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  • Polygone23 October 2015
    The director, Chloe Zaho said she's hoping "for the audiences to leave the theater feeling that they have gotten to know a group of very complex characters and to have a glimpse into just how diverse and vivacious the Lakota people of Pine Ridge really are, instead of the two dimensional stereotypes we often see represented in today's dominant culture". Well, it's a success.

    This movie spoke to me of love and care. Of family - in the most broader sense that this big concept can be stretched to - and belonging. Of home and community. There's something real sweet about it... A real tenderness in the way it is filmed, in the way these characters' stories are told. Some sort of hope in the face of the disappointments and obstacles they may and do encounter. A hope that lies in the love and care of the siblings, Jashaun & Johnny for one another and, more broadly, in the bound the people of Pine Ridge have to each other - and for some to the land itself.
  • I enjoyed the film, a contemporary portrait of growing up and coming of age in America in a very different setting and culture than most. Early on, the movie gave me the distinct feeling of watching a documentary rather than a fiction with rehearsed actors. Images tell the stories as much as the dialog, which is very spare. The characters seem very real, as real as their scruffy surroundings. A worthwhile portrait of a part of society most of us won't see, "really" see. The Badlands scenery is very stark and so are (most) of the lives depicted. It's interesting that I saw this film in a contemporary arts center, where it played for two nights. It seems films like this struggle to get on enough screens in enough places to get noticed much. Maybe some people will get to see in on video, I hope.
  • First time director Chloe Zhao takes her cues from Terrence Malick in this beautiful portrait of two siblings on the Pine Ridge Res.

    DeShaun is the youngest of two full biological siblings, taken care of by her older brother Johnny, who is about to graduate high school. A 3rd full sibling, Cody, is imprisoned, while the siblings' mother doesn't quite seem up to the task of taking care of any of her children. As graduation approaches Johnny faces a difficult decision; stay on the res where opportunity is limited but where he can take care of his sister and mother, or leave for L.A. where he knows no one and has nothing, in order to follow his girlfriend who has a full ride scholarship and who will be living in the dorms at school.

    There's not a huge amount of plot outside this main conflict and the characters mostly amble in and out of situations and conversations with very little narrative threads connecting them. But Zhao remains committed to capturing the joys and hardship of residential life where everyone has to hustle for money but beauty, friends and family are everywhere to be seen.
  • It's easy to make a film like this go wrong, with all of the potential possibilities to be lazy and write these characters and stereotypes. Of course, the film doesn't do that and it's because Chloe Zhao has a real knack for creating profound humanity through the images that represent this type of life, humanity that she infuses her characters with. This is a very special film and this is a director to watch out for.
  • Watched this to see Chloé Zhao's debut feature and was rewarded with a slow immersion into life on an Indian Reservation in South Dakota. There's a loose plot about a brother and sister who, after the death of a distant father figure, are working out what the future holds for them, but this is much more "scenes from the reservation".

    It reminded me of Gummo (a film I love) in its depiction of a world almost without authority figures, where tragedy (In Gummo, a tornado, here; a loss of culture generations past, and decimation from alcohol) seems to leave the inhabitants disoriented, struggling to know what to do.

    The performances from the non-professional cast are stellar. Zhao has somehow managed to capture what seems like a slice of real life but in a way that makes even a difficult life seem beautiful and achingly close to something bigger.

    I have yet to see The Rider, or Nomadland, but from what I've seen of them, they look to have a similar energy. That Marvel tapped Zhao to direct the upcoming Eternals movie is fascinating. It will be interesting to see how this aesthetic looks when it has a bigger budget, but also must serve a wider audience seeking the next step in a connected narrative. I believe Zhao will deliver something special.
  • Intense, naturalistic drama of young people living on a reservation has a complex narrative with lots of diverse characters; skillfully stage d and brilliantly photographed.
  • Unfortunately I watched this movie coming off watching some other incredible movies previously. The smilarly styled mexican film "Roma" (focusing on observing not narrative) and another Chinese film called "Better Days" (an epic character exploration) Those two film had the ability to truely capture me and bring me into the world of the characters and feel a level of emotional connection which is rare with most movies. This movie is also about bringing you into the world of the characters as they go through personal growth but while the cinematography was indeed nice, the locations were pretty and the acting was rather good. The lack of a very engaging story and arc risks making this film, while well made and well acted. A little flat and boring. By no means is this a bad movie. The concept is interesting. Yet I feel it could have been told in a richer more emotionally captivating way be it visually or narrative. Should you watch it? Sure if its for free on Netflix or another streaming service. However I personally wouldn't pay for it outright as a film. As there are better films out there.
  • This is a stunningly true to life and tender movie. I had just watched Sky, in which Native Americans and their connections with a white woman were portrayed through the lens of a European romantic fantasy about NA life in America. Songs was the opposite - unsentimental, unsparing and filled with beautifully understated acting that let the story breathe. The photography was exquisite - I know that country and found myself longing to be there. The ragged weave of the story was precisely how life is lived by so many of us - no big epiphanies, no smarmed up resolutions, no miracles except for how people can hold fast to love. I thank the film-makers for their deep respect for the people and their recognition of the way the land is the base of hope for far too few of us.
  • Johnny, a teenager living with his mother and younger sister in the Pine Ridge Reserve, decides to change the course of his life, with the unexpected death of his father, a rodeo cowboy.

    Chloé Zhao's debut film, director of the acclaimed Nomadland (which I look forward to for see it), where she adresses her concern for social issues, forgotten minorities and outcasts.

    The script is a bit poor in detail, because it was written as it was shot, day by day, which makes the experience interesting but at the same time vague. The film is very competent when it comes to what it gives to the audience, considering the human condition and the way it portrays the day-to-day lives of those who live with the uncertainty of tomorrow.

    The cinematography resembles to documentary, with the perfect atmosphere to create empathy with the characters.

    It's a tribute to traditions, affective bonds and respect for the lifestyle that deviates from the so-called normal patterns.
  • Of course by now everyone reading this should know that Chloe Zhao is only the second woman to win the Oscar as Best Director and that her film "Nomadland" also won Best Picture. What many people may not know is that "Nomadland" was only Zhao's third feature film, the others being the very moving and blissfully beautiful ""The Rider" and this, "Songs My Brothers Taught Me" and that together they make an extraordinary trilogy of films about the American hinterland. "Nomadland" had a major star at its centre but for the most part was populated by real people playing variations of themselves and while this is fiction and scripted, "Songs My Brothers Taught Me" could be a documentary with Zhao again using non-professional actors in major roles. Visually the obvious influence is Malick but Zhao's films are uniquely her own and if you watch these films back to back they are unmistakeably Zhao's. This did reasonably well on the festival circuit but was obviously never aimed at the mass market. If you haven't seen it, seek it out. Like "The Rider" and "Nomadland" it's a gem.
  • The first movie written and directed by Chloé Zhao is a blueprint for her next two films. One can even say that the three films at times seem the same one, but this one is the one in which you can see the strings more clearly. The movie has a kind of open story where different characters enter and exit, like in "Nomadland", and like the other two movies, it's a little affected at times. You can see much clearer here the two main artistic references of Zhao: Terrence Malick and a kind of independent European cinema, that has in the Dardenne brothers a stylistic companion. It's a good example of a new artist trying to find her voice.
  • The first 45 minutes or so of Songs might fool you into thinking you're watching another well-made, indie Sundance movie. Good, but nothing special.

    And then as if by magic, the movie sucks you into its universe. Seemingly disjointed pieces of story start blending together to create a beautiful whole, a story full of despair and of hope, of ugliness and beauty. It floats like a butterfly and stings like a bee, eschewing political or social commentary for a poetic, equally effective approach. A story of brotherly love in a stunning and tragic landscape.

    I'm not ashamed to say the final moments brought tears to my eyes. Beautifully shot, understated but powerful, SONGS is a really impressive, mature debut, and should be on your watch-list for this year.
  • The characters are beautifully portrayed, as Chloé Zhao is capable of. You immediately recognize her documentary-style approach, with some really eye-catching shots. But it lacks a clear plot, and therefore tension, which makes the whole a bit too slow and dragging. Still an interesting watch if you are interested in Zhao's work...
  • Warning: Spoilers
    First-time writer-director Choe Zhao is now making the rounds on the indie circuit (garnering a couple of Spirit Award Nominations along the way), with the intriguing Songs My Brothers Taught Me. Somehow she was able to befriend denizens of the insular Pine Ridge Lakota Indian reservation in South Dakota and fashioned a coming of age story with members of the local population taking on most of the acting roles.

    One is struck immediately by the urban influence on the reservation, particularly rap music, which most of the kids and teenagers appear to enjoy profusely. There is of course the sad influence of alcohol which contributes to the overall depressing atmosphere on the reservation--but at the same time, the people there have not given up the Native American customs, which constantly remind them of their ancestors and what was once an intimate connection to the land.

    John Reddy plays Johnny Winters, a high school senior, who plans on leaving the reservation and seeking his fortune in Los Angeles after he graduates. He lives in a small house with his mother and sister Jashaun. Johnny's father, a man who fathered 25 children from nine women, is not close with Johnny and Jashaun—and early on he's killed in a fire at his home. Community members pay tribute to their fallen neighbor but Johnny doesn't appear to get overly emotional about his father's death.

    Johnny works for Bill, illegally selling alcohol on the reservation so that he can save enough money to follow his girlfriend, Aurelia, who plans to attend college in California. Bill has a non-native Caucasian girlfriend who expresses a sexual interest in Johnny at one point, but nothing comes of it. Meanwhile, Jashaun is perhaps looking for a father figure and finds one in distant relative Travis, a tattoo and clothing designer who she bonds with. I also shouldn't forget that Johnny's older brother is incarcerated in state prison and both the mother and kids periodically visit him.

    Zhao's narrative is extremely slow-moving and the characters are virtually all low-key. One has to wonder whether this film could have been better as a documentary. The exciting moments here are really few and far between. Things do perk up a bit when we see Johnny's dream of becoming a boxer shattered when he's pummeled mercilessly during a sparring session with a far superior pugilist. And then there's a moment of violence when tribal gang members beat Johnny up and set his truck on fire in retaliation for an earlier confrontation in which they felt he had "dissed" them.

    The film closes, suggesting (I think) that Johnny wasn't ready quite yet to leave the reservation. There's a great contrast with Johnny furiously riding a horse with his friends to the next scene where he's talking on his cellphone. In his final narration we see scenes of rodeo and boxing juxtaposed with a traditional Native American ceremony. Johnny notes that his sister has more of an affinity for the traditional culture than he does. Ms. Zhao has done well allowing us a glimpse of this insular world—I just wish there was more of a well developed plot to go along with it.
  • I watched Nomadland a few weeks ago and watched this movie today too, frankly I excited at the firstly minutes but later I did not find what I expected, maybe firstly I shouldn't have watched the Nomadland, therefore I guess my expectation was high, I want to say something about the movie; anymore all youth can't see the future, because there aren't almost trouble-free country, people want to go to the other countries, they can't dream anything and they questioning life, therefore problems in this movie there are all places, all options are before us, we must see them and be courageous, otherwise it is not even sincere that we are caught between happiness and unhappiness where we are.
  • I just watched nomadland yesterday and found it over rated and decided to gives her 3 movies a try

    So here is the outcome I finds the movie is full of depth and substance, you can see that most of the performers acted out brilliantly.. most of them is not an actor themselves too except the main character and his mom which is the voice of Pocahontas.

    The story told from the point of view of two siblings Johnny and Deshaun which portrays both of the different perspective toward the place

    The portrayals of the sibling bond is realistic , it started off great with the introduction of the reserves and life in the plain.. you get to know the actor is gonna leave to LA and finding illegal jobs so that he can get enough money to leave the plains, working as a bootlegger through tout the second act things started to fall apart for Johnny such as the questioning of Aurelia family about the plans he had such as work and lodging in LA.. later on he is met with other bootleggers decide to beat him up and torched the van, while the sister tries to reminisce and grief towards his father by befriending a ex-felon helping him out by selling his art work.

    This movie portrays the 3 act which I find to be great both the sibling finds a closure through their fathers funeral etc

    I'm gonna rate it 8.
  • « Songs My Brothers Taught Me » invites you to discover life in a Native American reservation, namely Pine Ridge Reservation in South Dakota. But definitely not in a superficial way: you will not find yourself on the side of a dusty road buying Indian trinkets and other souvenirs before having a couple of pancakes at the local restaurant and inserting a few coins into a slot machine at the local gambling house. No, this is real life indeed; and by real I mean drab, monotonous, without scope. Not that such a life is not worth living at all : the hero, Johnny Winters, a young Oglala Indian, does experience a few good times: in his final year of high school, in company with his thirteen-year-old sister Joshaun who is very fond of him and naturally with his beautiful girlfriend Aurelia.

    But apart from social or personal intercourse, there is not much to do or to hope for in Pine Ridge. As far as employment is concerned, now that he is graduated, our young Native American struggles to get by while accommodating his mother and sister. A weak income earned from selling alcohol, not only a menial job but an illegal one into the bargain since drink is banned on the reservation's grounds. A better position is out of the question, the opportunities within a reservation being close to zero.The only hope for him to make a decent living is to get away from his place of birth. To this purpose he plans to accompany Aurelia to Los Angeles, where she is to further her studies. But that will mean leaving Joshaun behind. And the question is: will the sensitive little girl cope with the ordeal? And how will Johnny manage to square the circle?

    As can be seen, a psychological side adds up to the sociological interest. Also the writer of the script, Chloé Zhao masters this dimension brilliantly. The characters (Johnny, his sister, his mother, the tattooist...) are as well drawn as is the aspect of life in the reservation. And the young Oglala's questions and expectations as well as his moral dilemma are examined in depth. Which makes this film a full immersion not only in the everyday life of a seldom shown environment but also a plunge into the psyche of several of its inhabitants. Very well interpreted by John Reddy as Johnny and the touching Joshaun St. John as his loving little sister, Chloé Zhao's movie could qualify as a masterpiece were it not a few defects: a rather disorganized, improvised approach and one or two tedious passages. But it is a first film after all and that should not be enough to deter you from watching this rare foray into a territory little seen on the big screen, thus getting to know worthwhile people you would be unlikely to meet in the flesh in real life.
  • Warning: Spoilers
    Pine Ridge South Dakota. Located in the Southwestern part of South Dakota and a place that is miles away from any other towns. Pine Ridge is a place not known by many Americans that live in the states and what many don't know is that it also has the lowest per capita income in the entire United States. A place that seems like is forgotten by many and with virtually no films made in the US about the people of Pine Ridge. It takes a lady from Beijing, China named Chloe Zhao to come to the United States and film this slice of the country. Zhao films the landscapes and the people with such honesty. There are scenes of viewing the rocks of the Badlands, seeing the traditional ways of the Native Americans, and seeing the faces of these people. I can't help but get misty eyes throughout this whole film.

    The beauty of this film is something to behold and Zhao achieves this by filming the film in a Neo realism style. Most of the people you see in this film are actual people that have lived on the Reservation their whole life, this is home for these beautiful people. But it is also a broken, and at times hopeless place it seems to live. Because of our society cutting off these people from the world and is one of the biggest current tragedies of the United States that this level of poverty, ignored by the governments, and isolation is still going on in the country to this day. Most American filmmakers I would say wouldn't even try to make a film about the people of Pine Ridge. But here Zhao does something almost groundbreaking. Showing all the sides of the Reservation, the beauty of it, the big problems the people face on the Reservation, and of the soul of the land and the people.

    This film stars a brother and sister, the brother's name is Johnny who is 17 and the sister's name is Jashaun who is 11. And they both seem to be looking for hope throughout the whole film. Since Pine Ridge is a dry county, in order for Johnny to make ends meet he goes over the border to Nebraska in a town named WhiteClay and buys liquor to sell back in Pine Ridge. While Johnny is able to buy a truck for himself with the money, it is also a vice that taints the land and the reservation. It's a double edge sword, in order for Johnny to have any hope at this point is to do an act that is not of the traditional ways. And this is one of the big scars that we witness during the film of Pine Ridge.

    If one is not familiar with Pine Ridge and watches this film. One might be shocked at times of the conditions that the people live in, of the violence, and of excessive drug use. This whole film is a gut wrench to watch, because these people are constantly crying. Not in the literary sense, but are without even knowing it. We see the excessive drug use, the sadness on the faces of the people on the reservation, and even tragic death happens in the film. When the father of Johnny dies in a house fire. For most of the film, Johnny has a plan to make it out of the reservation and make it out to L. A with a girl he has a love interest in. The girl is going to L.A to go to attend college, while Johnny wants to go to have some sort of hope.

    However, there is something that seems to want to keep Johnny in Pine Ridge. You have to understand that even as poor and as hard as it is to live on the reservation. This is home, the land of the dear Lakota people of Pine Ridge. We see scenes when Johnny and Jashaun visit the sacred lands and mars like scenery of the Badlands. These badlands live through both of them. We see at one point after Johnny gets beaten by a group of men because of Johnny selling alcohol on the reservation and stepping on their territory. When Johnny is in a coma, he has a dream of him and the girl he wants to go to L. A with roaming the Mystic Badlands. It's a scene that is very moving because this land and dream live in Johnny. It's all his soul wants, he wants the girl, yes but also that land is what makes not only him but the people of Pine Ridge whole.

    While Johnny is facing the hardship of surviving on the Reservation, we have the other side of the film with his sister Jashaun. Jashaun seems to be more in tune with the traditional ways of the Lakota. However, she also deals with trying to avoid all the dark vices that the reservation has. We see her smoke weed, go to a party where all drinking and drug use is going on, and even gets arrested by the town's police. But what she learns from all of these actions she takes throughout the film is that these aren't the actual people, these are people that are lost, broken, and simply looking for a way to make it through the pain of the reservation. Jashaun knows the connection more than most of the people in this film. She meets a man named Travis that is an artist. He does many things like making blankets, dresses, shirts, and even gives tattoos to other people of the reservation. This man teaches Jashaun the traditional ways and culture of Lakota to her. Like most of the people in this film and on the reservation he is not a bad guy. He also has a connection to the culture and the land.

    We have a touching scene at one point in the film when Jashaun asks Travis "Why do you like seven so much?" Travis responds "Seven, seven I can't even start why. That, there's way too many reasons, way too many. Seven is the most influential and used number in the Bible, and it is our culture's most sacred and revered number." Travis looks out on the sun setting of the beautiful land of Pine Ridge and goes on to say "Crazy Horse said, "Everything will all seem to have ended at Wounded Knee, but it'll all begin again with the seventh generation," you know?..... That's you." This is when Jashaun learns and why she knows this is her purpose and why she is on this reservation for. She is the number seven, she is the one that will bring understanding to the people of her culture and of these lands. She is the next in line that will rise up and show the way to the people of Pine Ridge. It's hope that the young will be able to show the way someday

    Sadly, however, Jashaun will find Travis giving into all the vice that makes these people not see the way. She sees him getting high, drinking, trying to not feel the pain. I feel at that moment that is when Jashaun makes the change and tries to do the best she can to do the right thing and bring hope to the people of Pine Ridge. However, her brother can't quite understand how important his culture is even if he does feel it he doesn't quite ever understand it like his Sister can.

    As Johnny says his goodbyes to everyone in town and goes to the Badlands one last time he feels and touches literally the rocks of these moon-like hills. There is a fight going on inside of him in this scene that is uneasy. Uneasy because it seems that he knows that he wouldn't be at peace with the land or himself if he leaves these lands now. We then see Johnny go walk over to the girl's house, he finds they are having a goodbye party for her. As he looks from a distance he decides to walk away up the hill on the gravel road deciding to stay. This decision puts him on a path of more peace and of being able to be connected to his culture and land. He gets a job at an auto shop in town and what seals his past away from good is when the girl from Whiteclay that he was also attracted to throughout the film pulls into a gas pump at the auto shop. He asks her "Are you leaving?" We then jump to her simply driving out of the reservation with the Badlands in the background of a car driving away and a sign that says "Leaving Pine Ridge Reservation".

    For some it's just as simple as just driving away, however, for most it's simply not possible. For Johnny, i think it's the right decision that he made staying and what is meant for him. While he and his family will still live in a poverty-environment, he will try to live it with honesty and understanding from this point on. Johnny quotes at the end of the film as we see scenes of a Pow Wow, Johnny riding Horses, a drum beating to a fire looking over the great plains, "My sister Jashaun, she's got a thing about this place. She sees things I don't. She's a good one. Whenever the storms are comin', the old-timers would teach us to watch the cloud. And when the wind is too strong, we all know to lean into it, so it doesn't blow us away." As Johnny then goes back to his and the Lakota people's beloved Badlands. And takes a handful of dust and throws it in the air. And the film ends here.

    This film is an emotional ride but is a priceless film of the struggle of following in a tradition, and of poverty, but also the beauty of the Lakota people. Zaho is now connected to these lands of South West Dakota after shooting "Songs My Brothers Taught Me" and "The Rider" just as John Ford and John Wayne were to Monument Valley in Arizona. "Songs My Brothers Taught Me" is a special film and films like this only come once in a lifetime as other Neo-Realism films of the past. Zaho has kept the genre alive with this film and explodes the people and a place never captured in a full-length film. Johnny and the people of Pine Ridge will forever be captured in this film. And may even teach people of the hard ace and poverty that is still going on to this day right in the United States. And it took a director from overseas to film this landscape with such beauty and honesty. The Badlands and the Great Plains are sacred places and this film has given awareness of the lands and the people of these lands. It's pain and beauty that's what the people of Pine Ridge have felt for the last 140 or so years and with people like Johnny and Jashaun it can hopefully change and rebuild back to what the traditions of the Lakota are.
  • And then I watched this! And it was awesome I loved loved loved how she incorporates all of the characters! This was so heartwarming and I learnt so much without having to hear some voice telling me what to learn, I just felt the information in my heart and in my soul until erelong my spirit took flight and I realized I love this lady so much! Cloe? Oh boy I hope she sticks around cause this lady is talented!
  • Perhaps if you gave the assignment to first year film students to find a subject, follow their life for month, this would be the assignment submitted. The filmmaker admits she didnt have a script, as films thesis changed along the way. Lack of story, script, thesis is evident. This film then becomes perhaps scenery of places the viewer perhaps hasnt been, or following res life perhaps for any brave viewer that its foriegn to? If the filmmaker intended to capture indigenous persons attachment to lands (she purported in interview),this movie missed its mark. Having lived many decades within a culture which reveres land as living soulful being, Id hoped for success. Highlight of film was perhaps first time performances, Jashaun St. John providing noteworthy talent portraying younger sister to protagonist brother. Holistically film's painful time spent, even if viewed as travelogue for viewers whove never spent anytime around the Pine Ridge res area of plains states, still hard to extract a storyline. It doenst work as a documentary, a drama, or trravelogue. Lets call it a slice of life for brothers,mother and sister from Lakota territory and hope the cast save a copy among home movies for thier grandkids.
  • nikmarkos1 January 2022
    Warning: Spoilers
    The directorial debut of chloe zhao, the oscar winner of 2021 oscars. The budget is low on a director making a start on films but chloe zhao delivers. 80% of the film is johnny winters life in reality who is the protagonist and many family members play on the film. With its low budget its not much different than the oscar winning nomadlands if not less of a documentary. Chloe zhao has filling moments of beautiful scenes throughout the film just like nomadland. The acting is amateur but it does seem thought provoked and well orchestrated, it seems to me there was a bit of experimentation from all sides of the crew to get it right, but they so get it right, in all the acting, cinematography, plot and sounds. Zhao did have a character since then on her films.
  • The prison of self-doubt we've made for our boys (with the "man-up" mantra) and the prison that men make for themselves and each other, might matter less if males didn't then imprison the opposite sex to bolster their vapid self-worth. Less pretentious than "Nomadland", this earlier outing by Zhao weaves so many strands and details it deserves repeated watching, though many will find it "uneventful" from the outset and likely switch off. Throughout the western world, alcohol is demonised, not as the outcome of oppression and social ills, but through religion as something sinful and curable through "community". Maybe if religion didn't promise the unattainable, there'd be less self- and social repression. The lesson of the boxing class is simple: often in life it is not brute strength that gets you through, but stealth: learn to outwit your rival, anticipate his or her moves. And above all, should it end in defeat, lean into your failures with renewed wisdom, not self-pity, just as Johnny "leans into the wind, so as not to get blown away".
  • This astonishing first film by director Chloe Zhao may not have much of a story but the way she allows us see how the Reservations are still housing native Americans in the present time is truly educational to an English man like me. Zhao is Chinese which to me makes this small masterpiece even more amazing.

    Songs My Brother Taught me is slow to start and I only watched it as I've read about Zhao's reputation, having won an Oscar for directing Nomadland. Slow beginning, but as it progresses and I get to know the family and I started to care about them. It follows a flimsy story about an eleven year old Lakota girl, played so sweetly by Jashaun St John and her older brother played by John Reddy. Neither actors were professional apparently but they held my interest to the point that I just wanted to know what happens next.

    The direction is crisp, creating interesting angle shots, at times shocking in it's raw brutality and constantly engaging once you start to get involved with the characters. I have two more movies by Chloe Zhao lined up to watch and can't wait to see them.

    The heart of this moving film is the family and how they survive on the reservation, trying to live normal lives as we all do but sometimes getting trapped into the world of drugs and alcohol that is common in poor communities. Johnny, for example, buys and sells alcohol and is attacked by rival neighbours for stepping on their racket. He wants to go to LA with his girlfriend but is it just a dream that so many young people have who feel they need to escape from their stifling existence. This thread runs through the movie as does the sadness of his younger sister who adores him and becomes depressed at the thought of him leaving her. This I found very moving. Great cinematography with sweeping vistas, I can't praise it too much, maybe the best film I've watched this year.