarra and John Requa, who previously brought us "Crazy Stupid Love" and "Focus", among others. Here, they, along with producers Lorne "SNL" Michaels and Tina Fay herself, try to give us a glimpse of what it was like for an inexperienced journalist to come to Afghanistan in 2003 and report on the war. The early past of the movie shows us how Baker is adjusting to her new environment, and what a shock to the system it is indeed. Along the way we get to know fellow journalist Tanya Vanderpoel, (played by up-and-coming Australian actress Margot Robbie who also was in "Focus"). But the movie really takes off in the second hour (no worries, I won't spoil). Incredibly, Google Movie Times bills this as a 'comedy', and IMDb categorizes it as "Comedy, War". Please note: this is NOT a comedy. If you are going to see this, expecting many laugh-out-loud moments as only Tina Fey the comedian can bring them you are going to be sorely disappointed and let down. Sure, there are a few good chuckles early on as Baker/Fey adjusts to life in Afghanistan, but that's it. "Whiskey Tango Foxtrot" is a journalistic war drama, period. Not sure whether it is the producers or the studio who are pushing this as a 'comedy' but that is a grave mistake. Besides Fey and Robbie, there are many other fine performances, including Billy Bob Thornton in a small role as a Marine Corps General. Last but bot least, there is a lot of great music in the film, including the original score, courtesy of Nick "DeVotchKa" Urata, and also a bunch of song placements, such as Radiohead's "Nude", the National's "Green Gloves" and Harry Nillson's "Without You", which I will never listen to the same way again, seeing how it was used in this movie. Bottom line: "Whiskey Tango Foxtrot" is a fine movie, shouldered by Tina Fey NOT being funny.

    "Whiskey Tango Foxtrot" was released nationwide this weekend. The Sunday matinée screening where I saw this at here in Cincinnati was not attended well, I am sad to report. Apparently it underperformed elsewhere too, grossing only $7 million, far below expectations. That is a darn shame. I blame both the (intentional or not) mislabeling of this as a 'comedy' when it is nothing near that, and/or fatigue among US audiences on seeing movies about the wars in Afghanistan or Iraq. Regardless, I enjoyed "Whiskey Tango Foxtrot" a lot for what it is (journalistic war drama). If you have a chance to catch this, be it in theaters, on Amazon Instant Video or eventually on DVD/Blu-ray, I strongly encourage you to do so as this movie deserves a bigger audience. "Whiskey Tango Foxtrot" is HIGHLY RECOMMENDED!
  • W.T.F. is a movie which tries to belong in too many genres simultaneously, including Comedy, Drama, Romance, War, Action, Documentary, and has a statement to make about pretty much everything including long-distance relationships, politics, professionalism, cultural differences etc. etc.

    Without excelling in any of that, it manages to be a well balanced movie in the 110 minutes of its duration.

    Tina Fey plays Kim Barker, a real person and an actual journalist, who is dissatisfying from her career covering low profile stories, and decides to go to Afghanistan as a war correspondent for a few months, or so she thought...

    The movie has a good structure. It starts as a comedy, something you might expect because of the main actress, but soon the situations become real and more dramatic.

    The rest of the cast includes well known actors like Alfred Molina, Billy Bob Thornton, Martin Freeman and Margot Robbie.

    Overall: Don't expect a comedy because of Tina Fey. It starts like that but it evolves to other genres really quick. It might not be a great movie but it's not boring and you get something out of the inner journey of the protagonist. How easy is to feel unnatural situations as normal when you are a long way from home...
  • Warning: Spoilers
    This was pretty good, I enjoyed seeing Tina Fey take on in a more serious role, here she's a N. Y reporter, bored and frustrated with her life who decides to take a 3 month assignment as a foreign correspondent in Afghanistan. Very much out of her element 'Kim' is embedded with a marine unit and comes into her own.

    It was interesting watching Kim get addicted to the adrenalin and not living in the "real world" anymore and actually thriving in her new life. She ends up staying much longer than 3 months, becomes party pals with Margot Robbie, has a romance with drunken, womanizing, Scotsman Martin Freeman, and befriends Billy Bob Thornton, a fiery U. S general -his role is small but stood out, a great character. Worth a watch.

    Apparently this movie is based on the book "The Taliban Shuffle: Strange Days in Afghanistan and Pakistan" by real-life TV reporter Kim Barker.
  • A real gem of a film that you shouldn't miss. I saw the trailer and immediately felt the need to see though I had my reservations about Tina Fey in a black comedy/drama film. Guess what! Tina surprised me with her performance (not acting-wise, but presence-wise). I know this doesn't make any sense, but picture an actress shining in a movie without an over the top performance, not an easy job to do. Whether Tina has grown to be great at many genres OR the movie was simply destined for her real life character.

    The story-telling and events flow like nobody's business and the representation of Afghan People in the movie is beyond great. The movie balances between realistic approaches and the mainstream Hollywood agendas.

    I really recommend this film to all kinds of viewers.
  • Tarkin10 December 2020
    A decent, but forgettable film that (much like this review) doesn't seem to know what it wants to be. It's humorous, but not funny (don't believe the trailers). Basically, it tries to give us a feel of what it is like to be a journalist in Afghanistan. It sure felt realistic, but having never been over there I can only guess at its authenticity. If you enjoy war films and Tina Fey, then you can't go wrong checking this film out.
  • Warning: Spoilers
    Here's the story of a female war correspondent covering the war in Afghanistan when there wasn't much interest in the war in Afghanistan. It is produced by Tina Fey which explains how she got herself to play the lead in a not pure comedy.

    Tina Fey doesn't work to hard and doesn't break a sweat even in the dessert. Billy Bob Thornton seems uncomfortable but not nearly as distracting as Alfred Molina who looked like he was auditioning for a role in "Fiddler on the Roof". It was a bad audition.

    There is plenty of drinking, drugs and swearing. If you are expecting a laugh a minute Tina Fey movie, this isn't it. If you want to be taken where you will never go, this is an interesting journey. There's a good use of extensive period music.

    The movie doesn't need a big screen and will play well on home platforms. The language and violence my cause you to give up in the first thirty minutes but it eventually hits its stride and it is worth your time.
  • Wow. If I wasn't already a fan of Saturday Night Live's Tina Fey, I sure am now. The same barbed wit is evident throughout Whiskey, Tengo Foxtrot (military acronym for What the F***), but this isn't a skit. Tina Fey portrays a nuanced character, a low level employee of a network news department who makes an impulsive career move and ends up as a war correspondent in Afghanistan. Doesn't sound entertaining? It probably wouldn't be without the amazing touch Fey puts on her character. While it's not a war movie, it certainly captures the hopelessness of a culture doomed to perpetual war in the arm pit of the world. Afghanistan ultimately gets dismissed as a place undeserving of American military support, or even interest. The people shoot each other and blow each other up in conflict over interpretations of their medieval religion, and the movie correctly concludes "who cares"? But the Americans and individual Afghanis touch each others lives in ways that transcend cynicism. Fey and her Saturday Night Live co-producer Lorne Michaels find humor and humanity in ways that make you root for all the characters. The movie has no dull moments, and the pacing keeps you in your seat. Like Afghanistan itself, there were potential landmines of preachiness, boring politics and hopelessness...and WTF avoids them all. There are subtle, brilliant, and stereotype breaking supporting roles by Billy Bob Thornton, Alfred Molina, (Spiderman 2), Margot Robbie (Wolf of Wall Street) and Martin Freeman (whose correspondent character is as far from Bilbo Baggins as Kabul is from New York.) Three cheers for Tina Fey, who manages to give us entertainment and a smile while showing us how lucky we are to be Americans. WTF could have been boring and preachy, and instead gives us a feel good movie from the most unlikely place on earth.
  • The good news is this movie is very funny and very tender, bringing back the very best of Tina Fey as Liz Lemon from her time at 30 Rock. The bad news is that if you've seen the extended preview at the movies, then you've seen most of the movie already. But it is a valiant effort from Fey and company at the life of a news correspondent trying to blow up her life into something new. In this case, as one of the few single people without children she gets the chance to go to Kabul in Afghanistan to report on the war there. This directly results in her character, Kim Baker (who is based on Kim Barker who wrote a book about her experience there as a journalist) getting the chance to stare death in the face and laugh, repeatedly, even when she shouldn't.

    Journalists from around the globe called such an experience spending time in the Kabubble, sheltered away and yet directly involved in the front lines. Fey's cohorts on the front line of journalism include Margot Robbie and Martin Freeman as well as a Marine Colonel played jovially by Billy Bob Thornton and the Attorney General of Afghanistan played incredibly not seriously by Alfred Molina.

    Baker arrives and gets thrown to the wolves and uses her I don't care about life attitude to get involved in a gunfight straightaway leading to her being embraced instantly by her peers. Much drinking and carousing ensues thereafter and everyone becomes very close. Not very close are Baker and estranged somewhere on assignment in America boyfriend Chris (Josh Charles) who gets caught cheating on Baker on Skype of all things. Suddenly finding herself single, she is drawn to the oddly charming Iain (Freeman) and a more serious side of the film ensues as a result of this new relationship.

    Its a different look at the war in Afghanistan from the side of the journalist though the reality of everything is still the same. It starts out very funny then has a long lull and could easily have shaved off 20 minutes from the nearly two hour running time. Though enjoyable there is little about this movie that screams out to be seen on the big screen. I'd wager this is much more suited to a night of Netflix or Red Box.

    Source: http://www.megashare-viooz.net/whiskey-tango-foxtrot-2016.html
  • This film is categorized as a comedy, but believe me, it is not. Not an more than The Martian was a comedy. Sure there are a few jokes here and there, the burqa scene was the only part I actually laughed at because it was clearly intending to lampoon the idea. Apart from that, it's the same old dry humor you would expect from Fey but without any payoff. This film is a drama with the lead character being a comedian. War films are becoming less popular as we drain the bottom of the barrel here, ironically this is a plot point for the film too. It's as predictable as you would expect and way too long. After an hour I was ready for the film to be over, but realized we had another 50 minutes to go. Slow pace, not funny and just boring. Three stars at best.
  • Warning: Spoilers
    I've just returned home from watching "Whiskey Tango Foxtrot." I don't know how to begin to explain how intelligent, perfectly paced, unpredictable and spot-on the film is. They got everything right.

    Tina Fey as "Kim Baker" deserves an Oscar. This is by far her best performance yet, but as with anything Tina Fey is attached to, you'll see nothing but excellence. She is stunningly brilliant in her journey from utterly green, sheltered, cube farming news writer to seasoned, battered, weary war correspondent. Martin Freeman was equally captivating as Scottish correspondent "Iain MacKelpie." His journey from jaded journalist to the realization that this life, as "Kim" says, "isn't normal", is just as engaging.

    The supporting characters fully flesh out their roles becoming very real characters that you know and understand, especially Christopher Abbott as "Fahim Ahmadzai," the driver. His farewell scene with Ms. Fey was beautifully touching and at the same time respectful of the cultural divide between US and Afgan etiquette. Evan Jonigkeit won the end of the film with his explanation of his own journey through losing his legs. "You embrace the suck; you move the f*ck forward." Oorah, Sir.

    Do not go into this film expecting a comedy. This is a dramatic portrayal of life as a war correspondent, with intelligent humor sprinkled throughout in equal measure to moments of terror. It hits every nerve and every note. It's extraordinary all around.
  • Based on the memoir The Taliban Shuffle: Strange Days in Afghanistan and Pakistan by Kim Barker, 'Whiskey Tango Foxtrot' is a mostly entertaining War-Dramedy, that is anchored by a Stupendous Performance by Tina Fey. The usually comedic actress, boasts range & class in her first dramatic role (with comic touches, of course).

    'Whiskey Tango Foxtrot' Synopsis: A journalist Kim Baker (Fey) recounts her wartime coverage in Afghanistan.

    'Whiskey Tango Foxtrot' explores Baker's life-changing journey, with moments of fine comedy & dramatic undertones. Her journey wasn't an ordinary one, it had laughs, heartbreaks, violence & even betrayal. But Baker's journey is worth watching on celluloid, as its engaging for the most bit.

    Robert Carlock's Adapted Screenplay is good, although the last act doesn't quite add up. Baker's Journey is exciting, but the culmination of this chapter of her life, doesn't come up as a whole. The Writing needed to be better, no doubt. Glenn Ficarra & John Requa's Direction is passable. Cinematography is superbly done. Editing is alright. Art & Costume Design are perfect.

    Performance-Wise: Tina Fey is the life of 'Whiskey Tango Foxtrot'. She's in top-form & owns the show form start to end. Martin Freeman is first-rate, as always. Margot Robbie is stunning, both appearance & performance wise. Alfred Molina (with a Afghani accent), is a hoot. His scenes with Fey, are fun to watch. Billy Bob Thornton stands out. Christopher Abbott is very good.

    On the whole, 'Whiskey Tango Foxtrot' is worth watching for Fey's Performance alone.
  • Take a superficial, out of touch woman, have her write a book about her sophomoric adventures, then base a movie on it. This movie is basically: "I am a woman. Watch as I turn from naive girl in a local city, to a woman with adventures and experience under my belt at the expense of others." Walking around in a country other than my own, with different customs? Make sure I don't read/learn anything about that country first. Check. Sexually oppressed culture which should conform to me because I'm visiting? I'll be sure to give my advice to any woman who will listen. Check. War torn country where I should be keeping a low profile? Wear an ORANGE backpack in the public square and wave bundles of cash around. Checkity check. Endanger and exploit the men around me because I'm an independent woman. Check - Then take that check to the bank. Pretentious, egotistical, I simply cannot say enough bad things about this movie, about the book its based on, or really the woman who wrote it and the people that green lit it.
  • Tina Fey is Tina Fey in this movie. I loved the fact that she didn't pretend to be anything else. Westerners behaved like westerners in this movie.

    Many war films try to sell you the emotional experience of a war. This is an American woman's story in Afganistan. Her world is other people like her and one slim contact with the world that she was in. Yes the movie is self-centered. Let's not bullshit ourselves into thinking we can be a whole lot more than that.
  • michaeltrivedi13 September 2020
    Actually pretty good. Got boring a bit of the way through. It was a war related film, but there was quirkiness involved. Robbie is there, but not the best in it in terms of her character. I like the main actress.

    Nice, worth a watch perhaps

    6 stars
  • Often it happens that the title of a film fails to adequately communicate a given motion picture's subject matter and the film's advertising poster and theatrical trailer provide little additional clarity. If you'll kindly permit me, I shall clarify the title and advertising for the 2016 film "Whiskey Tango Foxtrot" (R, 1:52). Since the mid-1950s, transportation industries and military forces throughout the western world have used a spelling alphabet called the NATO Phonetic Alphabet. Within this system, each letter of our Latin alphabet is spoken as a specific word beginning with that letter, so as to avoid confusion (especially over various forms of electric and electronic communication) between similar-sounding letters like "B" and "D", "F" and "S" or "M" and "N". The phonetic letters Whiskey, Tango and Foxtrot, for example, represent the Latin letters "W", "T" and "F". Combined as an acronym, "WTF" is often used today as an expression of extreme surprise, incredulity, anger, or some combination thereof, e.g., "WHAT THE F(bleep)?!?" (Ya feel me?) Accordingly, it is in this context that the film "Whiskey Tango Foxtrot" refers to the experience of a westerner becoming personally involved in Operation Enduring Freedom, popularly known as the War in Afghanistan or the Afghanistan War. It is also instructive to note that this film is oft identified as a war comedy, a label supported by the prominent image of popular comedienne Tina Fey on the movie poster and by the video clips and narration used in the theatrical trailer. In reality, however, this film is more of a drama than a comedy, a fact which should not necessarily imply a lesser degree of enjoyment in watching this film. (This ends the lesson. Here begins the plot summary.)

    WTF indeed! Living and working in a war zone is no joke. And it's not just the constant danger that gets you wanting to look to the heavens and shout those three letters (or the words they represent). It's also the culture shock, some of the ways that the military and other outsiders do things over there, some of the people you meet and work with, etc. It's all this and more that confounds, frustrates, infuriates and eventually motivates cable news reporter Kim Barker and also leads her to find the humor in the midst of any number of situations that most people would consider anything but funny. As an actress, Fey had help, as did screenwriter Robert Carlock and co-directors Glenn Ficarra and John Requa. This film is loosely based on the 2011 quirky and darkly comedic memoir "The Taliban Shuffle: Strange Days in Afghanistan and Pakistan" by former Chicago Tribune South Asia bureau chief / reporter Kim Barker.

    As Barker, we see Fey volunteering for an assignment as a war correspondent in Afghanistan. She has a steady boyfriend (Josh Charles), but she nevertheless feels like she's stuck in a rut and she needs a change. Her arrival in Afghanistan is quite the culture shock as she has to get used to wearing a head scarf whenever she's around the locals and is forced to "fix" her bright orange camera bag before she's allowed in a military vehicle. She gets help adjusting from Tanya Vanderpoel (Margot Robbie), the only other female reporter in the area, and from interpreter Fahim Ahmadzai (Christopher Abbott), a bodyguard (Stephen Peacocke) and a video guy (Nicholas Braun). Soon, Kim establishes a good working relationship with local Marine commander General Hollanek (Billy Bob Thornton) and she starts to do some gutsy reporting, gets some excellent stories on the air and even starts to enjoy herself.

    Kim's steep learning curve, however, is just the beginning of her challenges. Her gutsy reporting endangers herself and others, but she continues to take greater and greater risks to get the story. Then there's the problem of getting air time for her stories. She does excellent work, but as the Iraq War heats up, she finds herself covering what becomes something of a forgotten war. Still, she keeps plugging away. Her initial three-month-long commitment to her assignment becomes much longer, sucking her more and more deeply into a "new normal", which is actually anything but, and puts a steadily increasing strain on her relationship with her boyfriend back home. The separation isn't easy on Kim either. She finds herself attracted to her bodyguard, pursued by a Scottish photojournalist (Martin Freeman) and stalked by a high-ranking Afghan official (Alfred Molina) who wants to trade information for sex. Eventually, Kim has to make tough choices about her relationships, her work and her future.

    "Whiskey Tango Foxtrot" is indeed a war comedy, but it's much more than that. Although a few small details don't ring true, most of this film looks and feels very authentic. If you've ever wanted to know what it might be like to be in or around the military on a deployment – without actually worrying about bullets and IEDs – this movie is for you. Yet, rather than a story filled with battles and danger, in between the few but well-done intense moments, Movie Fans will experience much more than they might expect by seeing the story through Kim's eyes and in the context of her personal journey. Casting Fey in the starring role ensures that the film remains true to the spirit of the book, and that the audience will be entertained by her usual wry, although toned-down humor. WTF is a comedy, but better. "B+"
  • This navigates the complexities of war reporting with a mix of wit and sincerity, anchored by Tina Fey's charismatic portrayal of journalist Kim Barker. The film effectively explores the personal and professional transformations Barker undergoes during her time in Afghanistan. The narrative, however, occasionally struggles to maintain a consistent tone, veering between comedic moments and more somber reflections.

    While the movie provides insightful glimpses into the challenges faced by journalists in conflict zones, some viewers might find the pacing uneven. Moments of humor lighten the serious subject matter, yet the transitions between these tones can feel abrupt. Despite these fluctuations, the film succeeds in highlighting the resilience and adaptability required in the demanding world of war journalism.

    The supporting cast, including Margot Robbie and Martin Freeman, adds depth to the storytelling, contributing to the movie's overall appeal. It's a film worth watching for those interested in a unique perspective on war journalism with a touch of humor.
  • Warning: Spoilers
    I spent the majority of my adult life at war and in these two theaters (Iraq and Afghanistan) and while I appreciate the point of view of the press, i must saybtheir importance is 100% not a factor and they are the most worthless people on the planet.

    They are also not very smart and and the meme goes: they have no idea they are dumb. When they are killed in country, no one cares. It is directly proportional to their worth.

    The movie is very entertaining. Some of the video almost looks like Kabul. Tina Fey is quite beautiful and in my opinion more attractive than Margot Robbie.

    All of the camps i lived had their own power generation so the lights out never happened. Well, not like portrayed here.

    What i mean is, if you can take the reality out of it, it is a very good movie.
  • Warning: Spoilers
    I'm a fan of 30 Rock and The Unbreakable Kimmy Schmidt, so when Tina Fey's name was attached to this movie I knew I wanted to see it. More than that, knowing it was based on the memoirs of female war correspondent meant I probably would have seen it anyway. I want to read the book.

    I've read the reviews here and agree with the many insightful positive comments on the movie. There isn't much need to go into them in detail, so I'll summarize what I liked most:

    A chance to see what it's really like to be an embedded journalist in a war zone, including the partying, but also the more realistic aspects, such as dealing with network executives responding to public indifference.

    I liked the focus on career rivalry/friendship between the two women. As many other women, including Fey herself, have observed, usually women are portrayed either as romantic rivals or enemies, while good looking women especially are portrayed as empty headed or mean, and marriage or man obsessed.

    I liked the movie's emphasis on career as a source of satisfaction and growth. The movie has been criticized because it allows Fey's character a romantic/sexual interest. Somehow that ruins the movie's "integrity" as a feminist story for some. Why aren't career women allowed boyfriends?

    It felt more true to life than the type of rom-com relationship women are usually allowed; either a one-night stand (that results in hilarious pregnancy) or a happily ever after.

    The real triumph was her success at the end, which by the way neatly turned the tables on the "damsel in distress" story. I loved it and it was worth seeing for that alone. It's worth taking your tween or princess obsessed daughter (who is old enough for mature content) to see.

    I enjoyed seeing Fey get a chance to grow as an actress, especially a 40-something one. They don't take her too far into drama or tragedy territory; just enough.

    The movie has gotten some criticism for using a Western actor, Christian Abbot, to play an Afghan role, her translator and fixer. I went in prepared to dislike that. However, I could see that they chose to cast an actor with the range and depth they needed, rather than the ethnicity. It works. The scene where he tells her why he no longer wants to drive for her broke my heart. It was so sweet and his Fahim had so much depth.

    So, all the things I liked. Here is the one thing I had a problem with: The portrayal, or lack thereof, of Afghan women. This probably reflects the book, which I haven't read. At the same time, they added other aspects that weren't in the book. A real missed opportunity comes when Kim is asked into a room full of village women. They take off their veils. The camera stands behind them. We never see their faces. This could have humanized these women in one shot and we miss it. She comes out later to report what they told her, but we never hear them speak. It was a real disappointment. If any group of people needed a voice in this story, it was the women of Afghanistan.

    But anyway, see it. I did, and I'm sure I'll watch it again.
  • imizrahi20024 December 2023
    With those here that said it was trying to be too many things at once and got diluted in the process...so the initials WTF really fit.

    The topics that it seemed to want to address...feminism...the war in afghanistan...media coverage/media politics are all touched upon but none seemed to be dealt with in any deep or meaningful way...i kept waiting for something to move me and, although some reviewers found it well balanced, i felt that the 'comedic, partying' segments only took the heat out of the buildup of any drama...like they were scared to be controversial...i LIKE controversy...it's challenging and might lead to thinking. Although, what's the fun in THAT, right??? So, for me, overall, the film was largely disappointing... i thought parts were definitely well done...the acting was good. The 'comedy', not so...it DOES make me realize, though, what accomplishments works like 'mash' and 'catch 22' were, since they blended the horrors and the comedy together without one taking any impact away from the other... and the end scene was VERY good.

    I WANted to like this movie, but...it just didn't have enough meat on the bone for me...
  • "WTF" was a rather fruitless exercise in storytelling--it had no real message it wanted to get out there, virtually no character development, and probably no target audience.

    First, it portrayed the reporters and other foreigners as sociopaths and wholly debauch, juxtaposing the suffering of the Afghan people with the extravagant parties of the unapologetic Westerners and those aligned with them. I kept waiting for an arc that "Hey, maybe these people will change their ways and genuinely be sympathetic to the natives' issues," but that arc never came. In the end, I don't think I walked away from the movie any more sympathetic to anyone, I even ended up disliking virtually every character by sheer inability to relate to them.

    Who was the target demographic? It had many lines in the movie solely in Dari/Farsi, which I do speak, with subtitles only appearing sporadically. Its main message seemed to be "Afghanistan sure isn't fun, am I right guys?" but, who can relate to this? We can all imagine how bad a war torn third world country is, and save 1.5 hrs.

    It also portrays itself as a black comedy, using the Afghans as a crutch. That's not to say that's not OK--it simply was so wildly unoriginal that it didn't even register as humor. For example, comparing the burka to a Ziploc bag has been circulating Facebook for nearly a decade, but that didn't stop a lazy writer from plugging that into their already bloated, dry film. Another example of the comedic crutch is that some Afghan thinks a black Marine is Russian, because heaven knows Afghans don't know where black people come from, despite many Afghans making yearly pilgrimages to Mecca, where they run into many black Africans. And the only real "comedy" that comes to mind which is not wholly reliant on mocking Afghans, is when Fey's character really needs to pee badly, and it's funny because she has to stop the whole platoon, and it's seriously funny no seriously you guys I swear (actually, I forgot it does end with an Afghan crutch, with Fey's character snidely reminding her translator that girls actually pee too, since he--a damned doctor--and his culture oppress women so much they don't even let them pee or realize they pee). I suggest you go out and actually converse with an Afghan instead, instead of mocking people you know nothing about (they literally had an Afghan watching goat porn, what in the goddamn)

    I can only recommend it if you want to reinforce your belief that all Afghans are complete idiots/perverts and something something journalism is hell.

    I give it a 2/10 because I actually sat through the entire thing, if only to see what poor excuse for comedy or biopics Hollywood still spits out in this day and age; plus, the performances were fine, but the script is such a travesty that I couldn't even forgive it. But, I will be avoiding films with performances by any of these cast members, which is a shame, because I liked Molina and that Hobbit fella. Oh well.
  • OK, so Tina Fey isn't actually a soldier, but she's not the horny bimbo who gets busy with George Clooney in Three Kings either. Its now clear that Tina Fey is one of the most multi-talented people in the entertainment world, and this movie will go far toward solidifying her reputation as a broad gauge polymath. Aside from everything else, its clear she's a wonderful actor, and interestingly enough all the really strong central characters in this movie are indeed women (as Tina ruefully laments that she should have googled one particular character.) Don't worry, there's plenty of blood and guts, bad language, and techno porn for the teen-aged boys (why on earth would anybody come to a R rated movie with WTF as the title and give it a bad review for being shocked by language, sex, and violence. Don't however, expect Margot Robbie or anyone else to replay Margot's Wolf of Wall Street shenanigans.) Even the Anglo actors playing indigini (as we called the locals in Viet nam) are wonderful. Well worth seeing, worth owning.
  • Warning: Spoilers
    Paramount Pictures' Whiskey Tango Foxtrot is one part self-reflexive film on television news production and one part self-discovery. Unlike the feel of the previews, WTF is not really a comedy--not in the traditional sense anyway. There certainly are moments throughout the film that are funny and will cause you to chuckle, but it is definitely more of a drama. The brilliance of Fey's acting in this movie is truly showcased by her ability to display that she can do serious just as well as funny. Most of the funny parts are given away in the previews, so don't think you're going to get more laughs during the movie. Based on actual events, WTF takes you behind the camera and behind enemy lines to depict what it is like for television news foreign correspondents in a war zone. Although the movie was not what I expected at all, I am very pleased with the story, all be it, slow burning. Beyond the self-reflexive subplot in the movie is the foreground story of self- discovery. Fey represents so many of us who just feel like we are spinning our wheels, treading water, or even moving backwards. The inspirational elements of the movie come from her willingness to take chances, make mistakes, and get dirty (as the Magic School Bus's Miss Frizzle would say).

    What would you do? You're dissatisfied with your job as a television news writer/producer, have a mildly depressive boyfriend, small apartment, and just need to get away. If you're Kim Barker (Tina Fey), then you head off to Kabul, Afghanistan to become a foreign correspondent during the early days of the War on Terror. After an expedited visa and passport, Barker embarks on her journey as a representative of the U.S. press in one of the most dangerous places on earth. Armed with her laptop, camera, notepad, and two staff members, she sets out to discover the real stories in Kabul and the surrounding areas. Thinking that she is the only girl in a military barracks, Barker is relieved to meet Tanya Vanderpoel (Margot Robbie) who takes Barker under her wings to show her the ropes of reporting the news amidst a war and hundreds of "thirsty" journalists and military personnel. While covering the stories of the war, Barker concurrently takes a journey of self- discovery that is filled with mountains and valleys.

    Let's be real here. Even if you analyze movies on a regular basis like me, you too were probably thinking that this would be a dramedy (drama/comedy). And yes, comedy is really drama in disguise; but I digress. The previews are certainly cut together in such a way that it looks like a very Fey-esque wartime comedy. I am not going so far as to saying that Paramount pulled a bait 'n switch--because the movie is of a good quality and enjoyable--but the is no doubt that I went in expecting classic Fey and was presented with her more serious side. Still, through her witty quips and non-verbal dialog, she infuses conventional comedy and self-deprecating humor throughout the narrative. Like many dialog-driven dramas, even ones during a war, this movie has a very slow pace especially in the first act. Some additional comedy probably would have helped in the beginning to hook the audience. Speaking of the hook, that is probably what's missing from the first few minutes of the movie. I think the studio sacrificed a traditional hook because the hook was Tina Fey herself. Fortunately, the film wastes no times in getting Kim Barker to Afghanistan, and that is definitely a good move. Although we are introduced to several chief characters in the movie, the focus is definitely on the character development of Barker with some minor development and introspect on the other principle players.

    There are really two stories here: the foreground story of self-discovery and the background self- reflexive plot. Both are seamlessly married together in order to accurately tell both without sacrificing the other. Although we all know that there are foreign correspondents in war zones, we don't always get to see what it's really like to uncover stories, pitch to executives back in the states, and maintain sanity and safety; but through this film, we witness just how hard it really is to be a foreign television news correspondent. From networking, to interviewing, to shooting B-roll and stand-ups, Barker takes us on the journey from concept to delivery of producing news int he middle of a battle zone. Beyond the battle field, Barker is coping with her own personal and professional battles. If it isn't the cheating boyfriend, it is the network who put her on the hourly plan and gives her no screen time. But, through it all, Barker never gives up and refuses to sit idly by and allow herself to be walked over. Fortunately, Barker does get her big break during the climax of the movie, but you'll have to watch the movie to see what that is.

    If you plan to see just one movie this weekend, I definitely encourage you to see this one. It's gritty, funny, and inspirational. This is also a great opportunity to watch Fey in a more serious role and decide for yourself if she convinces you that she can play serious just as well as the comedy we all know and love her for. You may have seen other wartime movie, but this one plays out differently in that the focus is truly on the character development of the protagonist with the war merely being the backdrop and conduit through which we see her story of summits and pitfalls.
  • Warning: Spoilers
    Tina Fey as an American reporter in war-torn Afghanistan with a touch of humour? Why not give it a try! I told myself.

    Fey's character is a journalist who, bored of her daily life in NYC decides to attempt to find meaning working in early 2000's Afghanistan. I was expecting to see her mingle with the locals, witness the culture shock, understand the Afghans. However none of that happened.

    Instead we see her spend most of her time surrounded by military personnel and drunk reporters. Everyone is portrayed as grotesque caricatures, from the soldiers to the local population, even her co-workers are extremely one-dimensional with no redeeming qualities. It was very difficult to empathize with any of the characters as they were so cliché.

    The story in itself could have been so much more. The abundance of unfunny sexual jokes gave the impression of lack of inspiration. The pacing was quite slow and the conclusion very bland. I left disappointed.
An error has occured. Please try again.