World premiere of Intimate Lighting restoration, a focus on Mexican female directors, a tribute to Otto Preminger and the first Eurimages Lab Project Award set for 2016 edition.
Karlovy Vary International Film Festival (Kviff) has unveiled the first wave of titles and industry initiatives set for its 51st edition (July 1-9).
The festival, hosted in the picturesque Czech spa town, will world premiere a digital restoration of Ivan Passer’s Intimate Lighting. The bittersweet comedy about an encounter between two former classmates and musicians is described one of the most striking films of the Czechoslovak New Wave of the 1960s.
The 82-year-old director, who was honoured with Kviff’s Crystal Globe for Outstanding Artistic Contribution to World Cinema in 2008, will be present at the premiere on July 2.
Mexican female directors
Semana Santa
Kviff will also spotlight Mexican female directors, screening nine features and one short from the past five years. The filmmakers include Elisa Miller, who won a Palme...
Karlovy Vary International Film Festival (Kviff) has unveiled the first wave of titles and industry initiatives set for its 51st edition (July 1-9).
The festival, hosted in the picturesque Czech spa town, will world premiere a digital restoration of Ivan Passer’s Intimate Lighting. The bittersweet comedy about an encounter between two former classmates and musicians is described one of the most striking films of the Czechoslovak New Wave of the 1960s.
The 82-year-old director, who was honoured with Kviff’s Crystal Globe for Outstanding Artistic Contribution to World Cinema in 2008, will be present at the premiere on July 2.
Mexican female directors
Semana Santa
Kviff will also spotlight Mexican female directors, screening nine features and one short from the past five years. The filmmakers include Elisa Miller, who won a Palme...
- 4/26/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Lorenzo Vigas’ Venice Golden Lion winner From Afar and César Augusto Acevedo’s Cannes Critics Week France 4 Visionary Award winner Land And Shade will screen at the International Film Festival of Panama.
Both selections will play in the Ibero American Showcase under the auspices of Iff Panama 2016, which runs from April 7-13.
Italian actress Lucía Bosé will be guest of honour at the festival’s fifth edition when three of films will screen — Death Of A Cyclist, Story Of A Love Affair, and No Peace Under The Olive Tree. High Heels will screen in special presentation.
Ibero American Showcase entries include Anna Muylaert’s Brazilian foreign language Oscar submission My Second Mother, Álex de la Iglesia’s My Big Night (Spain), 3 Beauties (Venezuela) by Carlos Caridad-Montero, and Spy Time (Spain) by Javier Ruiz Caldera.
Rounding out the section are: The Apostate (Spain-France-Uruguay) by Federico Veiroj; Road To La Paz (Argentina) by Francisco Varone; Semana Santa (Mexico) by [link...
Both selections will play in the Ibero American Showcase under the auspices of Iff Panama 2016, which runs from April 7-13.
Italian actress Lucía Bosé will be guest of honour at the festival’s fifth edition when three of films will screen — Death Of A Cyclist, Story Of A Love Affair, and No Peace Under The Olive Tree. High Heels will screen in special presentation.
Ibero American Showcase entries include Anna Muylaert’s Brazilian foreign language Oscar submission My Second Mother, Álex de la Iglesia’s My Big Night (Spain), 3 Beauties (Venezuela) by Carlos Caridad-Montero, and Spy Time (Spain) by Javier Ruiz Caldera.
Rounding out the section are: The Apostate (Spain-France-Uruguay) by Federico Veiroj; Road To La Paz (Argentina) by Francisco Varone; Semana Santa (Mexico) by [link...
- 3/23/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Exclusive: Here’s a trailer for Semana Santa, the debut feature from writer-director Alejandra Marquez Abella that premiered at Toronto and will screen at SXSW. A young woman who lost her husband takes a tropical beach vacation with her new boyfriend and her 8-year-old son. There is much drinking and much bonding — “We’ll never be apart again,” she tells the child — but it’s not all paradise. Her new beau tries to win the affections of her boy but battles party lights…...
- 3/11/2016
- Deadline
Of all the upcoming talent in the recent weeks in Mexico at the writers residency "Pueblo Magico", at Flicc, the Latin American Forum for Coproduction and New Talent, in Morelia and at Los Cabos, producer Nicolás Celis ("Heli", "We Are What We Are") stands out on many fronts.
Nico : At 29 years of age, I have worked on 20 to 25 movies. I have learned my craft from the directors I have worked with like Tatiana Huezo and Amat Escalante, to name just two.
I have created my own unique creative process and have learned about financing and distribution as well as production.
Sl: I noticed you work with Sebastian Celis. Who is that?
When our father died, my older brother who was a physicist wanted to do something with me. It was easier for him to go into film than for me to go into physics. We like spending time together. Really he is the perfect partner -- 100% trustworthy: we won't let each other down. We like the the same movies and both work a lot. Working with him brings us very close and we are more attached than ever and more interested in making long term plans. Working with my brother is very interesting. He can work well with the abstract and can understand ideas before they are totally conceived and then put those ideas onto paper. What's beautiful about film is your background is irrelevant.
Sl: What is your approach to producing films?
We always try to budget carefully. We aim to make the films for a reasonable cost which can actually be recouped. With low budgets, you can shoot quickly. We believe now is a very good time to make movies in Mexico. There is a lot of money available here through the various funding schemes, even if there is a lot of competition for that funding. With more and more people coming out of film schools that competition is only going to increase. So we are aggressively looking for private equity as well.
Sl: How did you get into film?
I was never formally schooled in filmmaking. I was rejected twice by Ccc (one of the top film schools in Mexico). In time though by helping to make shorts, I realized that I had skills that directors needed. My first short, "Ver llover" (2006)--I was unit production manager---was directed by Elisa Miller who did study at Ccc. The film went to Cannes and her second short—which I produced – went to Critics Week in Cannes and won the Palme d'Or She has returned to work with me on our upcoming feature "Skin Deep" which is now being presented as a project in development in Los Cabos. I came to realize I did not have to go to film school to be sought after. Directors seek me out now because we enjoy collaboration and they value my ability to work with them.
Sl: What are your most recent and upcoming films?
I have a number of films that are in post production or just completed.
A private screening of the documentary "Tempestad" was held in Morelia just weeks ago in its first edition of Impulso, which is only for works-in-progress. The audience for those screenings is exclusively sales agents, distributors, financiers and festival programmers who want to see films that are currently in post-production. We have big expectations for that film . We are aiming at Berlin or Cannes. This is the second documentary film by Tatiana Huezo whose first doc, “El Lugar Mas Pequeno"/ "The Tiniest Place” (which I also produced) won numerous Best Picture prizes at festivals around the world.
"Soy Negro" now is also in post. It is by Rafi Pitts from Iran and tells a story of migration to the USA from a different point of view with a Mexican touch. It has received support from the French Cnc, funds from Eurimages, Ffa in Germany, Medienboard Berlin-Brandenberg support, and Zdf/ Arte support. The Match Factory will represent the film internationally.
"Desierto" directed by Jonás Cuarón premiered in Toronto where it was acquired from Im Global for the U.S. by Stx, the new China-backed company headed by Robert Simonds and Cathy Schulman. "All of Me", the emotionally touching doc about Las Patronas, premiered in Los Cabos festival last year, won a top prize and was picked up for U.S. by Outsider Films from the new Berlin-based boutique international sales agent for award-winning docs, Rise and Shine.
"Semana Santa" whose international sales agent is Mundial was coproduced with Jim Stark, our new partner. He is the U.S. indie producer of the early Jarmusch films, Icelandic director Fridrik Thor Fridrikson, Bent Hamer and many others.
Sl: How did you join up with Jim Stark? I used to buy his films for the U.S. so I am very interested in what he is doing these days.
Jim was giving a workshop in Morelia four years ago that I attended. Later, he introduced me to Rafi Pitts in Guadalajara. And now he and I are working together on a lot of projects.
Jim makes the same sort of movies we do and is also good at raising money and making international connections. He shoots everywhere and has a couple of projects in Turkey, is still working with Icelanders and even has a project in Africa in Ivory Coast.
We're now working together on a Georgian doc and talking about other coproductions with international co-producers.
We just finished "Semana Santa" together and are finishing Tatania Huezo's new film "Tempestad".
We enjoy the process of working together. We're developing a couple of scripts based on novels we like and on our own ideas. We never know if the film will be a success or failure but we would rather have three years of a good experience working with directors we enjoy on projects we believe in than making "sure hits" or commercial films with directors we don't get along with.
Sl: You've done very well so far.
This is the most important year for us. We have finally established ourselves as an important Mexican production company involved with good directors. There are interesting voices in Mexico. We're now expanding into minority coproductions to do post and at the same time looking at foreign projects at the script stage. It's cheaper to work in Mexico than in Europe and Mexico is ready for coproductions.
It is a way to widen our reach. That's why we're working on Colombian Ciro Guerra's next film. His last film, "Embrace of the Serpent" (Colombia's submission for Academy Award Nomination for Best Foreign Language Film) is a Colombian-Argentinean-Venezuelan coproduction being sold by Films Boutique, a French-German international sales company. Its U.S. distributor is Oscilloscope. Its French distributor, Diaphana, is a producer as well as a distributor.
Our long range goal is to grow our slate of coproductions. We think it is our best strategy for beating the competition which is quickly escalating here in Mexico.
From our side we can offer all the opportunities we have for financing and the high quality of Mexican services and crew. Also the low costs here mean shooting in Mexico is not a big risk. But having access to international partners and getting additional funding from Norway or Denmark is very prestigious and increases the chances that our films will be seen and appreciated outside of Mexico.
When I can, I like to participate in international workshops, coproduction meetings and even residencies like the new one in Tepoztlan where I met you. I went to an Eave workshop with ten other producers. We still keep in touch, we work together and try to spend some quality time together and when links with these other international producers are strong it increases the likelihood we can collaborate in the future.
Nico : At 29 years of age, I have worked on 20 to 25 movies. I have learned my craft from the directors I have worked with like Tatiana Huezo and Amat Escalante, to name just two.
I have created my own unique creative process and have learned about financing and distribution as well as production.
Sl: I noticed you work with Sebastian Celis. Who is that?
When our father died, my older brother who was a physicist wanted to do something with me. It was easier for him to go into film than for me to go into physics. We like spending time together. Really he is the perfect partner -- 100% trustworthy: we won't let each other down. We like the the same movies and both work a lot. Working with him brings us very close and we are more attached than ever and more interested in making long term plans. Working with my brother is very interesting. He can work well with the abstract and can understand ideas before they are totally conceived and then put those ideas onto paper. What's beautiful about film is your background is irrelevant.
Sl: What is your approach to producing films?
We always try to budget carefully. We aim to make the films for a reasonable cost which can actually be recouped. With low budgets, you can shoot quickly. We believe now is a very good time to make movies in Mexico. There is a lot of money available here through the various funding schemes, even if there is a lot of competition for that funding. With more and more people coming out of film schools that competition is only going to increase. So we are aggressively looking for private equity as well.
Sl: How did you get into film?
I was never formally schooled in filmmaking. I was rejected twice by Ccc (one of the top film schools in Mexico). In time though by helping to make shorts, I realized that I had skills that directors needed. My first short, "Ver llover" (2006)--I was unit production manager---was directed by Elisa Miller who did study at Ccc. The film went to Cannes and her second short—which I produced – went to Critics Week in Cannes and won the Palme d'Or She has returned to work with me on our upcoming feature "Skin Deep" which is now being presented as a project in development in Los Cabos. I came to realize I did not have to go to film school to be sought after. Directors seek me out now because we enjoy collaboration and they value my ability to work with them.
Sl: What are your most recent and upcoming films?
I have a number of films that are in post production or just completed.
A private screening of the documentary "Tempestad" was held in Morelia just weeks ago in its first edition of Impulso, which is only for works-in-progress. The audience for those screenings is exclusively sales agents, distributors, financiers and festival programmers who want to see films that are currently in post-production. We have big expectations for that film . We are aiming at Berlin or Cannes. This is the second documentary film by Tatiana Huezo whose first doc, “El Lugar Mas Pequeno"/ "The Tiniest Place” (which I also produced) won numerous Best Picture prizes at festivals around the world.
"Soy Negro" now is also in post. It is by Rafi Pitts from Iran and tells a story of migration to the USA from a different point of view with a Mexican touch. It has received support from the French Cnc, funds from Eurimages, Ffa in Germany, Medienboard Berlin-Brandenberg support, and Zdf/ Arte support. The Match Factory will represent the film internationally.
"Desierto" directed by Jonás Cuarón premiered in Toronto where it was acquired from Im Global for the U.S. by Stx, the new China-backed company headed by Robert Simonds and Cathy Schulman. "All of Me", the emotionally touching doc about Las Patronas, premiered in Los Cabos festival last year, won a top prize and was picked up for U.S. by Outsider Films from the new Berlin-based boutique international sales agent for award-winning docs, Rise and Shine.
"Semana Santa" whose international sales agent is Mundial was coproduced with Jim Stark, our new partner. He is the U.S. indie producer of the early Jarmusch films, Icelandic director Fridrik Thor Fridrikson, Bent Hamer and many others.
Sl: How did you join up with Jim Stark? I used to buy his films for the U.S. so I am very interested in what he is doing these days.
Jim was giving a workshop in Morelia four years ago that I attended. Later, he introduced me to Rafi Pitts in Guadalajara. And now he and I are working together on a lot of projects.
Jim makes the same sort of movies we do and is also good at raising money and making international connections. He shoots everywhere and has a couple of projects in Turkey, is still working with Icelanders and even has a project in Africa in Ivory Coast.
We're now working together on a Georgian doc and talking about other coproductions with international co-producers.
We just finished "Semana Santa" together and are finishing Tatania Huezo's new film "Tempestad".
We enjoy the process of working together. We're developing a couple of scripts based on novels we like and on our own ideas. We never know if the film will be a success or failure but we would rather have three years of a good experience working with directors we enjoy on projects we believe in than making "sure hits" or commercial films with directors we don't get along with.
Sl: You've done very well so far.
This is the most important year for us. We have finally established ourselves as an important Mexican production company involved with good directors. There are interesting voices in Mexico. We're now expanding into minority coproductions to do post and at the same time looking at foreign projects at the script stage. It's cheaper to work in Mexico than in Europe and Mexico is ready for coproductions.
It is a way to widen our reach. That's why we're working on Colombian Ciro Guerra's next film. His last film, "Embrace of the Serpent" (Colombia's submission for Academy Award Nomination for Best Foreign Language Film) is a Colombian-Argentinean-Venezuelan coproduction being sold by Films Boutique, a French-German international sales company. Its U.S. distributor is Oscilloscope. Its French distributor, Diaphana, is a producer as well as a distributor.
Our long range goal is to grow our slate of coproductions. We think it is our best strategy for beating the competition which is quickly escalating here in Mexico.
From our side we can offer all the opportunities we have for financing and the high quality of Mexican services and crew. Also the low costs here mean shooting in Mexico is not a big risk. But having access to international partners and getting additional funding from Norway or Denmark is very prestigious and increases the chances that our films will be seen and appreciated outside of Mexico.
When I can, I like to participate in international workshops, coproduction meetings and even residencies like the new one in Tepoztlan where I met you. I went to an Eave workshop with ten other producers. We still keep in touch, we work together and try to spend some quality time together and when links with these other international producers are strong it increases the likelihood we can collaborate in the future.
- 11/15/2015
- by Sydney Levine
- Sydney's Buzz
Jurors at the 2015 Los Cabos International Film Festival unveiled their winners as the Mexican festival came to a close at the weekend.
In the Parallel Awards, the Cabos Discovery Ctt Exp & Rentals Award – equivalent to four weeks of filming equipment – was presented to Paulina del Paso for her film A Flor De Piel (Skin Deep). The award carries a $75,248 (Mxn 1,256,000) prize.
The Cabos In Progress Chemistry Award carrying a $45,000 prize in colour correction services went to Sebastián Hiriart for Carroña (Carrion),
The Cabos In Progress Fox+ Award went to La Habitación (The Bedroom) directed by Carlos Carrera, Daniel Giménez Cacho, Carlos Bolado, Ernesto Contreras, Alfonso Pineda Ulloa, Alejandro Valle, Iván Ávila Dueñas and Natalia Beristáin. The award carries a $30,000 cash prize and rights to broadcast the film in Latin America.
The Producers Network Badge Award went to producer Mayra Espinosa Cabos Discovery entry Calla (Keep Quiet).
The México Primero Art Kingdom Award was presented to Jack Zagha...
In the Parallel Awards, the Cabos Discovery Ctt Exp & Rentals Award – equivalent to four weeks of filming equipment – was presented to Paulina del Paso for her film A Flor De Piel (Skin Deep). The award carries a $75,248 (Mxn 1,256,000) prize.
The Cabos In Progress Chemistry Award carrying a $45,000 prize in colour correction services went to Sebastián Hiriart for Carroña (Carrion),
The Cabos In Progress Fox+ Award went to La Habitación (The Bedroom) directed by Carlos Carrera, Daniel Giménez Cacho, Carlos Bolado, Ernesto Contreras, Alfonso Pineda Ulloa, Alejandro Valle, Iván Ávila Dueñas and Natalia Beristáin. The award carries a $30,000 cash prize and rights to broadcast the film in Latin America.
The Producers Network Badge Award went to producer Mayra Espinosa Cabos Discovery entry Calla (Keep Quiet).
The México Primero Art Kingdom Award was presented to Jack Zagha...
- 11/15/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Top brass have announced the films in official selection at the Mexican festival’s fourth annual edition, set to run from November 11-15.
Official selection comprises Competencia Los Cabos entries from Mexico, the Us and Canada including Lorenzo Vigas’ recent Venice Golden Lion winner From Afar (Desde Allá), and México Primero. Winners from both programmes will each collect a $15,000 prize.
The films in México Primero will also compete for the Fipresci Award, the $12,200 Art Kingdom Award and the $40,000 Fox+ Award.
For the first time films in official selection will compete for the Cinemex Audience Award. Audiences at Cinemex Los Cabos–Puerto Paraíso screenings will choose their recipient of a $10,000 prize.
Competencia Los Cabos selections are:
From Afar (Desde Allá, Mexico-Venezuela, pictured), dir Lorenzo Vigas;
Tangerine (USA), dir Sean Baker;
Room (Canada-Ireland), dir Lenny Abrahamson;
Chronic (Mexico), dir Michel Franco;
James White (USA), dir Josh Mond;
Les Êtres Chers (Canada), dir Anne Émond;
Un Monstruo De Mil Cabezas (Mexico-France...
Official selection comprises Competencia Los Cabos entries from Mexico, the Us and Canada including Lorenzo Vigas’ recent Venice Golden Lion winner From Afar (Desde Allá), and México Primero. Winners from both programmes will each collect a $15,000 prize.
The films in México Primero will also compete for the Fipresci Award, the $12,200 Art Kingdom Award and the $40,000 Fox+ Award.
For the first time films in official selection will compete for the Cinemex Audience Award. Audiences at Cinemex Los Cabos–Puerto Paraíso screenings will choose their recipient of a $10,000 prize.
Competencia Los Cabos selections are:
From Afar (Desde Allá, Mexico-Venezuela, pictured), dir Lorenzo Vigas;
Tangerine (USA), dir Sean Baker;
Room (Canada-Ireland), dir Lenny Abrahamson;
Chronic (Mexico), dir Michel Franco;
James White (USA), dir Josh Mond;
Les Êtres Chers (Canada), dir Anne Émond;
Un Monstruo De Mil Cabezas (Mexico-France...
- 10/13/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
While the Toronto International Film Festival looks around the world and in all genres to find features for its annual incarnation, one area that receives focus is films aimed at children. With the understanding both that quality cinema is not dependent on its target audience, and that cinephiles can begin at any age, the festival’s Kids Programme highlights such features.
The Discovery Programme, on the other hand, brings together films from first and second time directors, with an eye on emerging talent. The festival has now announced the lineups for both Programmes in the 2015 incarnation of the event, along with further additions to the Cinematheque and Vanguard lineup. The Discovery lineup joins previously announced Canadian features. The films, with their official synopses, can be seen below.
Tiff Kids
The Boy and the Beast, directed by Mamoru Hosoda, making its International Premiere
A young boy in modern-day Tokyo stumbles into...
The Discovery Programme, on the other hand, brings together films from first and second time directors, with an eye on emerging talent. The festival has now announced the lineups for both Programmes in the 2015 incarnation of the event, along with further additions to the Cinematheque and Vanguard lineup. The Discovery lineup joins previously announced Canadian features. The films, with their official synopses, can be seen below.
Tiff Kids
The Boy and the Beast, directed by Mamoru Hosoda, making its International Premiere
A young boy in modern-day Tokyo stumbles into...
- 8/26/2015
- by Deepayan Sengupta
- SoundOnSight
Exclusive: The sales agent will introduce worldwide buyers to Alejandra Márquez Abella’s Mexican feature directorial debut ahead of its September 10 world premiere in Toronto.
Cristina Garza and her Mundial team handle world sales on the Discovery selection about a young widow who attempts to bond with her son and new boyfriend on a beach vacation. Abella wrote the screenplay.
Anajosé Aldrete, Esteban Ávila, Tenoch Huerta and Jimena Cuarón star in the co-production from Pimienta Films, Lado B Films, Itaca Films, Terminal, Cinematográfica Cr and TV Unam.
Nicolas Celis and Sebastián Celis produced Semana Santa, while the executive producer roster includes Jim Stark, Andrés Clariond Rangel, Alex García, Santiago García Galván, Joakim Ziegler and Øyvind Stiauren.
Abella directed the documentary feature Mal De Tierra and the short Perra.
Cristina Garza and her Mundial team handle world sales on the Discovery selection about a young widow who attempts to bond with her son and new boyfriend on a beach vacation. Abella wrote the screenplay.
Anajosé Aldrete, Esteban Ávila, Tenoch Huerta and Jimena Cuarón star in the co-production from Pimienta Films, Lado B Films, Itaca Films, Terminal, Cinematográfica Cr and TV Unam.
Nicolas Celis and Sebastián Celis produced Semana Santa, while the executive producer roster includes Jim Stark, Andrés Clariond Rangel, Alex García, Santiago García Galván, Joakim Ziegler and Øyvind Stiauren.
Abella directed the documentary feature Mal De Tierra and the short Perra.
- 8/25/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
With about two weeks left until the ’15 edition kicks off, the festival heads at Tiff have made the final announcements to their upcoming edition with the unveiling of the Discovery programme. With thirty offerings from several first time filmmakers, the section is populated by items that have preemed elsewhere in the awards tipped, Sundance sensation James White from Josh Mond, to the Cannes debuted Les Cowboys from scribe and now director Thomas Bidegain, to the world premiere of Maris Curran’s Five Nights in Maine starring David Oyelowo, Dianne Wiest and Rosie Perez. Here are the offerings:
Discovery
“The Ardennes” Robin Pront, Belgium
“Beast” Tom McKeith, Sam McKeith, Australia/Philippines
“Black” Adil El Arbi, Bilall Fallah, Belgium
“Born to Dance” Tammy Davis, New Zealand
“Dégradé” Arab Nasser, Tarzan Nasser, Palestine/France/Qatar
“Desde Allá” Lorenzo Vigas, Venezuela
“Downriver” Grant Scicluna, Australia
“Eva Nová” Marko Škop, Slovakia
“Five Nights in Maine” Maris Curran,...
Discovery
“The Ardennes” Robin Pront, Belgium
“Beast” Tom McKeith, Sam McKeith, Australia/Philippines
“Black” Adil El Arbi, Bilall Fallah, Belgium
“Born to Dance” Tammy Davis, New Zealand
“Dégradé” Arab Nasser, Tarzan Nasser, Palestine/France/Qatar
“Desde Allá” Lorenzo Vigas, Venezuela
“Downriver” Grant Scicluna, Australia
“Eva Nová” Marko Škop, Slovakia
“Five Nights in Maine” Maris Curran,...
- 8/25/2015
- by Eric Lavallee
- IONCINEMA.com
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.