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  • Quentin Jacobsen is an Orlando high school senior with a small comfort zone. He's a band geek with his best friends Ben and Radar. Margo has been living across the street for 11 years. They were friends when she first arrived. They found a dead body but he refused to follow her adventures and they drifted apart. Now suddenly, she climbs into his window. She pulls him into a night of revenge against her cheating boyfriend and her backstabbing friends. She's gone the next day but she has left clues for Quentin to find her paper town. Quentin, Ben, Radar, Radar's girlfriend Angela, and Margo's friend Lacey go on a road trip.

    Cara Delevingne shows competent acting and a good intriguing presence which is necessary for the role. The movie starts with her taking our lead on a nice adventure. It has its moments. I like those one-night adventures in movies. Then there is the mystery which is less compelling because I'm mostly waiting for the inevitable road trip. I also like a good road trip and this one has its moments, too. The movie ends with a nice 'lesson'. Everything is fair but nothing is outstanding. The three guys are nice but lacks great charisma. They are more and less regular teens which has its appeal. I like their friendship. As a book, I'm sure this has many fans. As a movie, it needs more adventures and more cinematic excitement. It could have tightened the middle and added more to the road trip when the group is together. This is fine but it could have been much better.
  • AliceofX28 July 2015
    Warning: Spoilers
    I haven't read the book, but in the forums someone said that the ending, and through it ultimately the meaning, of the book was quite different. According to that individual the book ends with Quentin realising that Margo is not the deep and interesting girl that he created in his own head.

    I don't know if such an ending would have been better but it at least would have been more interesting than the bland ending we got. There would have been some drama with Quentin seeing his illusions smashed. Instead he just realises she doesn't like him. And then it ends.

    Margo was my biggest problem of this film. Besides that, the film was very enjoyable and funny. You really wanted to spend time with Quentin and his friends because they felt real. Unlike Margo who just felt like a character from a children's adventure book.

    Which brings me back to my original point. Margo starts out as the Manic Pixie Dream Girl. By the end she could have become human. But she doesn't. So when you compare her to all the other characters in this film it's like they come from completely different worlds.

    Paper Towns is, overall, a good film but the ending completely ruins the entire story and the themes that it was building.
  • nataliey9523 July 2015
    Warning: Spoilers
    A cliché trying desperately to be different.

    Don't get me wrong - this is not a bad movie. The directing, cinematography, and art direction is great; in other words, it looks pretty. The performances were good. Unfortunately, those two elements only barely managed to salvage this film, which meanders with a predictable plot and YA tropes.

    We meet Guy, who's not conventionally handsome or bad-looking, is not really interesting, possesses no engaging backstory, and seems like a pretty decent human being but people (or girls) just think he's a loser. Then we get his sidekicks (aka subplots) that are painfully trite: the guy who salivates at the sight of breasts; and the other guy who's in a committed relationship and for some reason seems terrified of his girlfriend (and we never get a real reason why). They are written to be funny to try and provide some comic relief.

    And of course, we have Girl. Girl in this story is not likable (in fact, none of the characters are). Girl is named Margo, who is the next door neighbor to Guy (Quentin or Q). Guy meets Girl, falls in love with her, and of course, they drift apart because Girl becomes popular. Girl decides to just disappear after one night of a last adventure with Q. Apparently, she just leaves a lot. Her mother is not worried, just weary. Her parents don't even bother to file a missing person's report.

    Margo is selfish. Her best friend Lacey soon comes to realize that, but not soon enough. Q, deluded in a fantasy of what he wanted Margo to be, sets off on a journey from their home in Orlando to a paper town called Agleo, New York - all based on clues Margo left behind. Subplots and Margo's best friend tag along because why the heck not, carpe diem, and all that sh*t.

    There were many moments during the 109 minutes of this film where I cringed. Literally. When the hot, popular girl with great hair has been unfairly labeled as The Slut, she dispels that misconception and clarifies that she actually has got brains and is going off to Dartmouth. And that's all we get from this character. In fact, none of the supporting characters worked. They were just as paper as Margo lamented about the boring, humdrum inhabitants of their Orlando suburb.

    Perhaps a highlight of this movie is the charm that Nat Wolff delivers in his performance as the love-sick puppy, Q. Despite the blandness of his character, Wolff maintained a certain je ne sais quoi, even when he was being a complete idiot.
  • The first twenty minutes absolutely blew me away, totally enjoyable, when she'd disappeared I honestly thought it was going to be a kind of Gone Girl thriller, wrong, it fell somewhere between Road Trip and the Goonies. After adjusting to what essentially became a teenage road trip movie I kind of enjoyed it, there were some entertaining moments. I couldn't help feeling a little bit robbed, it had been set up so well, it literally felt like a different film after her disappearance.

    The ending at least was one that decided not to pander to audience satisfaction, a little sour but interesting. As always with this kind of film the usual clichés are there in full, point zero as is the rule is the prom, they always have to be motivated by the prom.

    Interesting casting, Nat Wolff was very good as Quentin, he didn't overplay it, very enjoyable. I will applaud the decision to cast Cara as Margo, maybe not the top of many lists but I felt her personality and natural self gave Margo her enigma and mysterious edge, I thought she was very good, the accent slipped to English on a few occasions, but that can be forgiven, I hope it's a springboard for her I like her.

    6/10 It was good, it should have been so much more.
  • Paper Towns is another coming-of-age story about Quentin and his neighbour Margo and how here mysterious disappearance sends Quentin on a journey to find her through clues she left behind for him. Now i love a good coming-of-age story, so when one is done right and is new and interesting it will probably be something i choose to watch more than once. Unfortunately this will not be one i am eager to re-watch but it is still a good, strong attempt at one of these films but it seems to get lost a few times along the way in terms of its storytelling. I'll start with the characters and performances, because i feel they were definitely the best parts of the film and added so much to making the film pretty enjoyable. Nat Wolff was great at playing Quentin, a shy awkward guy who had a signs of a lot of personality but needed the right people to bring it out. You really get to connect with his character as they made him come across as very real and not like a character per se. I may say that often but there are so many young actors really showing off their best stuff in these smaller personal films. Cara Delevingne was also great as Margo who was also quite odd and mysterious but was also very out there and confident at the same time, a great contrast to Nat's character. The rest of the supporting cast were also well acted, their distinct personalities were at times used for some cheap comedic relief but also had a greater purpose in adding to the complexity of our main character.

    The first act of this film is really where the film gets to shine. You get the introduction to these characters (Quentin and Margo) and get to see their relationship and how it has changed and affected both these characters in the lead up to the events in the film. Watching them interact and bond was fascinating and charming at times and was a really good lead up into the events of the second act and understanding their actions. It was fun, light-hearted and was setting itself up for something great. All of the events so far had a fluid lead in to the second act which became more of a mysterious adventure whilst still trying to maintain that fun element somewhat unsuccessfully. The events of the first act are what get you through the very long second act that could have been cut down like 20 minutes. The second act was more focused on building up Quentin's character and having him face some tough and new decisions in his life. Although it was interesting and you do want to see where his character goes it was a noticeable step down from the fun light-hearted enjoyment in the beginning. There was this great interesting relationship set up and you are eager to find out how the film ties everything together, then you reach the third act and all of the storytelling falls apart.

    For certain characters, their actions and reactions seem somewhat justified but for some others they just felt like another character entirely. There was nothing in the second act that really explained how or why these characters made such a drastic change in reasoning or personality. They try to explain it in the dying minutes but it was very rushed and didn't fit with the rest of the film. The problem was that there was no real progression from the events of the beginning to the events in the end for some characters and that led me to believe that the writers/directors knew how to approach certain sections but were completely lost for others. I believe, they knew how they wanted the film to begin and how to introduce these characters, and they also knew how they wanted it to end and what themes they wanted to explore. But what they didn't know was how to show that transition, and when a film has the beginning, and has the end it can be hard to fill in the guts of the film afterwards and show a distinct character progression. That's just my theory but whatever happened the storytelling was a bit of a mess.

    That being said, it was still a good enjoyable film that tried too hard to be different or maybe not hard enough. It had great characters and performances, a fantastic first act, an interesting second act and a third act that didn't live up to what the rest of the film was building up to. Humour didn't really work that often but kept the film from becoming too dark, and there were signs of emotion but nothing that really affects you. In the end, it's enjoyable but there are better coming-of-age films out there (Boyhood / Me and Earl and the Dying Girl). - 6.3
  • "What a treacherous thing to believe that a person is more than a person."

    Thanks to the worldwide success of The Fault in Our Stars which was adapted from John Green's 2012 novel, the producers have decided to adapt some of his earlier work as well. Teaming up with the same screenwriters, Michael Weber and Scott Neustadter, casting Nat Wolff again (although this time as the lead), and hiring a new director, Jake Schreier (Robot and Frank), they had everything in place and ready to adapt Green's 2008 novel, Paper Towns, with the hopes of banking on the author's current fanbase. Although Paper Towns is similarly aimed towards a teen audience, it is very different from The Fault in Our Stars. It's a coming of age story that includes some mystery elements and ends up turning into a road trip movie. So despite following certain generic conventions in the teen genre it does manage to mix things up a bit and that was something I enjoyed. Everything else about Paper Towns including its characters are pretty familiar.

    The film begins as a typical boy becomes infatuated with girl story, but it soon develops into much more than that. In Paper Towns this boy is Quentin (Nat Wolff) and the girl next door he falls for is Margo (Cara Delevinge). They shared a friendly past, the two hung out together as kids, but when they became older Margo's adventurous and wild behavior didn't go along with Quentin's much risk free and calm demeanor. During their senior year of High School, Margo was on her way to being the prom queen, while he was just the kids that went unnoticed. His two best friends, Radar (Justice Smith) and Ben (Austin Abrams), were aware of his obsession over her, but he never acted upon it. One night, Margo climbs through his window using her ninja skills as she used to when they were kids, and asks him to join her on one last mission. Apparently her boyfriend has been cheating on her with her best friend and she wants to get some payback. She asks him to drive her around on his mother's minivan and after the successful mission Quentin admits never having felt so much fun before. The next day, hopeful to resume his new found friendship with Margo he discovers that she has gone missing, but she has left some clues behind for him. With the help of Radar and Ben the three begin to try to solve the mystery of Margo's disappearance. Lacey (Halston Sage), one of Margo's closest friends, also decides to join the kids in trying to find her since they seem to be the only ones worried about her.

    Michael Weber and Scott Neustadter are definitely the two screenwriters you want to hire for adapting teen based novels. This is perhaps their weakest effort, but it still stands above most other teen rom-coms. 500 Days of Summer and The Spectacular Now were both very well written screenplays with interesting characters and relationships, while The Fault in Our Stars banked on the the strong chemistry between Woodley and Elgort. Wolff in that film delivered most of the comedic scenes, but here he downplays his character and lets Abrams deliver most of the funny quirky scenes. Delevinge embodies her wild character pretty well, but considering she is missing throughout most of the movie she doesn't get much screen time. That is what makes Paper Towns such a rare teen romance because the girl is missing throughout most of the story and the focus is on Quentin's quest to find her. It's more about idealizing the other person and discovering that in reality they are simply a person. The mystery and the road trip is what makes this film stand out from other films in the genre and it makes the ride all that more enjoyable, but when compared to other coming of age films it probably ranks in the middle. The film shares some similarities with The Girl Next Door, which was a film I enjoyed a lot more probably because I was younger when I saw it. Paper Towns is a film for teens and if you're not in that target audience you might find it a bit difficult to enjoy. There is one scene in the movie that reminded me of this when during a cameo all the teen girls in the audience sighed at the sight of him.

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  • Maybe I'm getting old. These over-serious, platitude-filled teen dramas used to only mildly annoy me. Now, with Paper Towns, I feel myself getting irrationally angry at its desperate plea to be this generation's The Breakfast Club. From where is that resentment coming? Maybe it's that I'm a 30-year-old married-father who's not meant to like this movie. Maybe it's that I'm coming off the high of the teen drama Me and Earl and the Dying Girl. Whatever it is, Paper Towns irritated much more than it charmed. The premise has potential: nerd spends one magically frivolous night with the enigmatic girl of his dreams, Margot, before she inexplicably disappears. Instead of being unique, stylish, or progressive, it becomes the lament of the rich-white-teen and the manic pixie dream girl. Our "hero" is drawn to her magnetic mystery, but that appeal never reaches the audience. At times, she represents an idea more than a character, but mostly she's an unbearably selfish, manipulative shrew, using her womanly wiles to get whatever she needs. When she's off-screen, the interplay between the friends is watchable, but her bothersome presence is never far away. Worst yet, in the end PT never takes a stance on Margot, like the movie is trying to have its cake and eat it too. Stylistically, the movie is forcefully quirky, annoyingly cutesy, and boasts a soundtrack that's like someone pushed the "hipster" button on a Casio Keyboard. We can only blame director Schreier, whose previous film was the under-seen Robot and Frank. Just stay home and watch that, a story about a machine with more humanity than anyone in PT.
  • Coming on the heels of its commercially-successful predecessor, 'The Fault in Our Stars', PAPER TOWNS is no heavy tearjerker, but it echoes more affectionate and piercing sentiments, with its lighter, minimalist take of its recognizable subjects.

    The film follows Quentin (Nat Wolff) , or "Q" as he is more popularly called, a highschool boy who has been nursing an unrequited love for the girl living next door, Margo (Cara Delevigne) since childhood. Even after when they turn 12, when Margo suddenly becomes distant, "Q" never loses the affection, and it only becomes even stronger when one day she climbs again to his window, the way she did when they were still kids. The next events follow an eager "Q" savoring the moment as he escorts Margo in her series of "small revenge" against those she thinks have betrayed her, including her ex-boyfriend. But the levitating moment would only last overnight, because the next day, the ever mystifying Margo, disappears.

    Mining on the same overly familiar material that dwells on both coming-of-age and teenage romance territories, PAPER TOWNS pulls off two easily-recognizable efforts: maintaining 'The Fault's charm, while toning down its tragic notions. The latter of which, yields a more tangible and heartwarming result, capable of conjuring a lasting tug at the heartstrings. The credit for this goes to its equally-charming yet capable actors, both of whom teeming with fresh and enigmatic likability. It will also sound unforgivable to never pay regard to the film's brilliant screenwriters who manage to cleverly highlight this extremely familiar highschool tale's stronger and more relatable sentiments, genuinely and sincerely enough, to bend fragile emotions with crippling capacity.

    "Q"'s road trip in finding Margo represents a bigger journey with far wider scope and meaning, and it comes across as a process of personal exploration that unknowingly liberates one self, toward finding the deeper sense of their existence. Hardly that the questions thrown get resolved, but the charming and sincere take of its proceedings, will ultimately make the narrative arrive to a satisfying conclusion. This doesn't mean it's able to satisfy its own queries, but the resolution delivered are nonetheless, reliable and honest.

    PAPER TOWNS will come across as a witty, yet touching case of a 'lost and found'. Much of it is spent in searching for the 'lost', a liberating process that frees its seekers from every question that unfolds in the wake of a previous other, but the 'found', though never really answers any of the previous questions, will deliver a surprisingly satisfying, and never less of a rewarding, answer.
  • "Maybe all the strings inside of him broke."

    Walking into the cinema... John Green is the author for this teen drama. Can this film rise above the typical coming of age films?

    Overall rating: 3.5 stars Cinematic value: 4 stars Big Questions value: 3 stars

    Coming of age films are not new to the cinematic landscape, but Hollywood manages to propagate a new batch for each generation. Every once and a while, one stands out from the rest. From Rebel Without a Cause to Say Anything to Breakfast Club, this genre has provided positive memories and the lines that resonate throughout our younger years. Paper Towns and author John Green have struck this cord and provide a voice for this generation. The high school journey of Quentin (Nat Wolff) and his mysterious neighbour Margo (Cara Delevingne) is an adaptation of the Green novel. Quentin and Margo are friends throughout their childhood but have grown apart over the years. Then on a fateful night during their last year of high school, Margo asks Quentin for his help on a mission of revenge against friends who have done her wrong. The midnight escapade becomes a life-changing event for Quentin and he begins to pine after Margo again, then she mysteriously disappears. Family and friends want to know where she went and the mystery deepens as Quentin finds clues about her whereabouts that Margo left behind. He recruits his band of friends to take the road trip of a life time to find this teenage runaway. Throughout the life-transitory road trip, Quentin finds out more about himself, his relationships with his friends and what to do with his misplaced love of the mysterious Margo.

    Throughout the opening moments of Paper Towns it feels like it was going down the predictable coming of age narrative. Boy meets girl, girl lives across the street, girl lives an adventurous life and boy pines after her from a distance. Quickly, director Jake Schreier (Robot and Frank) pulls the story out of the hormonal malaise and into the kaleidoscope of different expectations. His lead characters provide an unexpected depth. Nat Wolff and Cara Delevingne were perfectly cast in this teen mystery. Wolff proves to have a John Cusack (Say Anything) quality that makes him appealing as the average boy that proves cool in the end, while Delevingne provides enough smouldering excitement to make her worth this young man's pursuit. They are surrounded by a wonderful cast of characters that compliment the comedic dialogue and the contemplative moments of the script. This is where the film differentiates itself within this genre. Even within the stereotypical trappings of the party scene, suggested teen sex and proverbial geek trio, the writing lifts the story line out of the post-pubescent mire. It may seem unrealistic to think that teens could speak at the depth that they do in Paper Towns, but the characters make these lines plausible and accessible. There is a maturity with a twist of hormonal angst that gives this story the necessary edge it needs. Also, the conclusion adds the unique twist that provides a surprising satisfaction to the adventure.

    In the realm of teen dramas, Paper Towns does provide a new perspective on a generation, but if there are any difficulties with the film it was in the lack of parental involvement. In the typical American high-school scenarios, the lack of representation by the parents in the film does leave a hole in the narrative. The only people who seem to speak into the lives of these kids are other kids. This might be an insight on the lives of families today or a warning signal for parents to get more involved in the lives of their children. Regardless of the message that is trying to convey, the lack of any adult wisdom does leave a void in this engaging script. Paper Towns is an entertaining film that provides an opportunity for parental dialogue with their teens on many of the transitional issues of their lives.

    Leaving the cinema: Paper Towns was a pleasant surprise. It does provide a new generation a cinematic voice and opens the door to some great topics of discussion for families.

    Reel Dialogue: What are the bigger questions to consider from this film? 1. What is sacrificial love? (John 15:13, Ephesians 5:25) 2. Is life mysterious? (Colossians 2:1-3, Matthew 13:11-13) 3. Does God care about my dreams? (Jeremiah 29:11, Proverbs 16:3)

    Written by Russell Matthews based on a five star rating system @ Russelling Reviews #russellingreviews #papertownsmovie

    Labels: Cara Delevingne Coming of Age film Do we need another coming of age film Halston Sage high school Jake Schreier John David John Green Nat Wolff puberty The Fault in my stars
  • gdl3325 July 2015
    Warning: Spoilers
    Let me start out by saying I never read the book, so I can't possibly have any beef in that area. I also didn't see TFIOS previous to this, so I can't compare. However, I was extremely unimpressed by this movie overall.

    I was impressed when the anti-climax came, and Margo basically just told Quentin, "Hey, you're crazy for coming all this way. Nothing I did actually was meant for you in any way." At this point, I was thinking, that's pretty ballsy for them to lead all the way up to this nihilistic shattering of idealism for Quentin.

    And then they just half-assed it.

    I was disappointed when the ending came and they tried to sort of flip it around, like, "Wait, no, it DOES have meaning, see? They had fun!" If they had stuck to the tone of that scene with Margo and Quentin in the parking lot, I would've given this a 6 or a 7 out of 10, even though the rest was just average.

    I liked some of the other characters' small changes and the flirting with the idea that they're all going away to college to never see each other, but Quentin's character arc was simply not there. He started as just a spectator, and ended as just a spectator.

    Overall, I give this a 5/10 for just being a mediocre movie overall, and the pacing feeling a bit strange sometimes.
  • makleen216 September 2017
    Warning: Spoilers
    Released in July 2015 and based on the novel by John Green, Paper Towns (2015) is a coming of age story centered on Quentin "Q" Jacobsen and Margo Roth Spiegelman, childhood friends who drift apart while growing up in a nondescript Orlando, Florida subdivision. I enjoyed this film. It weaves urban exploration, road tripping, and geography/cartography around deeper themes involving free will, expectations vs. reality, friendship, and how we confront our own mortality.

    The title of the film, Paper Towns, comes from a type of fictitious entry that cartographers sometimes use to discourage plagiarism or copyright infringement. This becomes important when Margo Roth Spiegelman refers to Orlando as a "paper town" before she mysteriously disappears. Her friends attempt to track her down near a famous fictitious entry, Agloe, New York.

    To briefly summarize the plot, as a young boy Quentin Jacobsen, played by Nat Wolff, is immediately smitten with Margo Roth Spiegelman, played by Cara Delevingne (a discount Emma Watson), after her family moves into the house across the street. They become inseparable, until one day they discover the body of a man who committed suicide in a park. Margo wants to investigate the man's death, but Quentin chickens out. After that, the two drift apart. Quentin becomes a band geek who always follows the rules, while Margo constantly lives in the moment and falls in with the popular crowd.

    One night, in their senior year of high school, Margo asks Quentin to help get revenge on her boyfriend and her friends, who betrayed her. After sharing this moment together, Margo mysteriously vanishes. Quentin begins to break out of his shell, and enlists the aid of his friends in a lengthy search for his missing soulmate.

    Being confronted by death at a young age affects the two main characters very differently. While Quentin emotionally suppresses the incident, it profoundly alters Margo's perception on life. She realizes that every moment is precious, and that she can choose to live outside convention and try to be whatever she wants to be. This, of course, leads to numerous clashes with her parents and her ultimate dissatisfaction with life in Orlando. Her friends' betrayal is the catalyst to finally leave everything behind.

    Quentin, on the other hand, takes Margo's sudden reappearance in his life as a sign that she wants a more meaningful relationship with him. Following clues she left behind, he throws convention to the wind and pursues her to her hiding place in rural New York. Along the way, his friends also begin to break out of their shells and develop their own relationships. Margo's do-as-she-feels philosophy is the catalyst that inspires this group of shy introverts to take risks and live life to the fullest.

    While Quentin and friends ultimately must settle back into their previous life goals and routines, there is no such happy ending for Margo. Once shaken out of the herd mentality by her early confrontation with death, she can never settle down and live a "normal life." This is a profound point that most moviegoers are likely to overlook because she is introduced as being a member of the "popular crowd." How many "popular girls," however, are introspective loners, read literature, study old maps, hang out in abandoned buildings, and run away from home to pursue their artistic interests? The passion to have a richer life experience, a deeper understanding of things, and to escape the average and everyday is one response to human mortality. When confronted with the limits of human existence–the realization that we all have an "expiration date"–most people will seek comfort in convention, structure, and predictability.

    Some individuals, however, will disregard convention and take risks in an effort to get the most out of their existence. These individuals will remain perpetual outsiders, a sentiment expressed by Margo when she stares out a window of the SunTrust Center down onto Orlando and describes it as a "paper town" filled with fake people, "not even hard enough to be made of plastic." At this moment, she reveals how alone she feels despite her apparently carefree, spontaneous life.

    Inevitably, you end up asking yourself, am I Quentin or Margo? I can safely say I have been both at various times in my life, and the ability to identify with both characters added to the enjoyment of the film. Its refusal to tie up neatly at the end also appealed to me. After all, sometimes the guy doesn't get the girl, and often times our expectations fall far short of reality. But the desire to find meaning in life in the face of death is something we can all identify with. Life and death is, after all, the ultimate mystery.
  • kosmasp2 May 2016
    Another teen movie, another movie of coming of age and finding love or at least your destiny (not a lot to ask for then). But while that may sound sarcastic, the movie itself is really good. Nicely written, especially the dialog and the characters, this can be real fun to watch for a lot of people.

    Now, what I haven't mentioned yet, is the fact, that I haven't read the novel. So I can't say anything about how you'll react to it, if you have or how accurate it is in adapting the material. Nevertheless, the acting is spot on and the message is delivered, even if it's being soft on the edges at times, but it's a movie, it's allowed to do that. Silly, fun and maybe with some bad advice depending on how you read some things that happen ...
  • "Paper Towns" is that kid in the lunchroom who acts different and seems cool but it isn't until you talk to him that you realize he adheres to all the social conventions and routines of life that you thought he was rebelling against. It's the kind of film that feels like it was written by an adolescent girl cherrypicking reblogged Tumblr quotes from her wall to suffice as the theme for the film. It's the kind of film you'll love if you find the idea of "getting lost to find yourself" a profound concept.

    "Paper Towns," finally, is the kind of film where the love interest is named Margo Roth Spiegelman (Cara Delevingne), whose vacuous personality is mistaken for mystery and enigma. She is defined by her absent gazes into the world, her love for "random capitalization" in her writing because "the rules are so unfair to the letters in the middle of words," and her statements about her town, Orlando, Florida, being a paper town with "paper houses and paper people."

    She also happens to be the apple of Quentin's (the former "Naked Brothers Band" lead singer Nat Wolff) eye since she moved in his subdivision when they were young; he considers living next to her his sole miracle in life. However, the two have significantly drifted since their youthful days of innocence, until one night when Margo climbs into his window and says that she has nine things to do that night and needs a getaway driver. Stunned that the love of his life has waltzed through his window for the first time in years, Quentin takes Margo and peels off in his minivan to exact revenge on Margo's cheating boyfriend and her friends who didn't help her in her time of need.

    Upon having the greatest night of his life, Quentin wakes up the next morning and sees Margo isn't at school that day, and eventually, notices she's missing the entire week. Her parents aren't concerned, for Margo does this a lot, but Quentin and his friends - the incessant Ben (Austin Abrams) and the geeky "Radar" (Justice Smith) - begin to uncover clues as to why Margo may have disappeared and where to. With that, the three teens, including Margo's best friend Lacey (Halston Sage) and Radar's girlfriend Angela (Jaz Sinclair), try to track down her whereabouts.

    "Paper Towns"'s immediate problem is it's nowhere as intelligent or witty as it thinks it is. Its themes are all rehashed to the point of breeding contempt and its characters, particularly Margo, are so broadly drawn that they work against the film, which is clearly trying to breathe that fabled freshness into the teen film genre (it always feels like Quentin's going to stop the film with his narration saying the dreaded "this isn't your average teen movie" line).

    Strangely, though, the most contemptible character throughout this whole film is Margo for more reasons than her empty personality. She's the kind of person who thinks it's okay to drop her friends and family without giving them any inkling as to what's wrong with her because she's trying to find herself. Finally, when somebody does something for her, particularly Quentin, she takes it with a grain of salt and goes about selfishly trying to advance herself rather than consider what she means to others. She's on the verge of growing up and being Amy Schumer's Amy character from "Trainwreck," a contemptible, lost soul who takes advantage of people she meets.

    Furthermore, the humor of "Paper Towns" is another thing that's frustrating. One moment, the film is trying to wow you with a "deep" dialogue about what lies beneath the surface of people, and the next, a character accidentally spills a can in which he urinated into all over himself and his friends. Once more, this is a film that's trying to be one thing but can't escape what it ultimately is: trite, frequently immature, and mostly empty exercise that has nothing revolutionary to say despite thinking it does.

    However, don't fault the cast here, for they clearly give it their best shot. Their energy and charisma bring to life more than writers Scott Neustadter and Michael H. Weber (who wrote "The Spectacular Now," a film you should see instead of this one) do. Nat Wolff, an actor I've consistently admired for his good-natured, everyboy appearance and personality, does strong work here in that realm and is assisted by capable performers like Smith and Sage (Delevingne would likely be better if she had a character to play).

    "Paper Towns" is cut from the same cloth as "The Fault in Our Stars" (author John Green, who wrote the book on which this film is based, also wrote that one and Neustadter and Weber also penned that screenplay) in that it tries to take a different direction for its adolescent characters but crumbles under the lackluster deviations from reality it so often takes. On top of that, unlike "The Fault in Our Stars," which was burdened by sentimentality and cringeworthy attempts at a perceived coolness, "Paper Towns" winds up being precisely what it didn't want to be - a paper film.
  • Warning: Spoilers
    Paper Towns might be a fantastic romantic adventure if you happen to suffer from short term memory loss, that way you wouldn't find yourself concentrating on nagging plot holes. It is is supposed to be deep and poetic, but you find yourself frustrated by nagging questions of simple logic. This is one of those movies where teenagers run all over the countryside at will without a parent in sight to, ya know, do some parenting.

    Based on the book by John Green, who's very faulty The Fault in Our Stars was an inexplicable hit last summer, Paper Towns centers on an open-faced teen named Quentin (Nat Wolff) who is just about to graduate from high school. Down the street lives Margo (Cara Delevingne) who was his childhood buddy but in the intervening years the two have drifted apart. One night Margo crawls in his window and invites him on a journey to exact revenge on several people who dun her wrong. It's a tantalizing adventure for Quentin and he develops a crush on her.

    To his surprise, Margo doesn't show up for school for several weeks and he and his friends worry about her. Not to worry though because she's left behind a series of cryptic clues to either her whereabouts or her well-being. Aaaand the rest of the movie is Quentin and his buddies Radar (Justice Smith), Ben (Austin Abrams) and Lacey (Halsten Sage) going from clue to clue to figure out whatever happened to her.

    These kids never act like real kids, they talk and act like something out of a show on the CW. Their dialogue is either broad and jokey or deep and poetic. They do things that no kids in the history of teenagers would ever do without landing in front of a judge. That's probably due in part to the fact that no parental figures (or cops) are anywhere around to supervise their actions. The kids crawl in windows, trespass, break in cars, and in one bizarre moment, walk right past the security guard to gain access to a high-rise in the middle of the night. Every door and window that they try is unlocked so there is never a barrier in their way. They never trip an alarm or alert a neighbor's dog, and no one ever calls the police.

    That wouldn't be so bad if these events were played for a horrific acts that they are. No, they're played as light-hearted fun. Quentin climbs out his bedroom window and borrows his mother's SUV in the middle of the night, but no one ever gets suspicious or notices that the car is gone. Even worse, she seems oddly permissive when Quentin calls to tell her that he and his friends have ditched school to take a road trip from Orlando, Florida to a podunk town in upstate New York.

    What's really galling is that there's nothing about Margo that really seems worth all this fuss. Something in her obviously infects Quentin's brain, as well as his heart, but we in the audience just see a girl who has mistaken having common sense for being a free-spirit. There's really nothing special about her. She has two moments in the film when she talks about the mysteries of the future, but what she has to say is convoluted nonsense. See if you can decipher this: "All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters." This is how she talks through the whole movie! Paper Towns is one of the dumbest and most wrong-headed movies I've ever seen about teenagers, a movie with intentions that seem romantic but come off as horrifying. This isn't about the lives of teenagers; it's the shockingly light-hearted portrait of kids who commit several dozen misdemeanors all in the name of romance and free will.
  • Warning: Spoilers
    Don't get me wrong, I don't hate this coming to age movie. I just thought it was meh. On paper, this mystery concept of a missing teenager was very compelling. I like the idea of a young man, life-long crush, Margo Roth Spiegelman (Cara Delevingne) disappears, leaving behind clues that only he, Quentin "Q" Jacobsen (Nat Wolff) and his friends must follow to find her. However, this movie completely missed the point of the third Young Adult novel written by author John Green of the same name. Without spoiling the movie, too much, the whole point of the teen angst story, is for Quentin, to realize that Margo was not a good person and everything she did was an illusion, AKA a 'Paper Town, a facade. However, this movie made it pointless by having them, still romantic interested in each other, and for Quentin to still think of her in a happy ending settling. This was a bad idea for screenwriters Scott Neustadter & Michael H. Weber to do. It makes Margo still seem like a Pixie Manic Dream Girl to the boys. Margo is supposed to look like the villain. She supposed to do horrible things. Taking away the actual meaning of the character, to make a more generic friendly unthreatening bittersweet story leave a sour taste in my mouth. Then, there was the changes to other things in the plot that fans of the book didn't take well, such as the fact that Q finds Margo randomly after his friends leave him in the middle of nowhere. That was really out of the blue, lucky! However, that scene doesn't work, as good as the original, since, both of them, are technically, in a 'Paper Town' settling. Also, the fact that Margo has suicidal thoughts was never really explore much, besides the beginning of the film made this ending seem uncomplete and inadequate. Another thing that bug me about the film is how Q and his friends race to find Margo and get home in time for prom. In the book, they head out to find Margo immediately after graduation. It made the whole idea of moving on, have so much more impact, then what we got here in this film. Despite that, Nat Wolff does do a great job, as the main character, Quentin. He has that charm and smarts, to pull this character off and keep us entertain. However, I can't say, the same for his co-star, Cara Delevingne. This is Delevingne's first large acting role, besides her model work. Not to discredit Delevingne—who is fine based on author John Green's account to her screen premise—but I have to disagree, I really don't see her, anything more, than her, as eye candy. Famous for famous, sake. Her performance for me, just seem bland. I do agree with Green's first choice; Emma Blackery, a semi famous YouTuber, should had play Margo. In my opinion, Paper Towns works best in Delevingne's absence. Her absence forces, supporting actors like Austin Abrams and Justice Smith to step up, as Quentin's best friends, Ben Starling, and Marcus 'Radar' Lincoln. It really gave them, the moment to shine. After all, the key to author John Green's success is his books' vivid and engaging characters, both major and secondary, who are trying to figure it all out. Quentin's two best friends are just that. I love how much, character development, they are given, here. However, unlike the book, Lacey Pemberton (Halston Sage) and Ben don't have much chemistry here. Many viewers felt Lacey had more chemistry with Q than she did with Ben, or than Q did with Margo. Other changes, they made for the movie is cutting out the character of Karin, and giving more screen time for Angela (Jaz Sinclair). In my opinion, most of these changes, kinda hurts, the film, but there were some changes, that I'm glad, they cut out, such as the Kashmir earthquake & the SeaWorld moment. I really didn't think, those scenes help the main plot, much, because they would had been too distracting, and would made the film seem something else, than it's originally, supposed to be about. Still, I would have love to see the movie kept to the three act, structure of the book, which is divided into three sections: string, grass, and vessel. Despite that, the movie is still able to keep most of the sophisticated dialogue, odd sense of humor and its clever problem-solving mystery. It's also nice to see the cameos of Ansel Elgort and author, John Green in this film. One thing, I'm glad, they kept, was all the references to novels like author Herman Melville's 'Moby Dick', poet Walt Whitman's 'Leaves of Grass' and others. Glad, it's intact. I love it, because it leaves the audience to think critically about identity and how well, we ever really know anyone. Overall: While, it might not be that convincing of an adaptation. Director Jake Schreier did try, his hardest to make the film, entertaining. I just wish, the movie didn't try to make the film so family friendly and simplify. In my opinion, the film is fine, but could had be, so much better. Paper Towns didn't rock, nor could it, had beat it.
  • I read the book right before I went and saw the movie. I loved the book, and I was expecting the movie to be more similar to the book (in the order of events) but I was disappointed in the order of events. the movie and the order in which the events happened was a little choppy, and it ended up leaving out important parts in some aspects. the characters and their personalities all stayed true to the book for the most part, but I was disappointed with Margo's character. the actress did a good job, but I felt like her character had more personality and dynamics than what was portrayed within the movie. I recommend reading the book first because it gives you a lot of important information beforehand. the plot has a great storyline and ending; I was just disappointed with the order of events.
  • Saw it last night. It's tricky to talk about this one without spoiling it. But I will -- discuss, not spoil. It's a romance in two appropriately lopsided acts. Think the structure of The Crying Game melded with the story of The Fault in Our Stars (another perfectly cast movie penned by the writer of this one)... but with any controversial content and nearly all seriousness surgically removed. And, of course, a different finish. This picture gets the love and the depth through flirtation. It's a coming of age story and a nerdy adventure. Leans lightly but certainly on movie high school mores and types and don't go looking for big thrills, unless by big you're content with record breaking black Santas or a surprise cow. The film is a successful story of two ships. Do they pass in the night? Do sparks fly?
  • Warning: Spoilers
    Margo (Cara Delevingne) moves into town and Quentin (Nat Wolff) becomes obsessed with her being a free spirit, always going on adventures, and never plucking her eyebrows. The obsession goes from childhood through their senior year in High School. Margo loves mystery and after a night of mischief with Quentin, she disappears. Following clues left by the mysterious Margo, Quentin goes to look for her taking along a posse.

    Margo's adventures were better stated than enacted. The film had a lot of boring scenes, coupled with indie scenes that attempt to be cute and deep both. Margo has those deep memorable lines like, "We bring the rain and not the scattered showers." The target audience of the film is the class of 2015 with a theme of "making memories" and not a memorable movie.

    Guide: 1 F-bomb. Implied sex. No nudity.
  • Some reviewers here called the movie stereotypical or as "the breakfast club" wannabe. Well, I for one disagree with that statement. As far as I'm concern, I enjoyed the movie all the way until the end.

    Since he was a kid, Quentin has fallen in love with his neighbour/school friend named Margo. They were friends when they were kids but drifted apart when they're approaching high school. One night, Margo came through Quentin's window room to do a so-called "mission", which brings back hope for Quentin to show his affections for her. Unbeknowst by him, Margo disappeared the next day and left him clues of where she is or gone to. Because of this, Quentin embarks on a journey to find her and the truth of her disappereance.

    At first glance, this doesn't seem like a run- of-the-mill teenage romance dramedy. Actually it offers just that, but with a whole new perspective. It doesn't really flip the genre around, but it has an interesting story to tell. Because of the narration, the movie feels fresh and tolerable.

    What makes it even more interesting is the characters. The actors shine in their role. Nat Wolff does a great lead as an aimless teenager seeking for his true love. The one who gets the most laughs from me is Austin Abrams as Quentin's friend Ben. Cara Delevigne succeeds her role as the offbeat, somewhat mysterious Margo, who's a brave and total flight risk.

    Of course there are some stereotypes. I mean, is there someone who is not a stereotype? At least, there are some character development along the way and that's what makes watching this movie a rewarding experience.

    At the end, seeing this movie brings me back to when I was in high school. It gives a nostalgic feeling that's either genuine and heartfelt.
  • Warning: Spoilers
    To give too much of the story away would ruin the experience, similarly giving you just little titbits would also influence your expectations greatly. Mainly because 'Paper Towns' seems to be evoking genre specific technique in scenes that amplify the scene but do nothing to firmly place in its actual genre. The film could be a teen comedy come road trip film. It could be a teen romance. Or even a teen adventure with and air of dread. But it manages to encapsulate all into one.

    The set-up of the film follows an air of romance as we dive into Quentin's (Nat Wolff) unexpressed love for the literal girl next door, Margo (Cara Delevinge) who turns out to be anything but the girl next door. And Act I cumulates with an explosively romantic race around town.

    But where the feeling or tone of Act I ends, Act II does not pick up from. It slowly lulls the viewer down from the romantic high into a sense of despair - was it all a dream? Then a sense of dread – Has something horrible happened? And takes a darker turn – drugs and prostitution, perhaps? And with this a mystery starts to build around all these questions.

    Act III does what its predecessor did and takes the viewer in a totally new direction. Adding more slapstick, more comedy, some road trip clichés and a few feel good "we're all getting along" moments along the road to discovery.

    'Paper Towns' has a superb soundtrack. In fact the movie starts of with a song so awesome I wanted to Shazam that immediately. But it quickly changes into something more reminiscent of a 90's teen flick, which at first I was unhappy about the change from awesome to mediocre but on closer inspection it only amplified the films angle of playing with different genres and our perceptions of those genres.

    At the heart of it 'Paper Town' is pumping red. It is so fresh and original with compelling young actors to take you all the way to the end. The road trip might be the most boring part of the film but the ending is so light hearted with real depth. It's a thoroughly enjoyable family film for families with teens.

    Agree, or not, check out keepingitreel.com
  • Warning: Spoilers
    Paper Towns is about a cocky, attention seeking drifter who takes advantage of the vice grip she has over this creepy guys balls, unintentionally sending him on a potentially life ruining quest to find her. Dear God! This movie is terrible, absolutely bloody terrible.

    First of all the Dialogue is ATROCIOUS. It's as if a couple older white men got high and wrote what their half baked brains thought a stereotypical teen would say. The script is simply like the film, extremely pretentious with very little/ no substance whatsoever, coming across as desperate.

    And the story is awful too, the film is literally about a teen with a boner for his neighbour, who helps her commit various crimes before she disappears. The boy, blinded by his crush, attempts to work out the clues his crush has left to be found, only to cast his friends aside and find out the clues weren't to be found and followed at all which is EXACTLY NOT WHY YOU LEAVE CLUES. This makes for such a stupid disappointing ending.

    The characters in this film are annoying. Q has no self respect and his creepy white friend is unfunny and obnoxious. Margo is basically every bad quality possible put into one human being and her name is probably one of the most pathetic movie character names ever, Margo Roth Spiegelman, I cringed every time she is referred to her by her full name.

    Overall the main issue with Paper Towns is the script and story. The film wants to be deep and meaningful o so desperately but there is just no substance to this horrible horrible movie. The characters are unlikable, the story is stupid, the dialogue is terrible and to be honest this film was only made because The Fault in Our Stars did well and the studios clearly wanted to make big profits on doing another one of John Greens YA books. This film is bad, really, really, really bad. Please do not see this film even if you are paid to. It's not worth the pain. Go watch Me and Earl and the Dying Girl because that movie is meaningful and amazing! End of rant.
  • I don't quite get all the negative reviews here. I'm married father of two pre-teens and I thoroughly enjoyed the movie. I recognized myself a lot in the teenage search for meaning and desire to see people for more than they actually are. Characters are quite relatable and it's an overall a pleasure to watch, with a gentle sprinkle of comedy.
  • The teen movie is having a comeback. And I'm not talking about something distantly related to "Clueless" or "Mean Girls": I'm talking about the teen movie that actually says something, like how John Hughes made our hearts ache and how "Flirting" (which I consider to be the finest teen movie ever made) reminded us that youth is an at-once arduous and preciously sacred time. Nothing's better than when movie executives get hit over the head and realize that the years of a teenager are not Bella and Edward moneymakers, making the correct decision to instead let someone like John Green have his say instead of Betty Thomas.

    Because one could say John Green is the new John Hughes, an author who seems most content when promoting weepers defined by immensely lovable, quirky characters put into situations dire in their conception but life-changing by their end. Granted, I'm no expert: my only contact with the author comes from last year's excellent adaptation of "The Fault In Our Stars" and my recent reading of "Paper Towns"; but recurring in his works is a considerable amount of heart, a rarity in a day and age of Instagram fed vapidness. "Paper Towns" is timely, heartrending. Not cancer-stricken or tragic like "The Fault in Our Stars", it captures the last few moments of high school and the mishaps that can emanate from first love in an affecting, authentic way. That's Green for you.

    This time around, the young man living the last few moments of high school and suffering from the mishaps that can emanate from first love is Quentin "Q" Jacobsen (Nat Wolff), an eighteen-year-old who has his entire life planned out. He's the kind of guy headed to a prestigious college in the fall, the kind of guy who gets excited by the idea of getting married and having kids. He's a square, but he's a square by choice — he's contented while the other kids seem to perpetually undergo serious bouts of angst.

    There's only one person in his high school that makes spontaneity seem exciting, that person being Margo (Cara Delevingne), his neighbor and longtime crush. She's one of the popular kids, getting her kicks palling around with the jocks and the pretty girls; but she's hardly innocuous, a nonconformist whose outwardly exuberant persona makes her a hit because everyone has an image of the person she really is on repeat. Quentin idolizes her.

    So imagine his surprise when Margo, who he's hardly talked to since they kidded around in their childhood days, shows up at his window one night, asking for a great favor. She has designed a revenge plot meant to harm the people who have scorned her throughout high school (most notably her ex-boyfriend and ex-BFFs), and she fathoms that Quentin, being the square he is, would benefit from a night out as a getaway driver. He reluctantly agrees, and the twosome, looking like a pair of twee rebels, embark on a journey around the city that provides Quentin with the greatest night of his life and yet another reason to love Margo Roth Spiegelman with all his heart. But the next day, she disappears as if she never existed.

    The rest of "Paper Towns" details Quentin's quest to find Margo and profess his love for her, deepening his friendships with longtime cronies Ben (Austin Abrams) and Radar (Justice Smith) while also learning a little bit about himself. The entire concept sounds very after school special, but Green is much too heartfelt and witty of a writer to make the story do anything besides tug at our heartstrings and make us unexpectedly guffaw like it's no big deal. The transition from book to film is a smooth one, conquering the difficulties of finding the perfect cast and ensuring that the best moments in the novel are characterized on the screen as we would want them to. Granted, some of my favorite things in the book are omitted, like Quentin and Margo's SeaWorld detour and Radar's love for Wikipedia parody Omnictionary, but I can live with it, especially considering the ending the film provides is much more satisfying than the novel's abrupt conclusion. So it's good that the moving yearning of "Paper Towns" stays one and the same on camera and on paper, bearing the same sort of urgent poignancy that hits us in spots we'd be too vulnerable to admit.

    And the performances are well-tuned: Wolff excels as an unconventional leading man, and Delevingne, the fashion world's new Kate Moss, gives a surprisingly earnest characterization. Supporting Abrams and Smith appeal, with Halston Sage and Jaz Sinclair inviting as their love interests. "Paper Towns" is exactly what fans of the novel want it to be. Just don't expect another "The Fault In Our Stars". It would be too much, and "Paper Towns" is too down to Earth to cause immediate dehydration of the eyes.
  • Warning: Spoilers
    I haven't read John Green's novel which the film "Paper Towns" is based on, but I note that the plot description of the novel in Wikipedia is remarkably similar to the film adaptation. Thus it appears that the film is a faithful rendering of the novel. Despite an immensely likable cast, I can only conclude that the fault with the narrative is due to the weakness of the original source material.

    The protagonist is one Quentin "Q" Jacobsen, a denizen of suburban Orlando, who has been pining away for his next-door-neighbor, Margo Roth Spiegelman, since childhood. We learn that the childhood friends have grown apart by the time they've reached adolescence, so Quentin is quite surprised when Margo climbs through his bedroom window with a proposal unbecoming of a protagonist's love object.

    Right away, Margo is disqualified as a likable character when she conscripts puppy dog Quentin in a revenge campaign against a boyfriend who has jilted her. And this is supposed to be the enigmatic rebel who later disappears and we're supposed to care about for the rest of the film? No need to rehash all of Margo's hijinks but the main point is that Quentin is so smitten with his neighbor the "rebel" that he's willing to risk a felony charge of breaking and entering in order curry favor with a girl he's fallen head over heels for.

    After Margo disappears, Act 2 is all about Quentin teaming up with his two buddies, Ben and Radar, along with Margo's estranged friend, Lacey, and Radar's girlfriend, Angela, to find Quentin's missing love interest. Margo leaves clues which eventually lead the group to an abandoned mini-mall where further clues are found. Then the group is off to upstate New York—along the way Lacey promises Ben she'll go with him to the prom and Radar loses his virginity with Angela.

    Upon arrival Margo is nowhere to be found and the group sans Quentin decides to high tail it back to Orlando in order to attend the prom. Finally, Quentin bumps into Margo just as he's buying a bus ticket to go back home. After waiting all this time for the dramatic climax, it turns out that Margo ran away simply to find herself (where she got the cash to support herself while on the run is never revealed). Quentin realizes that he had put Margo on a pedestal and that his infatuation with his childhood buddy was not productive.

    Nat Wolff as Quentin (who does a neat "Jimmy Stewart" impression along the way) may one day fill the shoes of the iconic actor. And Carla Delevingne (a dead ringer for either one of the Hemingway sisters), is sure to find notable roles in the Hollywood system in the future. Despite the likable cast, there is nothing about Margo, the principal love interest, that is the least bit interesting. The revelation at film's end that she's just an "ordinary teenager" who needs to find herself, is hardly the stuff of high drama. "Paper Towns" suffers from a lack of imagination on the part of Mr. Green, whose ordinary tale of teenage angst, fails to impress for all of its meandering 109 minutes.
  • This is a film that crosses many different genres: Romance, Comedy, Mystery and Adventure.Its one of them films that coins the phrase "Something for Everyone". This is another road trip movie but its fun and it has a very good story line. I haven't read the book but looking at other reviews it sticks very closely to the book which will please fans.

    Stand out performances from Cara Delivigne who plays Margo Roth Spiegelman and Nat Wolff who plays Quentin Jacobsen. There are some typical teen scenes which you have to just "not take too seriously" but overall I think its a fun feel good film and entertaining. Worth a watch.
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